冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

Ideya Garanina's “Crane Feathers” (1977) based on a Japanese fairy-tale is another stunningly poetic work of art using stop motion armature animation.

Uniforms, morning roll call, order, and discipline determine life at a prestigious boarding school somewhere in the Himalaya’s misty foothills. 16-year-old Jaivardhana isn’t thriving in this authoritarian environment. An opportunity for temporary respite from this strict regime presents itself, when a former teacher visits the school and offers interested students a photography workshop. During Mr Sapru’s inspiring lessons, the young people don’t learn about depth of field or shutter speed, but they do learn to open their senses and experience the world around them. 　　The photography lessons also introduce Jaivardhana to Tarini, a new student he has been watching for a while now. Something cautiously develops between the two timeless lovers – because their present meeting proves to fulfil a centuries-old desire, that references a classic Indian tale about tragic lovers and an evil, jealous ruler. When fate strikes, Jaivardhana decides to seek out the mythical figure Hanuman. 　　This lends this coming-of-age film a cosmic dimension, that director Rahat Mahajan also expresses in his debut feature film’s narrative form. Contemporary and ancient storytelling meet in an original fusion of classic cinema, with expressive storytelling traditions from the south of India. Mahajan’s own boarding school experiences were not only the inspiration, but also provided the film’s principal location, as it came about in collaboration with students and staff of his former school.

在目睹一朵古老的黑暗暴風雲痛苦地降雨並悲傷地消逝後，朵朵白雲諾瑪意識到她的女兒米克斯特利，一朵黑暗的暴風雲，正面臨早早降雨的危險。

两个嬉皮士跑去墨西哥，开着一辆完全由大麻制作而成的货车回美国，而他们居然毫不知情。

两个嬉皮士跑去墨西哥，开着一辆完全由大麻制作而成的货车回美国，而他们居然毫不知情。

The bankrupcy of their hardware store forces Jack and Honey Bailey to move their young family to New Bedford, a small town where Jack's affluent family owns a silver mine. When Jack is killed in an accident soon after their arrival, his mother informs Honey that she is no longer welcome in the Bailey home. Knowing that she cannot support her three children on her own, Honey is forced to leave them with her mother-in-law while she looks for work in a nearby town. Set in Ontario in the 1930s, "Wind at My Back" follows Honey, her children and the Bailey family through the era known as the Great Depression. Written by Orson Wright {[email protected]}

该剧讲述了一位普通绣花女不寻常的人生。古镇绣女阿慧与邻村木匠阿平青梅竹马，不料她被东家少爷赵景憧无意之间相中。赵景憧不满封建家庭的束缚，同家里闹翻后自立门户。不久，他在处处碰壁的境遇中因车祸丧生。阿慧在当地的陋俗中成了所谓的“回缸女”，自此铸成了一生的悲剧。阿平坚持要娶阿慧，被族长百般阻挠，阿慧只得改嫁他人……多年以后，白发苍苍的阿平带着阿慧的后代，就像当年的阿慧一样，在金灿灿的油菜花中放起了风筝，跟孩子们一起缅怀那位可悲而又可怜的奶奶的故事。

该剧讲述了一位普通绣花女不寻常的人生。古镇绣女阿慧与邻村木匠阿平青梅竹马，不料她被东家少爷赵景憧无意之间相中。赵景憧不满封建家庭的束缚，同家里闹翻后自立门户。不久，他在处处碰壁的境遇中因车祸丧生。阿慧在当地的陋俗中成了所谓的“回缸女”，自此铸成了一生的悲剧。阿平坚持要娶阿慧，被族长百般阻挠，阿慧只得改嫁他人……多年以后，白发苍苍的阿平带着阿慧的后代，就像当年的阿慧一样，在金灿灿的油菜花中放起了风筝，跟孩子们一起缅怀那位可悲而又可怜的奶奶的故事。