公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

公元1874http://www.mtime.com/my/102874/　　作为颇有名气的电视节目《挑战清晨》的制片人，漂亮知性的艾比里（凯瑟琳·海格尔饰）一直是台里大家谈论的焦点，这不仅仅是因为她的节目有多么的受欢迎，更重要的是，已到而立之年的艾比里至今仍然单身一人，这不由得引起了台里大多数人的遐想，而对于艾比里自己而言，为什么单身她很清楚：因为她的择偶标准实在是高得惊人，而恰恰她又曾经碰上了符合自己所有标准的“完美先生”，但这位意中人最后却离开了她，于是现在的艾比里已经不再那么相信爱情，她把更多的心思放在了工作上面。　　对于婚姻与爱情的观点很快就引起了她的同事麦克（杰拉德·巴特勒饰）的兴趣。他认为艾比里现在对爱情的看法大有问题，因此他略施小计，激将艾比里参加自己制作的一档挑战节目，在这个节目里艾比里逐渐的发现了一些她过去认为“丑陋事实”的真相……

客观监控着主观的想象；虚构组成的真实正在真实地虚构。

客观监控着主观的想象；虚构组成的真实正在真实地虚构。

Two men, a nondescript space, some trees outside, a large glass table inside. These are the only visual elements in this minimalist reflection on human cruelty. Due to this pared-down approach, the focus lies entirely on the testimonies that director Selma Doborac has the actors Christoph Bach and Cornelius Obonya recite—separately, as if in an interrogation. Detached, without emotion, they recount experiences from an existence as a cog in a machine of mass destruction. These are monologues from the darkest recesses of human nature. 　　For the script, Doborac drew on historical sources (legal documents, testimonies stored in archives), but also on more philosophical considerations. Here and there, words and sentences pass by that are associated with the great tragedies of the 20th century—mass graves, “cockroaches,” gas chambers. But the outrages are disconnected from any specific history. They have merged into one single stream of mass violence, deeply engrained in humanity. The emotionless delivery makes the film even more moving. 　　源自：https://festival.idfa.nl/en/film/610c9c8a-2453-4d00-a000-3bdbef24a498/de-facto/

This documentary is a making of feature, but it also features interviews with the cast and crew. Some interviews are recent, but some are from over 10 years ago. It starts out by interviewing Quentin Tarantino, along with Producer Lawrence Bender. They tell the story about how Tarantino started out. It even shows footage from Tarantino's first film "Reservoir Dogs." Most of the stars are interviewed, and it even covers topics in the film, such as how Tarantino made three stories come together as one, how the film was conceived by audiences, and even a quick segment about Tarantino's view on violence. 　　To top it all off, there is some behind the scenes footage, mainly of the part where Butch hits Marcellus with his car. At the end of the documentary, there is footage of the Cannes Film festival, and there is also information about the awards that Pulp Fiction won and was nominated for.

A fourteen year old boy who is gay is struggling with self-acceptance, reconciling who he is with his belief in God, and grappling with the decision of whether or not he should come out to his family.

A fourteen year old boy who is gay is struggling with self-acceptance, reconciling who he is with his belief in God, and grappling with the decision of whether or not he should come out to his family.

本剧将以娱乐的形式描写充满梦想与希望的政治。木村饰演一名被孩子们围绕，每天过着充实生活的小学老师，却因为某些因素开始奋斗朝向政治圈，成为总理大臣的人性温情剧。 　　虽然被老奸巨猾的政治家们操弄着，却有着想让日本变得更好的想法，因此而与一些隐秘的人们一起奋斗。不忘记身为平民的感觉，以市井小民的观点，虽不懂太多政治方面的事，却不畏怯的素人总理之姿影响周围的人。 　　另外，担任此剧秘书角色的为深津绘里，距上回与木村共演的《从天而降的一亿颗星星》有六年之久，此一秘书角色为名门大学出身，本拥有一颗想要动摇日本野心的女性，但却渐渐被木村总理的理念给吸引。而二人之间的恋爱去向也是一大焦点。 　　本剧的制作人为后藤博幸，脚本为写过《HERO》日剧版与电影版的福田靖，导演则是执导《HERO》SP版、《西游记》日剧版与电影版的泽田鎌作所担任，可说是实力坚强的班底。

本剧将以娱乐的形式描写充满梦想与希望的政治。木村饰演一名被孩子们围绕，每天过着充实生活的小学老师，却因为某些因素开始奋斗朝向政治圈，成为总理大臣的人性温情剧。 　　虽然被老奸巨猾的政治家们操弄着，却有着想让日本变得更好的想法，因此而与一些隐秘的人们一起奋斗。不忘记身为平民的感觉，以市井小民的观点，虽不懂太多政治方面的事，却不畏怯的素人总理之姿影响周围的人。 　　另外，担任此剧秘书角色的为深津绘里，距上回与木村共演的《从天而降的一亿颗星星》有六年之久，此一秘书角色为名门大学出身，本拥有一颗想要动摇日本野心的女性，但却渐渐被木村总理的理念给吸引。而二人之间的恋爱去向也是一大焦点。 　　本剧的制作人为后藤博幸，脚本为写过《HERO》日剧版与电影版的福田靖，导演则是执导《HERO》SP版、《西游记》日剧版与电影版的泽田鎌作所担任，可说是实力坚强的班底。