In its seven-year run on television, Party of Five managed to portray extreme emotions in a contained, tasteful, and level-headed way without sacrificing poignancy or richness. Aimed at a teen audience but with crossover appeal to most viewers, the series dealt with recurring themes of loss and disappointment, made all the more interesting because Party of Five's major characters, especially in season 1, are youthful siblings coping with the recent deaths of their parents in an automobile accident. 　　 　　Shocked into a beyond-their-years awareness of the fragility of ordinary life and the importance of loyalty and loving bonds, the Salinger offspring--24-year-old Charlie (Matthew Fox), high schoolers Bailey (Scott Wolf) and Julia (Neve Campbell), 11-year-old Claudia (Lacey Chabert), and baby Owen (various infant actors)--bring a deeply felt, sometimes desperate gravitas to lesser but still significant misfortunes in relationships, peer pressures, and ambitions. On top of that, each has to take on responsibilities beyond their experience--hiring nannies, raising money for mortgage payments, etc.--and make sacrifices robbing them of formative experiences.

Back in her family home, Wenqian Zhang settles in with her camera. A Long Journey Home tells the story of this cohabitation via a relational and temporal journey that stirs up emotions while challenging contemporary China’s “making a family” from the inside. This is a brilliant quest for emancipation seeking a place among one’s own people.

Back in her family home, Wenqian Zhang settles in with her camera. A Long Journey Home tells the story of this cohabitation via a relational and temporal journey that stirs up emotions while challenging contemporary China’s “making a family” from the inside. This is a brilliant quest for emancipation seeking a place among one’s own people.

Walking home from work one night, Thana, a mute seamstress in New York City's Garment District, is raped at gunpoint in an alley by a mysterious, masked attacker. She survives and makes her way back to her apartment, where she encounters a burglar and is raped a second time. Thana bludgeons this second assailant to death with an iron. She then keeps his .45 caliber M1911A1 pistol, dismembers the burglar's body, puts the pieces into plastic garbage bags and gradually disposes of them in various locations throughout the city. She begins to have frequent nightmares and hallucinations of the first assailant stalking her, and her mental stability begins to dim. 　　Thana is noticed by a man while she is disposing of one of the bagged body parts; retrieving the bag, he chases and frightens her. Fearing another sexual assault, she fatally shoots him. This event furthers her impulse for vengeance. Gradually, Thana transforms her appearance to become a more and more seductive bait, and sets out to kill any man who annoys her. Near the end of the film, she dons a nun's habit and red lipstick to attend a Halloween party with her boss and co-workers. Her boss tries to take advantage of her and is killed; Thana then begins a shooting spree and targets all the men present. Finally she is stabbed by a female colleague.

哑巴持枪少女对男人们的态度

德国摄影记者菲力浦过着流浪式的生活，有一次被派到美国完成一项采访，但他并没有完成任务。途中与一个神秘的美国女子邂逅之后，无意中成了她那九岁的小女孩的监护人。菲力浦必须带着小爱丽丝穿越德国、帮她寻找奶奶的过程中，互相有了意想不到的了解，故事回避单刀直入，发展充满惊喜，主题的显现极其优雅，让观众慢慢体会美国大众文化对战后欧洲的影响。

德国摄影记者菲力浦过着流浪式的生活，有一次被派到美国完成一项采访，但他并没有完成任务。途中与一个神秘的美国女子邂逅之后，无意中成了她那九岁的小女孩的监护人。菲力浦必须带着小爱丽丝穿越德国、帮她寻找奶奶的过程中，互相有了意想不到的了解，故事回避单刀直入，发展充满惊喜，主题的显现极其优雅，让观众慢慢体会美国大众文化对战后欧洲的影响。

刘野绑定古代商贾系统，在72小时内迅速筹集巨款，决心将现代的一切统统变现，为穿越古代打下坚实资本。穿越后，他利用食物收买流民，用现代医术树立威望，在险要山谷建立据点。凭借复合弓、无人机等现代武器，他轻松击溃来袭绑匪，收编降兵，打造出一个前所未有的太平盛世。