冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

The widow of our village versus a Ukrainian bride! 　　A competition is held to see who is tastier! 　　Fair skin, red lips, big breasts and a thin waistline as well as a big butt; In-hae used to have men eating out of her hands with perfect looks and amazing techniques. One day, she is rivaled by Ahn-hyeop with bouncy blonde hair, blue eyes and long arms and legs. She's from Ukraine and draws the attention of all the men. In-hae is upset at her appearance. She attempts to attract the men back with a more seductive method.

The widow of our village versus a Ukrainian bride! 　　A competition is held to see who is tastier! 　　Fair skin, red lips, big breasts and a thin waistline as well as a big butt; In-hae used to have men eating out of her hands with perfect looks and amazing techniques. One day, she is rivaled by Ahn-hyeop with bouncy blonde hair, blue eyes and long arms and legs. She's from Ukraine and draws the attention of all the men. In-hae is upset at her appearance. She attempts to attract the men back with a more seductive method.

Ideya Garanina's “Crane Feathers” (1977) based on a Japanese fairy-tale is another stunningly poetic work of art using stop motion armature animation.

在江原道铁原的龙胆村，住着一位名叫金三宝（崔钟元饰）的赌徒。他终日追逐赌局，走遍八道，家中三两个月才回来一次，行踪如浮云般飘忽。他有个相好安协集（艺智媛饰），虽出身卑微，却生得格外美貌。然而她自幼在贫困乡间长大，最先学会的是金钱的价值——十五六岁时为一个甜瓜出卖贞操，从此认定“有钱就有丈夫、有吃有穿”，除性命外无所不给，毫不羞愧。安协集初来村庄时靠打零工维生，渐渐开始以身体换取米粮布匹，村中男子几乎无人未与她有染。主妇们愤而联合驱逐她，却因自家男人皆涉其中而失败。后院养蚕的申氏老太家有个叫三都利（赵炯基饰）的壮实长工，阴险好色，千方百计想占有安协集，却唯独被她坚决拒绝。安协集虽淫名在外，却极重自我意志：合心意者不算罪孽，不合心意者便是亵渎。三都利恼羞成怒，向归家的三宝歪曲告密，引发一场惊动全村的大吵闹。次日，安协集照常收下嫖资与三宝的积蓄，送他离去；三宝无奈叹息，再度背起行囊流浪。安协集目送他远去，重新妆扮，在公厅的爱恋中安然入睡。

28岁的蕾雅（Léa）是法国首批女性拉比之一。她肩膀柔弱，却肩负着重大责任，因为她必须在人们生活中大大小小问题的迷宫里寻找答案。然而，当她自己还在努力应对爱情、家庭的基本问题以及千禧一代对人生意义的追寻时，她又如何能成为他人的指引者呢？

在目睹一朵古老的黑暗暴風雲痛苦地降雨並悲傷地消逝後，朵朵白雲諾瑪意識到她的女兒米克斯特利，一朵黑暗的暴風雲，正面臨早早降雨的危險。

Uniforms, morning roll call, order, and discipline determine life at a prestigious boarding school somewhere in the Himalaya’s misty foothills. 16-year-old Jaivardhana isn’t thriving in this authoritarian environment. An opportunity for temporary respite from this strict regime presents itself, when a former teacher visits the school and offers interested students a photography workshop. During Mr Sapru’s inspiring lessons, the young people don’t learn about depth of field or shutter speed, but they do learn to open their senses and experience the world around them. 　　The photography lessons also introduce Jaivardhana to Tarini, a new student he has been watching for a while now. Something cautiously develops between the two timeless lovers – because their present meeting proves to fulfil a centuries-old desire, that references a classic Indian tale about tragic lovers and an evil, jealous ruler. When fate strikes, Jaivardhana decides to seek out the mythical figure Hanuman. 　　This lends this coming-of-age film a cosmic dimension, that director Rahat Mahajan also expresses in his debut feature film’s narrative form. Contemporary and ancient storytelling meet in an original fusion of classic cinema, with expressive storytelling traditions from the south of India. Mahajan’s own boarding school experiences were not only the inspiration, but also provided the film’s principal location, as it came about in collaboration with students and staff of his former school.

萬念俱灰的Noely回到紐約兜售聖誕樹，他在寒冷的冬夜販賣幸福，卻是離歡樂的聖誕氣息最遙遠的人；各種冷漠、詭異的客人來來去去，壓垮他對人性的最後一絲信念，絕望與漫長冬季急著分食，直到他意外幫助了公園裡的神秘女孩，她溫暖的存在是否能將Noely從爛掉的人生中拉回？