冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

豪门联姻的准则是表面夫妻，实则各玩各的。桑宁本以为傅舟是个例外，直到傅舟出轨小花旦的事实摆在眼前，桑宁才彻底死心。酒吧买醉，桑宁误把裴家太子爷当作男模一夜荒唐，殊不知，裴鹤野对桑宁是蓄谋已久，最终，桑宁摆脱傅舟，找回曾经光芒万丈的自己。

Ideya Garanina's “Crane Feathers” (1977) based on a Japanese fairy-tale is another stunningly poetic work of art using stop motion armature animation.

一家偏远的制砖厂以古老的方式生产砖块。许多不同民族的家庭在工厂工作，老板似乎掌握着解决他们问题的钥匙。40岁的Lotfollah出生在现场，他是工厂的主管，是工人和老板的中间人。老板让Lotfollah把所有工人召集到他的办公室前。他想和他们谈谈工厂停产的事情。现在对Lotfollah来说，所有的事情就是要保证他爱了很久的女人Sarvar不受伤害。

由禧禾传媒出品的《静谧之野》是国内首部自然睡眠纪录片。在纪录片的镜头下，我们安静的凝视着自然的细节，行走在山河之间。我们用画面和声音记录下中国土地上的风、沙、雨、火，以及人与自然的默契相处，娓娓道来般的讲述着这片土地上的季节流动。这是一场关于自然、手艺与时间的缓慢旅程，也是一段归于平静的心灵对话。自然，无须多言。

在目睹一朵古老的黑暗暴風雲痛苦地降雨並悲傷地消逝後，朵朵白雲諾瑪意識到她的女兒米克斯特利，一朵黑暗的暴風雲，正面臨早早降雨的危險。

Uniforms, morning roll call, order, and discipline determine life at a prestigious boarding school somewhere in the Himalaya’s misty foothills. 16-year-old Jaivardhana isn’t thriving in this authoritarian environment. An opportunity for temporary respite from this strict regime presents itself, when a former teacher visits the school and offers interested students a photography workshop. During Mr Sapru’s inspiring lessons, the young people don’t learn about depth of field or shutter speed, but they do learn to open their senses and experience the world around them. 　　The photography lessons also introduce Jaivardhana to Tarini, a new student he has been watching for a while now. Something cautiously develops between the two timeless lovers – because their present meeting proves to fulfil a centuries-old desire, that references a classic Indian tale about tragic lovers and an evil, jealous ruler. When fate strikes, Jaivardhana decides to seek out the mythical figure Hanuman. 　　This lends this coming-of-age film a cosmic dimension, that director Rahat Mahajan also expresses in his debut feature film’s narrative form. Contemporary and ancient storytelling meet in an original fusion of classic cinema, with expressive storytelling traditions from the south of India. Mahajan’s own boarding school experiences were not only the inspiration, but also provided the film’s principal location, as it came about in collaboration with students and staff of his former school.

《野雀之诗》碰触了隔代教养和生命存亡的议题，透过孩童纯粹的眼光来谈论现实生活的无奈与考验。

《野雀之诗》碰触了隔代教养和生命存亡的议题，透过孩童纯粹的眼光来谈论现实生活的无奈与考验。