蒲原时子（吉田羊 饰）和母亲（富田靖子 饰）之间的感情一直十分的要好，因此，母亲的不幸离世给时子带来了非常大的打击，她费了好大的劲才从痛苦的阴霾之中走出，可即便如此，她和父亲（国村隼 饰）之间的关系还是产生了裂痕，时子无法自持的将母亲过世的责任转嫁到父亲的头上。 　　在给母亲扫墓的这天，父亲提出想要搬家，租住一幢租金不菲的公寓，他希望女儿能够给予自己经济上的支持。于是，时子提出了一个条件，她想将父亲和母亲曾经的故事写成小说发表，利用所赚取的稿费来支付父亲的房租。以此为契机，时子开始逐渐了解父母的过去，她和父亲之间的感情也渐渐的得到了修复。

蒲原时子（吉田羊 饰）和母亲（富田靖子 饰）之间的感情一直十分的要好，因此，母亲的不幸离世给时子带来了非常大的打击，她费了好大的劲才从痛苦的阴霾之中走出，可即便如此，她和父亲（国村隼 饰）之间的关系还是产生了裂痕，时子无法自持的将母亲过世的责任转嫁到父亲的头上。 　　在给母亲扫墓的这天，父亲提出想要搬家，租住一幢租金不菲的公寓，他希望女儿能够给予自己经济上的支持。于是，时子提出了一个条件，她想将父亲和母亲曾经的故事写成小说发表，利用所赚取的稿费来支付父亲的房租。以此为契机，时子开始逐渐了解父母的过去，她和父亲之间的感情也渐渐的得到了修复。

The movie stars Ayako Wakao. It depicts the emotional turmoil of a woman caught between two kinds of love: her familial love for her father and her romantic love for her partner. Co-starring are Takashi Shimura, Tsutomu Yamazaki, and others. Released in 1972.

一位男泌尿科醫生和他的牙醫丈夫深深相愛，但他們的關係在一段影片在社交媒體上爆紅後出現了意外的轉折。隨著焦點越來越明亮，名利的誘惑開始滲透進欲望之中。

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

A male urologist and his dentist husband used to be intimate. However, a video interview not only makes them famous but also examines whether they truly accept each other and their secret fetish.

一位男泌尿科醫生和他的牙醫丈夫深深相愛，但他們的關係在一段影片在社交媒體上爆紅後出現了意外的轉折。隨著焦點越來越明亮，名利的誘惑開始滲透進欲望之中。

欧锑锑娱乐第五部自製剧，当落入凡间的落魄月老与命带孤鸾的她相遇，这段姻缘会带给她们什麽考验？

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

《咒》監製楊旭奮、導演查迪奇的《罣愛》揭發假靈媒