冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

It is said that laughter is at its best when a smile breaks through tears. The name of the Italian-born world citizen Andrea Magnani should not be unknown to the audiences of PÖFF. Those who still remember the director’s wonderfully convivial debut “Easy” which was screened at the festival in 2017 and in which a sissy who has come to love food too much is suddenly placed in front of big life choices can probably guess the direction that the director’s new film may take. 　　For young Giacinto, prison is like home. It would indeed be more correct to say that prison is his only home, because the little boy has been born in prison and has spent his entire life in prison with his mother. Prison is the place where Giacinto truly breathes and lives, as that’s the place where he has been born, learnt to walk and love. As soon as the prison doors close behind him, the young man feels that life outside the prison walls is not for him. At the first opportunity, he escapes from the outside back to prison, his home, where he can feel safe from the dangerous outside world. But upon reaching adulthood, Giacinto has to make an important decision... 　　According to the director, the film was inspired by his own youth years in a small Italian town that felt like a prison to his young self, but was still so dear. 　　This immensely warm comedy with its scarce dialogue and silent film elements knows what the audience expects from a film in difficult times. It is simply brimming with human warmth that we so desperately need today.

在萨克拉门托县立监狱里，女囚犯与强权以及彼此斗争，尽可能在狱中享受生活和爱情。

在萨克拉门托县立监狱里，女囚犯与强权以及彼此斗争，尽可能在狱中享受生活和爱情。

南桑宁在一系列的作死行为下，成为了病娇反派江佑安的掌中雀，两人同归于尽后，南桑宁意外获得了无限重生系统，得到了自我救赎的机会。与此同时，她拥有一个神奇的能力——看到江佑安头上的数字。每当这个数字变成100后，江佑安就会和她同归于尽。为了活下去，南桑宁不得不踏上漫漫拯救反派大佬之路。

南桑宁在一系列的作死行为下，成为了病娇反派江佑安的掌中雀，两人同归于尽后，南桑宁意外获得了无限重生系统，得到了自我救赎的机会。与此同时，她拥有一个神奇的能力--看到江佑安头上的数字。每当这个数字变成100后，江佑安就会和她同归于尽。为了活下去， 南桑宁不得不踏上漫漫拯救反派大佬之路。

Ideya Garanina's “Crane Feathers” (1977) based on a Japanese fairy-tale is another stunningly poetic work of art using stop motion armature animation.

Ideya Garanina's “Crane Feathers” (1977) based on a Japanese fairy-tale is another stunningly poetic work of art using stop motion armature animation.

在目睹一朵古老的黑暗暴風雲痛苦地降雨並悲傷地消逝後，朵朵白雲諾瑪意識到她的女兒米克斯特利，一朵黑暗的暴風雲，正面臨早早降雨的危險。