影片改编自真实故事。2005年，意大利特工尼古拉·卡利帕里在巴格达被美军“误杀”，当时他正护送被恐怖组织囚禁的记者朱莉安娜·斯格雷纳返回安全地带。影片在紧凑克制的节奏中，展现了卡利帕里如何在战火与谍影交错的局势中周旋于外交博弈、敌对势力和自己国家内部权力角力之间，并在最后三十分钟升级为一场扣人心弦的人质营救战。在罗马与巴格达之间，谈判过程中的每一个转折，都与国际局势和各股力量有着千丝万缕的联系，影片作品不仅还原了一段迅速被遮掩的历史，也揭示了战争年代中敌与友的模糊界限，以及在全球政治迷雾中个人勇气与牺牲的真正意义。

影片改编自真实故事。2005年，意大利特工尼古拉·卡利帕里在巴格达被美军“误杀”，当时他正护送被恐怖组织囚禁的记者朱莉安娜·斯格雷纳返回安全地带。影片在紧凑克制的节奏中，展现了卡利帕里如何在战火与谍影交错的局势中周旋于外交博弈、敌对势力和自己国家内部权力角力之间，并在最后三十分钟升级为一场扣人心弦的人质营救战。在罗马与巴格达之间，谈判过程中的每一个转折，都与国际局势和各股力量有着千丝万缕的联系，影片作品不仅还原了一段迅速被遮掩的历史，也揭示了战争年代中敌与友的模糊界限，以及在全球政治迷雾中个人勇气与牺牲的真正意义。

主演缺少王往 WangWang，饰演“沙鸿儒”按戏份肯定应排在前五位之内啊

面对跳楼的男子，谈判专家在交流的过程中发现自己比他更惨，绝望到想开枪自尽...

何謂黑幫協定？當年，義大利政府向黑手黨讓步，目的是終結社會上的流血事件。但究竟是誰暗殺了反黑手黨的法官法爾科內以及博爾塞利諾？黑手黨與政治界、天主教會、警方之間糾纏不清的牽連，我們究竟知道多少？本片集結一班優秀演員，重現義大利政府與黑手黨立下協定時的種種事件，讓觀眾一睹背後真相。片中角色包括黑手黨成員、秘密探員、政府人員、司法官、受害者、殺手、共濟會成員、夾在中間的平民等，本片將當代社會最錯綜複雜的事件精彩呈現在觀眾眼前。

I saw this obscure German film in Toronto in 1956, my first exposure to Oskar Werner. A "sleeper" of a movie for me, but so long ago and it seems never to be seen again. The topic has been treated many times but never, I think, to such effect. The last days in the bunker are entirely through the wondering subjective eyes of Werner, as Captain Wuest, a rather unimportant guardsman. Hitler and his henchmen are always kept at a distance, the way Wuest views them from his station, and what stands out in my memory is the finale of a drunken champagne party as though in celebration of something, but in reality as their means to forget the impending doom looming ahead as the Russians can be heard closing in. The problem with films portraying famous or infamous people is that they are almost always unbelievable because we are unwilling to suspend our disbelief, aware that they are actors up there trying to imitate the unknowable. Here, at least for the English speaking audience, the problem does not arise, we understand only through subtitles, and we hear the characters speaking in their own language. And, thank God, it is in black and white. The impact of the film stays with me still, and of course, Werner was a major revelation.

In Wittelbacherpalais, Munich's prison and Gestapo center, middle-aged Else Gebel awaits trial for carrying anti-Nazi material. She serves as a clerk in the Gestapo office. On Thursday, 18 February 1943, two youths arrive at the prison, arrested for carrying anti-Reich pamphlets and suspected of dropping leaflets from the university tower and painting anti-Hitler signs along Ludwigstraße: Sophie, 21, and her brother Hans, 24 and back from the Russian front. Sophie is housed with Else, and for five days, as Sophie is interrogated and charges brought, the women form a bond based on simple interactions: poetry, tea, shared clothing, courage, love of freedom, and a promise Else gives Sophie.

I saw this obscure German film in Toronto in 1956, my first exposure to Oskar Werner. A "sleeper" of a movie for me, but so long ago and it seems never to be seen again. The topic has been treated many times but never, I think, to such effect. The last days in the bunker are entirely through the wondering subjective eyes of Werner, as Captain Wuest, a rather unimportant guardsman. Hitler and his henchmen are always kept at a distance, the way Wuest views them from his station, and what stands out in my memory is the finale of a drunken champagne party as though in celebration of something, but in reality as their means to forget the impending doom looming ahead as the Russians can be heard closing in. The problem with films portraying famous or infamous people is that they are almost always unbelievable because we are unwilling to suspend our disbelief, aware that they are actors up there trying to imitate the unknowable. Here, at least for the English speaking audience, the problem does not arise, we understand only through subtitles, and we hear the characters speaking in their own language. And, thank God, it is in black and white. The impact of the film stays with me still, and of course, Werner was a major revelation.

国宴作为一个国家规格最高的宴请，每当这一时刻来临，各国都会把最能代表自己国家的美食摆上国宴餐桌，向来宾展示着本国饮食文化与民风民情，对于有着饮食文化历史的中国而言，对国宴的重视程度非同一般。

没有他们应付不了的危机状况...除非他们自己也深陷其中。Matt Flannery和Emily Lehman是FBI危机谈判部门最好的谈判专家。他们接受训练用谈判来解决各种突发状况，他们是了解别人行为的专家，他们还一起同床共枕。Matt和Emily真不应该擦出爱情的火花，他们一起合作时都是国宝级的资源。Standoff这部电视剧的中心告诉我们这样一个前提：关于生活和爱情，"一切都是一场谈判。"