东京武侦高校，是培育行使武力的侦探——通称“武侦”的特殊教育机关。那里有着被称作“战姐妹”的前辈后辈一对一长期训练制度。在与憧憬的最强武侦亚里亚前辈结下了战姐妹契约后，吊车尾的最弱武侦明里，用她那小小的手拿起了枪。

「山田花子」という本名を持つ4人の女子高生。オカルト好きな彼女たちは「女子高生ミステリーサークル」という魔術グループを結成している。全員学校にも行かず、藁人形やタロットカードにコックリさん…色んな呪術をゲーム感覚で楽しんでいた。そんなある日、「未来占い」という夢占いを試したところ、謎の池のほとりで4人のうちの誰かが死ぬ、という悪夢を見てしまう。4人の山田花子はレクターというサイバー呪術師に助けを求め、「身代わり」という禁断の魔術を敢行することになるのだが…。 　　内容（「キネマ旬報社」データベースより） 　　新星タレントが出演するゴシックホラー。「山田花子」という本名を持つ4人の女子高生たちにより結成された魔術グループ「女子高生ミステリーサークル」。ある日“未来占い”を試したところ、池のほとりで4人のうち誰かが死ぬという悪夢を見てしまい…。

警察无法完全应对的世界规模治安危机，导致了一种新职业——武侦的出现。武侦，即在法律框架内(不排除少数例外)，解决个人或组织的委托，弥补警察的不足，维护社会和平的武装侦探。而本故事，就发生在那样一个时代的武侦培养学园——东京武侦高。 　　一直向往普通人的平静生活，期望尽快从东京武侦高转走的少年——远山金次，有个自初中(神奈川武侦高附属中学)毕业后一直隐藏的秘密。然而，渴望平静的他，却在一场骇人的自行车劫持事件中，邂逅了自此将改变他人生轨迹的人物——神崎·H·亚里亚。 　　金次的秘密究竟是什么？神崎·H·亚里亚究竟是何方神圣？金次将被这娇小可爱但性格凶暴的粉发少女带往何方？

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)