是由中央电视台主办，中央电视台财经频道和观正影视联合出品的首档大型探索互动演讲节目。节目旨在通过嘉宾对近未来的畅想，塑造出立体、可感的内容，并通过情感的纽带联系不同时空的生命。

是由中央电视台主办，中央电视台财经频道和观正影视联合出品的首档大型探索互动演讲节目。节目旨在通过嘉宾对近未来的畅想，塑造出立体、可感的内容，并通过情感的纽带联系不同时空的生命。

Sobre las nubes (About the Clouds), the portrait of a city and a contemporary saga of a middle class viewed through its relationship with work, depicts the everyday lives of four people with an artistry that’s abundant yet sober, generous yet precise. The dramatisation, stripped of any effects, is entirely devoted to the attention it pays to the characters. Ramiro, Nora, Hernán and Lucía don’t know each other. The only thing they have in common is that they work or are looking for work, and they live in the same city. They never meet, but all of them cross paths with the young woman with aquiline features, a musical presence who discreetly harmonises the film, accompanying it with her gentle melodies. María Aparicio, observing in the background, leaves these solitary presences to develop in parallel. Without ever raising its voice, the film unfolds with restraint and moderation, focusing on humility. When, in the dead of night, a female police officer asks a cross-dressing singer to go and sing elsewhere as he lip-synchs Maria Callas’ rendition of Tacea la notte placida (How Peaceful was the Night), all the sadness of a world reduced to silence is encapsulated in a sequence of rare beauty. In this melancholic black and white painting, the poetics of the image elevate the everyday to the unusual, the gloom to sweet fantasy, in discrete epiphanies like those magic tricks performed with mischief or the savvy pleasure taken in reciting a theatrical script. “I was sad, but I’m better” says one of the characters at the end of the film. Just as the clouds over the city come and go, caught up in the infinite movement of time, the characters’ sadness eventually subsides and seems to disappear to “that place that no one has ever visited, that place we call the past”, in the words of Juan José Saer (Las Nubes). 　　源自：https://fidmarseille.org/en/film/sobre-las-nubes-about-the-clouds/

Sobre las nubes (About the Clouds), the portrait of a city and a contemporary saga of a middle class viewed through its relationship with work, depicts the everyday lives of four people with an artistry that’s abundant yet sober, generous yet precise. The dramatisation, stripped of any effects, is entirely devoted to the attention it pays to the characters. Ramiro, Nora, Hernán and Lucía don’t know each other. The only thing they have in common is that they work or are looking for work, and they live in the same city. They never meet, but all of them cross paths with the young woman with aquiline features, a musical presence who discreetly harmonises the film, accompanying it with her gentle melodies. María Aparicio, observing in the background, leaves these solitary presences to develop in parallel. Without ever raising its voice, the film unfolds with restraint and moderation, focusing on humility. When, in the dead of night, a female police officer asks a cross-dressing singer to go and sing elsewhere as he lip-synchs Maria Callas’ rendition of Tacea la notte placida (How Peaceful was the Night), all the sadness of a world reduced to silence is encapsulated in a sequence of rare beauty. In this melancholic black and white painting, the poetics of the image elevate the everyday to the unusual, the gloom to sweet fantasy, in discrete epiphanies like those magic tricks performed with mischief or the savvy pleasure taken in reciting a theatrical script. “I was sad, but I’m better” says one of the characters at the end of the film. Just as the clouds over the city come and go, caught up in the infinite movement of time, the characters’ sadness eventually subsides and seems to disappear to “that place that no one has ever visited, that place we call the past”, in the words of Juan José Saer (Las Nubes). 　　源自：https://fidmarseille.org/en/film/sobre-las-nubes-about-the-clouds/

全京城皆知顾丞相之子顾云峥将迎娶沈家独女沈凝。然而，云国规定女子年满二十未嫁，官府将为其指配婚约，甚至可能嫁猪嫁狗。眼看沈凝即将年满二十，顾云峥却宣布要纳沈凝收留的孤女为贵妾，且地位高于沈凝。沈凝心痛不已，决定取消婚约，另嫁他人。顾云峥不信，仍与那孤女亲密往来。沈凝心灰意冷，远嫁江南富商。顾云峥得知后，不顾即将举行的婚礼，追至沈凝家中，却为时已晚。

故事发生在偏僻贫瘠的云顶村之中，杨父为了供弟弟杨小迪上学，让姐姐杨招弟把家里的白马卖了换钱付学费。山高路远，杨小迪背着父母悄悄跟着杨招弟去马市，最后却只有姐姐回到家中。姐姐是否知道弟弟的踪迹呢？

国内第一部“桌面短剧”。通过特殊的拍摄及后期手段，打破常规叙事感，剧中大部分内容将以电脑屏幕、手机屏幕进行呈现，使观众站在“上帝视角”，获得前所未有的参与感、新鲜感和刺激感。 　　“弥撒斯神睁眼时，偷窃谷物者，施以利剑审判。” 　　张言（孙睿饰）是一个写小说的，空有一腔热情却得不到市场认可，他穷困潦倒、前途未卜，最后，始终支持她的未婚妻（陈秋伶饰）也离开了。 　　绝望之时，一个红色U盘出现在了他的口袋中，里面竟然有一部尚未出版的小说手稿，详细描写了一场连环杀人游戏，以幕后黑手为视角，为被害人设计了各种挑战，奇异诡谲、刺激骇人。 在酒精的迷惑下，张言“发表”了这部小说，他一夜成功，成为文坛新星，也收获了并肩作战的好兄弟、好老板——郑雄（江奇霖饰）。 　　就在此时，一个蒙面人找上了张言。他说小说里的“幕后黑手”就是自己——哪有什么小说手稿，不过是自己的“真实记录”。如果张言不想成为“杀人犯”，如果他不想失去名利和兄弟，就要听从自己的。 　　一场迷雾重重的变态游戏，一出精心设计的“死亡挑战”，一场关乎性命与荣耀、毁灭和生存的游戏正式展开……

网络流媒体平台Crackle电视电影《在云端》由Robert Scott Wildes导演，Vanya Asher负责创作剧本，Dan Friedkin、Tim Kring、Bradley Thomas、Justin Levy、Brian Kavanaugh-Jones、Jillian Apfelbaum、Chris Goble制片。在近未来时代，一批受害人在连环恐怖炸弹袭击案中丧生，促使两个关系疏远的科技天才联手开发一种前沿科技，以阻止今后的袭击事件。在此过程中，他们无意中创造了一个能改变人类生命与死亡意义的人工智能。 　　该剧将聚焦虚拟现实技术和人工智能技术的快速发展及其对人类社会产生的影响，尤其是人类因技术革命而面临的潜在威胁。主人公是两个关系疏远的科技天才，因为共同的导师神秘死亡，他们被迫走到一起。他们竭尽全力搁置彼此之间的分歧，创造一种完美的前沿科技——通过一种虚拟现实环境来刺探恐怖分子的记忆，找到尚未爆炸的炸弹，阻止更多无辜者在恐怖袭击中丧生。但是一些居心叵测的人躲藏在暗处，想要将他们的「记忆云」据为己有，创造并控制所谓的「数字来世」。在争分夺秒阻止恐怖袭击的过程中，主人公无意中创造出一种强大的人工智能，足以改变生与死的意义以及人类的命运。 　　最初的剧情介绍曾这样写道（但是剧组在拍摄过程中似乎改主意了）：故事描述一家绝密的科技公司开发出一款神奇软件，能够将人的意识和记忆传送到不受时间、地点和生命状态决定的虚拟空间中——换言之，人的意识和记忆被「云端」化了。在「云端」，意识能与一个非常真实的人工智能化身进行沟通……即便这些人已经死了。这家公司上市的日期越来越近，但这家公司里许多人的动机似乎有问题，而且技术本身也有问题。许多人想要毁掉这家公司，杀死所有在「云端」而人——无论这样做是否会改变人类的命运。 　　Gabriel Byrne扮演守旧的纽约移植医生Doc Wolff，负责掌管一家位于英国的、世界最先进的私人基金神经科学研究室。 　　Justin Chatwin扮演神经系统科学家Hale，是个性格傲慢的无政府主义者、实用主义者。 　　Nora Arnezeder扮演硬件科技大师Z，是Hale的女友。 　　Tomiwa Edun扮演深沉的天才Theo Jones，有一段非常复杂的历史。 　　Laura Fraser扮演爱克赛基金会的主要代表Mary女士，就是这个财团资助了Doc Wolff的实验室。

主人公是两个关系疏远的科技天才，因为共同的导师神秘死亡，他们被迫走到一起。他们竭尽全力搁置彼此之间的分歧，创造一种完美的前沿科技——通过一种虚…