冬日的清晨，宫子羽在旧尘山谷的万花楼醒来，侍奉他起床的紫衣姑娘敦促他抓紧时间回去，不要耽误今天宫门迎娶新娘。与此同时，旧尘山谷外的梨溪镇，一对母女正在家中告别，两名无锋刺客突然闯入，击晕了她们。无锋刺客云为衫换上新娘的嫁衣，摇身一变成为来自梨溪镇的宫门待选新娘。此番潜入宫门，她的目的只有一个——成为宫门少主宫唤羽的妻子，获取宫门情报。宫子羽从万花楼出来，与侍卫金繁一起坐马车回宫门，路上他们的马车被从旧尘山谷外骑马赶来的一个宫门哨点的药铺老板撞倒。身负重伤的药铺老板告诉宫子羽，他们的哨点遭遇无锋的突袭，他借假死偷听到无锋在今晚送进来的新娘里安插了一个刺客。宫子羽大惊，赶忙将这个消息禀告执刃宫鸿羽与少主宫唤羽。然而宫子羽并不知道，“新娘里有一个刺客”的消息是无锋设计故意让宫门知道的。无锋往宫门内送了不止一名刺客，所以特意走漏风声，牺牲一个间谍，保全其他人的安全。执刃宫鸿羽经验老道，听到这个消息便决定杀死所有新娘，宫子羽不忍有人被无辜滥杀，和父亲产生冲突。

渴望自由的间谍云为衫（虞书欣 饰）为完成任务深入宫门，在阴森诡谲的宫门之中遇到爱情、友情，找寻自我，坚定前进方向，与叛逆的公子哥宫子羽（张凌赫 饰）一同成长。

In the very near future, teleportation is commonplace and is used for intercity travel, having completely supplanted commercial aviation. Karan Varma, an IT employee, is returning to Pune from a business trip in Delhi. He gets into the departure booth in Delhi but never reaches Pune. His pregnant wife, Riya, must now fight the system to get him back. From dealing with lawyers to receiving threats and being publicly shamed by the media, she goes through an excruciating struggle but to no avail. In the end, she is presented with an offer: she can either receive an imperfect, 83% accurate clone of her husband or a large sum of money that will ensure a safe future for her child. 　　“The idea of this film came about when I was watching a video about teleportation on Youtube. It wasn’t too big a leap to imagine a future where such a technology becomes commonplace and then something goes wrong with it. But the motivation to place it within the structure of a satire stemmed from the way our interactions with technology have created a new kind of bureaucratic hell for us in the present. We have given up all of our data to tech giants and they know more about us than we even know about ourselves. It is only a matter of time before our bodies become nothing more than data as well. We live in a completely unbalanced system where the consumer is at the mercy of the corporation and has lost all of his agency. This film is a comment on our current relation with technology viewed through the lens of a sci-fi premise.”

In the very near future, teleportation is commonplace and is used for intercity travel, having completely supplanted commercial aviation. Karan Varma, an IT employee, is returning to Pune from a business trip in Delhi. He gets into the departure booth in Delhi but never reaches Pune. His pregnant wife, Riya, must now fight the system to get him back. From dealing with lawyers to receiving threats and being publicly shamed by the media, she goes through an excruciating struggle but to no avail. In the end, she is presented with an offer: she can either receive an imperfect, 83% accurate clone of her husband or a large sum of money that will ensure a safe future for her child. 　　“The idea of this film came about when I was watching a video about teleportation on Youtube. It wasn’t too big a leap to imagine a future where such a technology becomes commonplace and then something goes wrong with it. But the motivation to place it within the structure of a satire stemmed from the way our interactions with technology have created a new kind of bureaucratic hell for us in the present. We have given up all of our data to tech giants and they know more about us than we even know about ourselves. It is only a matter of time before our bodies become nothing more than data as well. We live in a completely unbalanced system where the consumer is at the mercy of the corporation and has lost all of his agency. This film is a comment on our current relation with technology viewed through the lens of a sci-fi premise.”

夜色笼罩，幽州节度使张伯靖仓皇逃跑，没想到从后面飞来一把剑…… 　　此事惊动朝廷，皇上命裴准去幽州一探究竟。同时，瘸腿牵马接到江湖令，邀请苏燕南和镜月去幽州找一个女人。江湖、藩镇纠葛在一起……

窃盗集团首领威尔(尼古拉斯·凯奇饰)在行动中被同伙出卖，威尔在警方赶到前，将抢来的巨款丢入铁桶烧毁，但仍入狱八年。威尔出狱后原本想金盆洗手，并与女儿艾莉森修复关系，却同时被FBI以及过去同伙找上，逼迫他交出当年的1000万美金。 　　同伙文森掳走爱丽森，要威尔用巨款来赎回女儿，他必须在24小时内凭着一个5K20编号找到被藏在计程车后车厢的女儿，当时却适逢纽奥良嘉年华会，街道上挤满了成千上万的人潮车辆，时间迫在眉梢，面对FBI的追捕以及文森的双重威胁下，威尔决定铤而走险，找回昔日拍档蕾莉(玛琳·阿克曼饰)，再大干一票。

窃盗集团首领威尔(尼古拉斯·凯奇饰)在行动中被同伙出卖，威尔在警方赶到前，将抢来的巨款丢入铁桶烧毁，但仍入狱八年。威尔出狱后原本想金盆洗手，并与女儿艾莉森修复关系，却同时被FBI以及过去同伙找上，逼迫他交出当年的1000万美金。 　　同伙文森掳走爱丽森，要威尔用巨款来赎回女儿，他必须在24小时内凭着一个5K20编号找到被藏在计程车后车厢的女儿，当时却适逢纽奥良嘉年华会，街道上挤满了成千上万的人潮车辆，时间迫在眉梢，面对FBI的追捕以及文森的双重威胁下，威尔决定铤而走险，找回昔日拍档蕾莉(玛琳·阿克曼饰)，再大干一票。

一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」

一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」

第二次世界大战中的德国，13岁的男孩埃勒斯因无人照顾进入了一家病院工作，但是他在那里却发现了令人震惊的事情（纳粹的纳粹安乐死计划），并与朋友们团结在一起，企图破坏这个计划，影片以孩子的视角展现了令人震撼的一段历史，以及人性的善恶，二战时超过五千名儿童死于纳粹安乐死计划。