This is a great movie. See why the dead can't find peace, because of us the alive. It is hard to see greatness of this film if you don't understand Serbian. Movie starts when professor Misa find the one thing what he was searching all his life-the passage. Soon after, he dies. The dead in their world, are one by one disappointed by things that happened in the world of a living. And when the professor Misa who died recently find out what is happening in the world of a living by his pupil who committed suicide after Misa's death, he find the passage similar to one on earth. The dead go on a journey to correct the things.

This is a great movie. See why the dead can't find peace, because of us the alive. It is hard to see greatness of this film if you don't understand Serbian. Movie starts when professor Misa find the one thing what he was searching all his life-the passage. Soon after, he dies. The dead in their world, are one by one disappointed by things that happened in the world of a living. And when the professor Misa who died recently find out what is happening in the world of a living by his pupil who committed suicide after Misa's death, he find the passage similar to one on earth. The dead go on a journey to correct the things.

艾萨克·斯特恩是世界著名的小提琴大师。在1979年，斯特恩作为西方第一位来华演出的小提琴大师，在北京演奏了莫扎特的《G大调第三小提琴协奏曲》。 　　此电影获第77届奥斯卡最佳纪录片奖。 　　20年后斯特恩重回中国，有拍摄了第二部 《音乐的交会-斯特恩重回中国》。在第二部“二十年后重回中国”里，我们看到了不一样的情景，2000年的北京，街上川流不息的车流，载满蔬菜水果的车辆和店铺，中央音乐学院里锃亮的乐器，衣着西化的音乐学院学生甚至已能与音乐大师平等交流，尽管他们的演奏似乎并未及当年的那些小孩子。 　　斯特恩二十年后重访中国时说的“其他地方播下种子，长出来的是花朵和树木，而在中国却是三十层的高楼。”这些二十年前就开始寻求回归人性美的人们，在二十年后是否真的找到了他们的精神归宿呢？这个二十年前开始走向世界的国度，是否在二十年后真的完成了它的精神构建呢？