在这个以“善解人意”为名的华丽牢笼中，她本应谨遵母亲教诲，成为他人眼中的温婉贤淑。然而，当亲人接连遇害，家族恩怨如潮水般涌来，她才明白，所谓的“善解人意”，不过是步步被逼的催命符。为报杀母之仇，她将仇人溺毙于池，手段狠辣；为祭奠亡母，她送外室母女一同前往黄泉，绝不留情；甚至面对祖母对父亲继室的急切，她以绝子药终结了老人的念想，目光决绝。她以为自己已是“善解人意”的典范，直到夫君带着外室母子逼她让位，质问她“断子绝孙”的罪名。那一刻，她明白了，真正的“善解人意”，是让所有试图摧毁她的人，都尝到他们亲手种下的恶果。在这场波诡云谲的权力斗争和生存游戏里，她将用另一种方式，“善解”这命运的安排。

我从小护到大的乖徒弟成了魔尊，他重返人间的第一件事，便是带着戾气寻到我的宗门，结界震荡，同门惶恐退避，我执剑拦在众人身前，掌心已因运力泛起白痕。喧嚣声中，我看清他眼底翻涌的复杂情绪，不似全然的恶，于是收了半分剑势，轻咳一声，“咳，好歹师徒一场，有什么事，冲我来便好，莫要迁怒旁人。”他闻言骤然笑了，笑声很轻，却少了几分嘲讽，多了几分说不清道不明的委屈， “师父还是这般护着旁人。”他缓步走近，周身戾气渐收，“可师父忘了，当年您弃我于绝境时，谁又曾护过我？”我心口一窒，才惊觉这满院对峙的背后，从不是什么赶尽杀绝，他要的，从来都只是我一句解释，一个回头……

廊下那抹青衣总是安静。他研墨时垂着眼睫，袖间松香随动作隐隐浮动。直到某日暴雨突至，我避入廊角，他迟疑着递来半幅未干的宣纸——上面墨迹淋漓，不是情诗，竟是我昨日随口吟残的半阕词。雨珠沿着瓦檐坠成串，他耳尖微红，转身时，袖口那缕墨香忽然就缠住了潮湿的黄昏。

The final film by filmmaker Marlon Riggs jumps into the middle of explosive debates over Black identity. BLACK IS... BLACK AIN'T is a fi lm every African American should see, ponder and discuss. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating. Is there an essential Black identity? Is there a litmus test defining the real Black man and true Black woman? Riggs uses his grandmother's gumbo as a metaphor for the rich diversity of Black identities. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of "Blackness." Riggs mixes performances by choreographer Bill T. Jones and poet Essex Hemphill with commentary by noted cultural critics Angela Davis, bell hooks, Cornel West, Michele Wallace, Barbara Smith and Maulana Karenga to create a flavorful stew of personal testimony, music, and history.

The final film by filmmaker Marlon Riggs jumps into the middle of explosive debates over Black identity. BLACK IS... BLACK AIN'T is a fi lm every African American should see, ponder and discuss. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating. Is there an essential Black identity? Is there a litmus test defining the real Black man and true Black woman? Riggs uses his grandmother's gumbo as a metaphor for the rich diversity of Black identities. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of "Blackness." Riggs mixes performances by choreographer Bill T. Jones and poet Essex Hemphill with commentary by noted cultural critics Angela Davis, bell hooks, Cornel West, Michele Wallace, Barbara Smith and Maulana Karenga to create a flavorful stew of personal testimony, music, and history.

虞希为父还债嫁给周秉森，可周秉森只是因为家人逼迫才娶了虞希，根本就不爱她，两人彼此也没见过面。但周秉森却在装修新房的过程中，爱上设计师虞希，虞希虽对他也有感情，却因他有家室而始终和他保持距离，直到顶替了虞希身份的冯莉莉算计被揭露，虞希周秉森两人才知道全部真相走到一起。

虞希为父还债嫁给周秉森，可周秉森只是因为家人逼迫才娶了虞希，根本就不爱她，两人彼此也没见过面。但周秉森却在装修新房的过程中，爱上设计师虞希，虞希虽对他也有感情，却因他有家室而始终和他保持距离，直到顶替了虞希身份的冯莉莉算计被揭露，虞希周秉森两人才知道全部真相走到一起。