公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

客观监控着主观的想象；虚构组成的真实正在真实地虚构。

客观监控着主观的想象；虚构组成的真实正在真实地虚构。

Two men, a nondescript space, some trees outside, a large glass table inside. These are the only visual elements in this minimalist reflection on human cruelty. Due to this pared-down approach, the focus lies entirely on the testimonies that director Selma Doborac has the actors Christoph Bach and Cornelius Obonya recite—separately, as if in an interrogation. Detached, without emotion, they recount experiences from an existence as a cog in a machine of mass destruction. These are monologues from the darkest recesses of human nature. 　　For the script, Doborac drew on historical sources (legal documents, testimonies stored in archives), but also on more philosophical considerations. Here and there, words and sentences pass by that are associated with the great tragedies of the 20th century—mass graves, “cockroaches,” gas chambers. But the outrages are disconnected from any specific history. They have merged into one single stream of mass violence, deeply engrained in humanity. The emotionless delivery makes the film even more moving. 　　源自：https://festival.idfa.nl/en/film/610c9c8a-2453-4d00-a000-3bdbef24a498/de-facto/

This sharp-witted dramedy studies a middle-aged NYC theatre actress suddenly forced to figure out the kind of person she wants to portray in real life when her marriage comes to an end after she catches her husband cheating.

This documentary is a making of feature, but it also features interviews with the cast and crew. Some interviews are recent, but some are from over 10 years ago. It starts out by interviewing Quentin Tarantino, along with Producer Lawrence Bender. They tell the story about how Tarantino started out. It even shows footage from Tarantino's first film "Reservoir Dogs." Most of the stars are interviewed, and it even covers topics in the film, such as how Tarantino made three stories come together as one, how the film was conceived by audiences, and even a quick segment about Tarantino's view on violence. 　　To top it all off, there is some behind the scenes footage, mainly of the part where Butch hits Marcellus with his car. At the end of the documentary, there is footage of the Cannes Film festival, and there is also information about the awards that Pulp Fiction won and was nominated for.

A fourteen year old boy who is gay is struggling with self-acceptance, reconciling who he is with his belief in God, and grappling with the decision of whether or not he should come out to his family.

A fourteen year old boy who is gay is struggling with self-acceptance, reconciling who he is with his belief in God, and grappling with the decision of whether or not he should come out to his family.

2017年，重塑被世界著名乐队Depeche Mode邀请，赴欧洲参与11场万人级别的演出，重塑此次欧洲行可以说是刷新了中国摇滚乐历史的重要事件。西方音乐市场的大门是否正在为我们打开？ 　　纪录片《喝彩之前》将为我们展现重塑2017欧洲巡演的传奇经历。在吉术斋导演大米的镜头下，我们将共同回到那个激动人心的时刻，和重塑一起向欧洲一线舞台迈出这历史性的一步……