90年代，一位女性的平凡史诗。

本片讲述了发丘中郎将胡万宗的传奇故事。乱世兵灾之中，风水奇人胡万宗为天下大局，也为了拯救重病妻子，出手相助义士寻得真龙，却不知陷入巨大阴谋，过程中痛失好友与挚爱，最终攻破地宫巨兽，截获真龙断角，获封“发丘中郎将”。

本片讲述了发丘中郎将胡万宗的传奇故事。乱世兵灾之中，风水奇人胡万宗为天下大局，也为了拯救重病妻子，出手相助义士寻得真龙，却不知陷入巨大阴谋，过程中痛失好友与挚爱，最终攻破地宫巨兽，截获真龙断角，获封“发丘中郎将”。

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.

影片改编自徐光耀的同名小说，再现抗日时期革命先烈的光辉形象。

在大时代的历史变迁下，三位青年从梅陵小镇而来，历经商、政、警界的一生，怀揣着各自的秘密，最终他们又将归向何处?

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