From the New York Times review: 　　"In "Sankofa," a contemporary African-American woman travels back in time and experiences slavery. Haile Gerima's poetic and precisely detailed film takes its audience into its heroine's life and mind as her moral sense is challenged and changed. No viewer can avoid the discomforting questions the film so eloquently raises. 　　The opening sequences, set and filmed in Ghana, are alternately seductive and off-putting. Among drums and chants, a voice invokes ancestral ghosts. "Spirit of the dead, rise up," the voice says, "and claim your story." The film's title is a West African term meaning to reclaim the past in order to go forward, and "Sankofa" stumbles only in its depiction of the present. 　　Mona is a young model first seen posing for a callous white photographer on a beach. She is dressed in a pseudo-Tina Turner getup complete with blonde wig. This is a heavy-handed way of showing that she has lost her connection to her past, that slavery still shapes her life as she is enslaved by contemporary images. 　　But the film soon moves on, convincingly, to a surreal experience. Mona wanders into a dungeon, a holding place from which slaves were shipped to the United States. She has walked into the past, where she is stripped, chained and beaten. Suddenly she is on a plantation, a house slave called Shola, with no memory of Mona or the 20th century. 　　The longest and finest part of "Sankofa" is its depiction of the daily life of the slaves and the way witnessing its brutality changes Shola. She falls in love with a rebellious field slave, who urges her to poison her white owners. Shola refuses. Though the master rapes her at will, she believes killing is wrong, no matter what injustice has been done to her. 　　But Shola soon sees a pregnant runaway slave beaten to death, her living child taken from her body. And she idolizes Nunu, a strong and motherly slave who has joined the rebels. 　　Nunu's son, Joe, is the head slave, who has an easier life and seems to have turned against his own people. He is blue-eyed and in the thrall of the white priest, and his story should have been as compelling as Shola's. But his character is less convincing, partly because his tortured sense of identity is so often depicted by sudden mood swings and glances at paintings of white Madonnas in church. 　　Shola, however, (played with great strength by Oyafunmike Ogunlano) carries the audience into the heart of her experience. When she lifts a machete over a sleeping white overseer, the film has led its viewers to a place where either choice -- to kill or not -- might be justified. "Sankofa" asks its audience to enter a different moral universe, one that slavery created. 　　Mr. Gerima is an Ethiopian-born film maker who has lived in the United States for decades and teaches at Howard University. His film is ambitious in its depiction of slavery and accomplished in its visual command, from the bright red scarves of the rebellious slaves to a fire they set in the fields. 　　"Sankofa" opens today at the Harlem Victoria 5 Theater. Engrossing and provocative, it sends Shola back to the present as Mona, and sends viewers along with her. Armed with visceral new knowledge, she can make of it what she will.

巴特（大卫·安德斯 David Anders 饰）是一名军人，一次行动中，他不幸中枪死亡，而就在他的遗体入土没多久，巴特竟然复活了。有些搞不清楚状况的巴特找到了生前的好友乔伊（克里斯·维尔德 Chris Wylde 饰），经过两人的反复研究和论证，他们得出了结论——巴特变成了丧尸，并且要依靠吸血为生。 　　就这样，每到白天，巴特变回尸体，等到夜晚降临，他就生龙活虎起来。巴特对于鲜血的嗜求让乔伊十分困扰，经过商讨，一个绝妙的注意应运而生——既然必须吸食人血，那何不顺便消灭那些在洛杉矶像老鼠一样存在的肮脏和繁多的恶棍呢？说干就干，由丧尸和人类组成的惩奸除恶小分队诞生了。

巴特（大卫·安德斯 David Anders 饰）是一名军人，一次行动中，他不幸中枪死亡，而就在他的遗体入土没多久，巴特竟然复活了。有些搞不清楚状况的巴特找到了生前的好友乔伊（克里斯·维尔德 Chris Wylde 饰），经过两人的反复研究和论证，他们得出了结论——巴特变成了丧尸，并且要依靠吸血为生。 　　就这样，每到白天，巴特变回尸体，等到夜晚降临，他就生龙活虎起来。巴特对于鲜血的嗜求让乔伊十分困扰，经过商讨，一个绝妙的注意应运而生——既然必须吸食人血，那何不顺便消灭那些在洛杉矶像老鼠一样存在的肮脏和繁多的恶棍呢？说干就干，由丧尸和人类组成的惩奸除恶小分队诞生了。

首位拉丁裔反英雄暨蜘蛛侠又一反派电影《El Muerto》正在制作中，说唱歌手“坏痞兔”（Bad Bunny）主演，预计2024年1月上映。

首位拉丁裔反英雄暨蜘蛛侠又一反派电影《El Muerto》正在制作中，说唱歌手“坏痞兔”（Bad Bunny）主演，预计2024年1月上映。

艺人经纪事务所经纪人-乌山瞳美（松隆子）自幼父母双亡、孤苦伶仃。表面非常开朗、内心却寂寞无比。某日、原本负责人气艺人的瞳美突然被叫停、并转派担当非莎士比亚剧不演的资深老艺人-本能寺海造（藤田真）的经纪人。而本能寺则是个顽固、任性、偏执、就连自己家里人也对其疏而远之的孤独男人…。 　　女星松隆子（29岁）睽违了3年9个月后，将主演富士电视台的“役者魂！”（17日于日本首播，周二晚间9点），11日再东京都千代田区的赤阪王子饭店举行制作发表会。松隆子千挑万选的是非爱情故事的异色喜剧，她说“很久没演出连续剧了，很有压力”，在戏中可看见她挑战迷你裙造型诠释“役者魂！”。 　　松隆子所演出的是大牌艺人的经纪人·瞳美一角。而剧中的大牌艺人，只演莎士比亚剧的本能寺，则是由藤田诚（73岁）饰演。瞳美必须面对任性到令人难以置信的本能寺，及处理各式各样的骚动。根据“大搜查线”系列的编剧·君冢良一原作脚本，是一部“可以大笑的喜剧，也描写了人与人心灵的联系”的连续剧。“偶而”脱离连续剧的松隆子一副很满足的样子说“非常时髦跟节奏感十足的一部作品，其实我很喜欢可以发笑的故事，藤田先生的喜剧真的很有趣”。另一方面，藤田则骄傲地说“今年可以跟松隆子一起演出的只有我一个人，连梅宫辰夫都不行”。只是，松隆子难得演出没有恋爱元素的连续剧，也像小孩一样调皮的对制作人抱怨“好寂寞喔！”。

艺人经纪事务所经纪人-乌山瞳美（松隆子）自幼父母双亡、孤苦伶仃。表面非常开朗、内心却寂寞无比。某日、原本负责人气艺人的瞳美突然被叫停、并转派担当非莎士比亚剧不演的资深老艺人-本能寺海造（藤田真）的经纪人。而本能寺则是个顽固、任性、偏执、就连自己家里人也对其疏而远之的孤独男人…。 　　女星松隆子（29岁）睽违了3年9个月后，将主演富士电视台的“役者魂！”（17日于日本首播，周二晚间9点），11日再东京都千代田区的赤阪王子饭店举行制作发表会。松隆子千挑万选的是非爱情故事的异色喜剧，她说“很久没演出连续剧了，很有压力”，在戏中可看见她挑战迷你裙造型诠释“役者魂！”。 　　松隆子所演出的是大牌艺人的经纪人·瞳美一角。而剧中的大牌艺人，只演莎士比亚剧的本能寺，则是由藤田诚（73岁）饰演。瞳美必须面对任性到令人难以置信的本能寺，及处理各式各样的骚动。根据“大搜查线”系列的编剧·君冢良一原作脚本，是一部“可以大笑的喜剧，也描写了人与人心灵的联系”的连续剧。“偶而”脱离连续剧的松隆子一副很满足的样子说“非常时髦跟节奏感十足的一部作品，其实我很喜欢可以发笑的故事，藤田先生的喜剧真的很有趣”。另一方面，藤田则骄傲地说“今年可以跟松隆子一起演出的只有我一个人，连梅宫辰夫都不行”。只是，松隆子难得演出没有恋爱元素的连续剧，也像小孩一样调皮的对制作人抱怨“好寂寞喔！”。

瞭解家猫的人大多知道宠物眼中那狂野的眼神。我们是否仅像僕人一样喂养并梳理那些在室内外走动的猫咪？ 一般普遍认为家猫仅有四千多年的历史，但是最新研究却显示在一万年前已有家猫的图案，而且并非出现在埃及，而是赛普勒斯。碳测年法显示在古代的中国，猫咪便利用人类在穀物与小麦的容器和仓库来寻找老鼠，但令人意外的是，每隻家猫都有个狂野的近亲祖先。 本集节目将比较家猫与牠们在野外的表亲与祖先之间明显的行为，明确列出相似之处，让猫咪饲主明白猫咪到底在做些什麽。我们会用狮子与猎豹等大猫狩猎的画面，显示猫咪如何玩耍与狩猎。画面中将出现花豹等猫科动物跳跃、著地、爬树，与所有家猫常出现的动作，只是主角换成牠们在野外的亲戚。

An embittered, vengeful POW stalks his former commanding officer who betrayed his men's planned escape attempt from a Nazi prison camp

At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a blacksmith, to Châtillon, a town in Provence. Here, she makes the acquaintance of the wealthy Madame Numance, who is known for her good deeds. Realising that Thérèse is pregnant and unemployed, Madame Numance insists that she moves into a house on her estate. Whilst Firmin resents the arrangement, Thérèse soon finds that she can exploit the situation, using her benefactor's naivety and generosity for her own gain..