在目睹一朵古老的黑暗暴風雲痛苦地降雨並悲傷地消逝後，朵朵白雲諾瑪意識到她的女兒米克斯特利，一朵黑暗的暴風雲，正面臨早早降雨的危險。

冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

Uniforms, morning roll call, order, and discipline determine life at a prestigious boarding school somewhere in the Himalaya’s misty foothills. 16-year-old Jaivardhana isn’t thriving in this authoritarian environment. An opportunity for temporary respite from this strict regime presents itself, when a former teacher visits the school and offers interested students a photography workshop. During Mr Sapru’s inspiring lessons, the young people don’t learn about depth of field or shutter speed, but they do learn to open their senses and experience the world around them. 　　The photography lessons also introduce Jaivardhana to Tarini, a new student he has been watching for a while now. Something cautiously develops between the two timeless lovers – because their present meeting proves to fulfil a centuries-old desire, that references a classic Indian tale about tragic lovers and an evil, jealous ruler. When fate strikes, Jaivardhana decides to seek out the mythical figure Hanuman. 　　This lends this coming-of-age film a cosmic dimension, that director Rahat Mahajan also expresses in his debut feature film’s narrative form. Contemporary and ancient storytelling meet in an original fusion of classic cinema, with expressive storytelling traditions from the south of India. Mahajan’s own boarding school experiences were not only the inspiration, but also provided the film’s principal location, as it came about in collaboration with students and staff of his former school.

拜德是一个崇尚“做坏事”，以“坏”为道德标准的 “坏蛋联合会”组织成员之一。该组织等级划分明确，做的坏事越多越坏，在组织里的地位越高。拜德原本是该组织的一个小头目，一直在做坏事维护自己的地位。在一次做坏事的计划中，拜德阴差阳错的把坏事做成了好事。拜德因为做好事，触犯了“坏蛋联合会”禁忌，因此被坏蛋联合会降级贬为低级成员。拜德被贬为低级成员后，非常的不甘心。拜德一直谋划着要做一些惊天动地的大坏事，恢复自己在坏蛋联合会里的地位。 当拜德得到垃圾魔王被熊仔用八卦石封印的消息后，顿时有了新的坏事计划。拜德来到八卦镇，在八卦石下面提取了垃圾魔王的细胞基因，计划着利用现代高科技技术克隆出一个垃圾魔王，然后操控垃圾魔王去破坏地球。拜德的家伙被熊仔等人意外发现。熊仔带领大家破坏了拜德的克隆计划。

"拜德是一个崇尚“做坏事”，以“坏”为道德标准的 “坏蛋联合会”组织成员之一。该组织等级划分明确，做的坏事越多越坏，在组织里的地位越高。拜德原本是该组织的一个小头目，一直在做坏事维护自己的地位。在一次做坏事的计划中，拜德阴差阳错的把坏事做成了好事。拜德因为做好事，触犯了“坏蛋联合会”禁忌，因此被坏蛋联合会降级贬为低级成员。拜德被贬为低级成员后，非常的不甘心。拜德一直谋划着要做一些惊天动地的大坏事，恢复自己在坏蛋联合会里的地位。 当拜德得到垃圾魔王被熊仔用八卦石封印的消息后，顿时有了新的坏事计划。拜德来到八卦镇，在八卦石下面提取了垃圾魔王的细胞基因，计划着利用现代高科技技术克隆出一个垃圾魔王，然后操控垃圾魔王去破坏地球。拜德的家伙被熊仔等人意外发现。熊仔带领大家破坏了拜德的克隆计划。"

拜德是一个崇尚“做坏事”，以“坏”为道德标准的 “坏蛋联合会”组织成员之一。该组织等级划分明确，做的坏事越多越坏，在组织里的地位越高。拜德原本是该组织的一个小头目，一直在做坏事维护自己的地位。在一次做坏事的计划中，拜德阴差阳错的把坏事做成了好事。拜德因为做好事，触犯了“坏蛋联合会”禁忌，因此被坏蛋联合会降级贬为低级成员。拜德被贬为低级成员后，非常的不甘心。拜德一直谋划着要做一些惊天动地的大坏事，恢复自己在坏蛋联合会里的地位。 当拜德得到垃圾魔王被熊仔用八卦石封印的消息后，顿时有了新的坏事计划。拜德来到八卦镇，在八卦石下面提取了垃圾魔王的细胞基因，计划着利用现代高科技技术克隆出一个垃圾魔王，然后操控垃圾魔王去破坏地球。拜德的家伙被熊仔等人意外发现。熊仔带领大家破坏了拜德的克隆计划。

拜德是一个崇尚“做坏事”，以“坏”为道德标准的“坏蛋联合会”组织成员之一。该组织等级划分明确，做的坏事越多越坏，在组织里的地位越高。拜德原本是该组织的一个小头目，一直在做坏事维护自己的地位。拜德来到八卦镇，在八卦石下面提取了垃圾魔王的细胞基因，计划着利用现代高科技技术克隆出一个垃圾魔王，然后操控垃圾魔王去破坏地球。拜德被熊仔等人意外发现。熊仔带领大家破坏了拜德的克隆计划。

非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的<Dark City>,这是他的处女作.以下地址有详细介绍和剧照： 　　http://www.mitternachtskino.de/spiritsoftheair.htm 　　Like a dream, some things can only be experienced to understand 　　This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert. 　　All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight. 　　This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal. 　　Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.

非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的<Dark City>,这是他的处女作.以下地址有详细介绍和剧照： 　　http://www.mitternachtskino.de/spiritsoftheair.htm 　　Like a dream, some things can only be experienced to understand 　　This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert. 　　All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight. 　　This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal. 　　Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.