萧大陆的情色电影。这也是萧大陆继《儿童不宜》之后又一部三段式故事题材的电影。本片主要讲述三个女人的故事，第一段是小丽（应晓薇饰）饰演的按摩女郎，经常玩弄客人。第二段是餐厅会计黄媚（王宝玉饰）与客人梁正雄（萧大陆饰）发生的感情，最后结婚之事不了了之。第三段是最精彩的一段，这也是台湾谐星两百块第一部电影，两百块在片中暗恋的梦中情人，居然是流莺。女神总给人一种爱搭不理，钱到位就可以蹂躏到过瘾，真是讽刺至极。片中提到两千块台币就可以招妓，过了三十多年，现在台湾居然还是这个物价，不过这个价只能是快餐了。

萧大陆的情色电影。这也是萧大陆继《儿童不宜》之后又一部三段式故事题材的电影。本片主要讲述三个女人的故事，第一段是小丽（应晓薇饰）饰演的按摩女郎，经常玩弄客人。第二段是餐厅会计黄媚（王宝玉饰）与客人梁正雄（萧大陆饰）发生的感情，最后结婚之事不了了之。第三段是最精彩的一段，这也是台湾谐星两百块第一部电影，两百块在片中暗恋的梦中情人，居然是流莺。女神总给人一种爱搭不理，钱到位就可以蹂躏到过瘾，真是讽刺至极。片中提到两千块台币就可以招妓，过了三十多年，现在台湾居然还是这个物价，不过这个价只能是快餐了。

这部作品是浙江卫视导演金华青带领摄制组先后三次来到杂技之乡吴桥拍摄的，历时4个多月，以全程纪实、多角度展示的方式，为观众呈现了杂技艺人舞台背后不为人知的艰辛和努力。纪录片时长30分钟，将镜头聚焦于吴桥县一群练杂技的孩子，讲述了他们竞争与生存的故事。影片中的孩子，用瘦弱的肩膀承担家庭的希望，在经历身体锻炼和心灵成长的同时，努力尝试着用自己的眼睛去寻找甜蜜和幸福……金华青说：“《花朵》以冷静的纪实手法，表达了对普通人生存境遇的关怀。” 　　2012联合国儿童基金会大奖、第17届黑山国际电视节金橄榄奖、首届凤凰纪录片大奖最佳微纪录片奖，入围2013纽约国际儿童电影节。

这部作品是浙江卫视导演金华青带领摄制组先后三次来到杂技之乡吴桥拍摄的，历时4个多月，以全程纪实、多角度展示的方式，为观众呈现了杂技艺人舞台背后不为人知的艰辛和努力。纪录片时长30分钟，将镜头聚焦于吴桥县一群练杂技的孩子，讲述了他们竞争与生存的故事。影片中的孩子，用瘦弱的肩膀承担家庭的希望，在经历身体锻炼和心灵成长的同时，努力尝试着用自己的眼睛去寻找甜蜜和幸福……金华青说：“《花朵》以冷静的纪实手法，表达了对普通人生存境遇的关怀。” 　　2012联合国儿童基金会大奖、第17届黑山国际电视节金橄榄奖、首届凤凰纪录片大奖最佳微纪录片奖，入围2013纽约国际儿童电影节。

76年柏林电影节银熊奖。 　　终于找到了这部传说中的片子，有了它我的伊朗电影15佳就算凑齐整了。。。：D 　　A rock garden blooms in the desert. With loving devotion, 90-year-old deaf-mute shepherd Darvish Khan has been taking care of the garden for decades. In the nearby village he is a living legend, known as a strong-armed hero who wrestles panthers with his bare hands and hauls heavy rocks alone from the desert into his amazing garden. To children, he is a nutty grandfather figure, and to his own son, he is an occasionally senile old man who continually runs off on his own. 　　In this film Kimiavi's visual and narrative style suits the story well – better, for instance than in his second film STONE GARDEN, the story of an old deaf and mute man who one night meets in his dream a saint who instructs him to make a stone garden. In this film there is a conflict between scenes in documentary style and other very stylized sequences. 　　Parviz Kimiavi (Born 1939, Tehran) is an internationally acclaimed Iranian (Persian) film director, screenwriter, editor and one of the most prominent figures of Persian cinema of the 20th century. Kimiavi studied photography and film at Ecole Louis Lumière (Louis Lumiere School of Cinematography) and IDHEC. His works gained critical success and won several prizes in important international events such as Berlin and Cannes.

76年柏林电影节银熊奖。 　　终于找到了这部传说中的片子，有了它我的伊朗电影15佳就算凑齐整了。。。：D 　　A rock garden blooms in the desert. With loving devotion, 90-year-old deaf-mute shepherd Darvish Khan has been taking care of the garden for decades. In the nearby village he is a living legend, known as a strong-armed hero who wrestles panthers with his bare hands and hauls heavy rocks alone from the desert into his amazing garden. To children, he is a nutty grandfather figure, and to his own son, he is an occasionally senile old man who continually runs off on his own. 　　In this film Kimiavi's visual and narrative style suits the story well – better, for instance than in his second film STONE GARDEN, the story of an old deaf and mute man who one night meets in his dream a saint who instructs him to make a stone garden. In this film there is a conflict between scenes in documentary style and other very stylized sequences. 　　Parviz Kimiavi (Born 1939, Tehran) is an internationally acclaimed Iranian (Persian) film director, screenwriter, editor and one of the most prominent figures of Persian cinema of the 20th century. Kimiavi studied photography and film at Ecole Louis Lumière (Louis Lumiere School of Cinematography) and IDHEC. His works gained critical success and won several prizes in important international events such as Berlin and Cannes.

物語は作家の宇野千代さんがモデル。タイトルの『ブラッサム』は花の開花を意味し、「咲き誇れ」の思いを込め、主人公が自分を肯定し、自分を奮い立たせる言葉だという。今作は明治、大正、昭和を駆け抜け、自由を求め続けた作家・宇野千代さんをモデルとした物語。戦後、女性たちからの圧倒的な支持を受け、しなやかに、したたかに、愉快に生きながら、今も現代人の背中を押してくれる強烈な言葉を残した生涯。日本の朝に「幸せ」を運ぶ。

物語は作家の宇野千代さんがモデル。タイトルの『ブラッサム』は花の開花を意味し、「咲き誇れ」の思いを込め、主人公が自分を肯定し、自分を奮い立たせる言葉だという。今作は明治、大正、昭和を駆け抜け、自由を求め続けた作家・宇野千代さんをモデルとした物語。戦後、女性たちからの圧倒的な支持を受け、しなやかに、したたかに、愉快に生きながら、今も現代人の背中を押してくれる強烈な言葉を残した生涯。日本の朝に「幸せ」を運ぶ。

上世纪70年代至当代，以福建惠安小咋镇为原型，展现惠东地区惠安女精美的服饰何独特的地域婚俗，体现惠安女群体的生存状态与精神觉醒。

上世纪70年代至当代，以福建惠安小岞镇为原型，展现惠东地区惠安女精美的服饰和独特的地域婚俗，体现惠安女群体的生存状态与精神觉醒。