林肯总统签署的最后一项法案授权将联合太平洋铁路穿过荒原推向加利福尼亚。但金融投机家阿萨-巴罗斯（Asa Barrows）希望通过阻挠这条铁路获利。首席故障排除专家杰夫-巴特勒（Jeff Butler）手忙脚乱地与巴罗斯的代理人、赌徒希德-坎普（Sid Campeau）斗智斗勇；坎普的合伙人迪克-艾伦（Dick Allen）是杰夫的战友，也是工程师女儿莫莉-莫纳汉（Molly Monahan）的情敌追求者。谁能在不惜一切代价推动铁路贯通的努力中幸存下来？

林肯总统签署的最后一项法案授权将联合太平洋铁路穿过荒原推向加利福尼亚。但金融投机家阿萨-巴罗斯（Asa Barrows）希望通过阻挠这条铁路获利。首席故障排除专家杰夫-巴特勒（Jeff Butler）手忙脚乱地与巴罗斯的代理人、赌徒希德-坎普（Sid Campeau）斗智斗勇；坎普的合伙人迪克-艾伦（Dick Allen）是杰夫的战友，也是工程师女儿莫莉-莫纳汉（Molly Monahan）的情敌追求者。谁能在不惜一切代价推动铁路贯通的努力中幸存下来？

In the first scene, two men stand outside of a car, waiting for the air conditioner to cool down the vehicle. As one puts on some house music using the car’s CD player, their silence is broken into a state of indescribable feelings. In the second scene, shot on Super 8 film, a person tries to recount a story as he spins a pen around in his hands. As he narrates the story which he cannot fully remember, he ponders this unusual amnesia. In the third scene, also filmed on Super 8, focuses on two pairs of hands cutting each other’s nails, the caring yet sensitive gesture were echoed by the intertitles. The fourth scene features a woman standing in a forest putting tiger balm on her body. And in the last scene, two people are playing cat's cradles, while two voices exchanges stories of inexplicable gestural encounters with other queer bodies. 　　Improvised with a non-white cast, and prominently featuring queer and Asian bodies, these fragmented memories, uneasy gossip, and moments of silence, center on one key question: When the idea of an individual subject cannot take form, how might we reconsider being visible, audible, or legible?

In the first scene, two men stand outside of a car, waiting for the air conditioner to cool down the vehicle. As one puts on some house music using the car’s CD player, their silence is broken into a state of indescribable feelings. In the second scene, shot on Super 8 film, a person tries to recount a story as he spins a pen around in his hands. As he narrates the story which he cannot fully remember, he ponders this unusual amnesia. In the third scene, also filmed on Super 8, focuses on two pairs of hands cutting each other’s nails, the caring yet sensitive gesture were echoed by the intertitles. The fourth scene features a woman standing in a forest putting tiger balm on her body. And in the last scene, two people are playing cat's cradles, while two voices exchanges stories of inexplicable gestural encounters with other queer bodies. 　　Improvised with a non-white cast, and prominently featuring queer and Asian bodies, these fragmented memories, uneasy gossip, and moments of silence, center on one key question: When the idea of an individual subject cannot take form, how might we reconsider being visible, audible, or legible?

The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.

A tacky version of the lake sequence in "Zodiac".

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

这是一个大部分动物能够听懂人类的语言，且能与人类沟通的世界。 在其中一个家庭里饲养着小豆柴(小neinei)、田园猫(小mimi)、巴哥犬(小pipi)、哈士奇(小qiqi），他们善解人意，个性鲜明。 小neinei天真懵懂，经常爆出惊人天语；小mimi温柔可爱，梦想着自己能成为第一只走上红地毯的猫；小pipi呆萌，虽然看上去不够聪明，却总能以它蠢萌的形象温暖身边的人；小qiqi立志要成为优秀的家宠，却因为太胖而老是偷懒。 故事围绕着这几只宠物展开，在平凡的日常中，不断带来笑点/尿点/萌点/爆点，他们的主人将他们的一切以视频形式记录发布，让更多的人了解到他们的可爱。

这是一个大部分动物能够听懂人类的语言，且能与人类沟通的世界。 在其中一个家庭里饲养着小豆柴(小neinei)、田园猫(小mimi)、巴哥犬(小pipi)、哈士奇(小qiqi），他们善解人意，个性鲜明。 小neinei天真懵懂，经常爆出惊人天语；小mimi温柔可爱，梦想着自己能成为第一只走上红地毯的猫；小pipi呆萌，虽然看上去不够聪明，却总能以它蠢萌的形象温暖身边的人；小qiqi立志要成为优秀的家宠，却因为太胖而老是偷懒。 故事围绕着这几只宠物展开，在平凡的日常中，不断带来笑点/尿点/萌点/爆点，他们的主人将他们的一切以视频形式记录发布，让更多的人了解到他们的可爱。