一部性爱电影，描述一个男人一边看着各种关系的夫妻，一边为婚姻而苦恼。

Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way. 　　The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control. 　　The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect. 　　Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.

Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way. 　　The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control. 　　The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect. 　　Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.

一个姑娘，她要嫁给一个心爱的男人。但这个男人家中共有七兄弟。谁能想像，蜜月期除了自己的老公，还得和六个愣头青小伙一起度过，大房子会被乱搅和得糟…

吉姆（赫伯特·马歇尔 Herbert Marshall 饰）即将和未婚妻携手步入婚姻的殿堂，但他始终觉得，自己对未婚妻更多的是责任而不是感情。一次偶然中，失意的吉姆在公园里散步，邂逅了名叫琼（琪恩·亚瑟 Jean Arthur 饰）的女孩。琼正在找工作，她烧得一手好菜，可是，所有招聘厨师的广告都要求招聘厨师和管家的夫妻组合，没有人要单打独斗的琼。 　　看到了同样形单影只的吉姆，琼灵机一动，她说服了吉姆和自己假扮夫妻，并且最终顺利的获得了一份工作。在相处的过程中，吉姆和琼之间渐渐产生了真挚的感情，可是吉姆一直对琼隐瞒着自己的真实情况，眼看着琼对自己越来越信赖，吉姆该何去何从呢？

吉姆（赫伯特·马歇尔 Herbert Marshall 饰）即将和未婚妻携手步入婚姻的殿堂，但他始终觉得，自己对未婚妻更多的是责任而不是感情。一次偶然中，失意的吉姆在公园里散步，邂逅了名叫琼（琪恩·亚瑟 Jean Arthur 饰）的女孩。琼正在找工作，她烧得一手好菜，可是，所有招聘厨师的广告都要求招聘厨师和管家的夫妻组合，没有人要单打独斗的琼。 　　看到了同样形单影只的吉姆，琼灵机一动，她说服了吉姆和自己假扮夫妻，并且最终顺利的获得了一份工作。在相处的过程中，吉姆和琼之间渐渐产生了真挚的感情，可是吉姆一直对琼隐瞒着自己的真实情况，眼看着琼对自己越来越信赖，吉姆该何去何从呢？

「ナナとカオル」「年上の彼女（ヒト）」などで人気の漫画家・甘詰留太によるコミック「ハッピーネガティブマリッジ」を実写化し、物語を前後半にわけて公開する劇場版の前編。30歳の会社員・佐藤啓太郎は、恋に臆病のため恋愛経験もなく独身で、いまだに童貞。暮らしている会社の独身寮にいられる期限は31歳までで、タイムリミットが迫ったある日、見合い話が舞い込む。啓太郎は、見合い相手の秋緒志麻子に出会って早々に恋をするが……。主人公・啓太郎役は、ミュージカル「テニスの王子様」で注目された永山たかし。ヒロインの志麻子には、ミスマガジン2003でミス少年マガジンに選出されたグラビアアイドルで女優の瀬戸早妃。

青年新贵陆沉渊自愿求娶骠骑大将军之女江雨柔，消息轰动整个京城，因为江雨柔顽劣之名家喻户晓。而江雨柔为了让陆沉渊悔婚，使尽浑身解数。可陆沉渊见招拆招，对江雨柔不离不弃，最终感动了她，两人终成眷属。