故事跟随着一个事业有成的艺术家的回忆展开。那是1974年的夏天，18岁的艺术系男孩邂逅了一位比自己年长的艺术家。艺术家因为酗酒不仅对自己的工作漫不经心，对生活也失去了兴趣。男孩自己也有着烦心事，但还是试图探寻艺术家的心理，希望后者能振作起来。通过一段时间的相处，男孩的友善，让艺术家重新树立了生活的信心。艺术家的指点，也让男孩的世界观更加成熟。两个人的人生终于通过对方而变得圆满。

弘扬乡土文化，展现民间风采，这是 CCTV - 7 主推的纪录片特色。该纪录片从文化角度出发，深入发掘并展现一方水土的民俗、风物以及各类民间文化样式。它着重展示民间艺人的绝活绝技，揭秘他们鲜为人知的艺术人生，生动呈现一个地区的人文品格。通过精心提纯打造，为当地塑造独特的文化名片，助力宣传当地的软实力、人文环境和文化发展，为塑造地区良好形象贡献力量。

故事讲述了已故党委书记闫胜联在新时代背景下，深入实施乡村振兴，带领乡亲们踏踏实实走上乡村振兴道路的故事。

弘乡土文化,展民间风采，CCTV-7主推的纪录片，从文化的视角发掘展现一方水土的民俗、风物和各类民间文化样式，展示民间艺人的绝活绝技以及他们鲜为人知的艺术人生，呈现一个地区的人文品格，提纯打造一个地区的文化名片，为宣传当地的软实力、人文环境和文化发展、塑造地区良好形象做贡献。

【荒木哲郎 × SawanoHiroyuki[nZk]：Hata Motohiro】『COLORs』 　　楽曲タイトル：『COLORs』（書き下ろし楽曲） 　　監督：荒木哲郎（『進撃の巨人 Season1～3』監督･総監督、『甲鉄城のカバネリ』監督、『バブル』監督） 　　音楽：SawanoHiroyuki[nZk]：Hata Motohiro 　　キャラクターデザイン:米山舞 　　アニメーション制作：WIT STUDIO

【荒木哲郎 × SawanoHiroyuki[nZk]：Hata Motohiro】『COLORs』 　　楽曲タイトル：『COLORs』（書き下ろし楽曲） 　　監督：荒木哲郎（『進撃の巨人 Season1～3』監督･総監督、『甲鉄城のカバネリ』監督、『バブル』監督） 　　音楽：SawanoHiroyuki[nZk]：Hata Motohiro 　　キャラクターデザイン:米山舞 　　アニメーション制作：WIT STUDIO

In the aggressive and often hostile world of youth grass roots football Adam (17) faces an ultimatum from the team captain (Mike) when they discover Adam's best friend Tom is gay.

A bored future society starts to come alive with the addition of primary colors, as its world gradually becomes a groovy hippy paradise.

In the aggressive and often hostile world of youth grass roots football Adam (17) faces an ultimatum from the team captain (Mike) when they discover Adam's best friend Tom is gay.

Coppola’s ‘Custom’ was announced in May 2020, but by the end of 2021, the project was nixed. “They pulled our funding,” Coppola said. “It’s a real drag. I thought they had endless resources.” 　　Coppola further explains that she planned for “Custom” to be “five ‘Marie Antoinettes,” referring to her 2006 film, which cost $45 million to make. 　　“They didn’t get the character of Undine,” Coppola said of Apple executives, who she described as “mostly dudes.” “She’s so ‘unlikable.’ But so is Tony Soprano! … It was like a relationship that you know you probably should’ve gotten out of a while ago.” 　　Coppola previously told The New York Times that her five-hour adaptation was nixed by Apple because they hated “the idea of an unlikable woman,” adding “it wasn’t their thing […] that’s what I’m saying about who’s in charge.”