Farocki's newest film portrays a brainstorming session about new concepts for mobile workstations which would grant employees a high degree of autonomy - and leave experts grappling for words. The product concept is bold, but intellectually flimsy, and best serves as a reflection of existing world order. Once again, colored markers and eye-catching graphics are used to disguise heartless capitalism. The cutesy branding of neoliberal market economics is grotesque... and fascinating.

Farocki's newest film portrays a brainstorming session about new concepts for mobile workstations which would grant employees a high degree of autonomy - and leave experts grappling for words. The product concept is bold, but intellectually flimsy, and best serves as a reflection of existing world order. Once again, colored markers and eye-catching graphics are used to disguise heartless capitalism. The cutesy branding of neoliberal market economics is grotesque... and fascinating.

日本アルプスに囲まれた長野県南部・伊那谷。とうもろこし畑を抜けた先に１軒の産直市場がある。売っているのは色とりどりの野菜はもちろん、キノコ類やイノシシ・シカといったジビエ肉、さらにイナゴ、ハチノコといった昆虫食まで。ここには多様な食文化が根づいている。地元の農家が品物を持ち込み、お客もまた地元の人が多い。命をいただくこととは何か。産直市場を通して見つめてみる。

日本アルプスに囲まれた長野県南部・伊那谷。とうもろこし畑を抜けた先に１軒の産直市場がある。売っているのは色とりどりの野菜はもちろん、キノコ類やイノシシ・シカといったジビエ肉、さらにイナゴ、ハチノコといった昆虫食まで。ここには多様な食文化が根づいている。地元の農家が品物を持ち込み、お客もまた地元の人が多い。命をいただくこととは何か。産直市場を通して見つめてみる。

【简介】 　　据说连正版的瑕疵都如实还原的高仿手办，如今正冲击着霓虹的正版市场。本次现代大特写节目组奔赴妖都和魔都，潜入地下交易市场，追踪高仿背后的深层原因。

【简介】 　　据说连正版的瑕疵都如实还原的高仿手办，如今正冲击着霓虹的正版市场。本次现代大特写节目组奔赴妖都和魔都，潜入地下交易市场，追踪高仿背后的深层原因。

普鲁克（西提达·萨帕努查 Sittha Sapanuchart 饰）和西恩（阿努瓦·宗澈德拉塔纳 Anuwat Choocherdratana 饰）是一对交往多年的同性情侣，两人之间的感情一直都十分的要好，然而某一日，西恩告诉普鲁克，自己爱上了一个名叫普拉（萨维卡·恰雅德 Savika Chaiyadej 饰）的女人，不仅如此，他们还计划着携手步入婚姻的殿堂。 　　某日，西恩邂逅了名叫阿昂（贡拉维·素昂吉本 Kornrawich Sungkibool 饰）的男孩，经受不住年轻肉体的诱惑，两人发生了关系，这被普拉知道了。普拉将这段情事透露给了普鲁克，普鲁克大为吃醋，为了报复西恩的绝情，普鲁克选择了最离谱的方式，他也和阿昂上床了。

普鲁克（西提达·萨帕努查 Sittha Sapanuchart 饰）和西恩（阿努瓦·宗澈德拉塔纳 Anuwat Choocherdratana 饰）是一对交往多年的同性情侣，两人之间的感情一直都十分的要好，然而某一日，西恩告诉普鲁克，自己爱上了一个名叫普拉（萨维卡·恰雅德 Savika Chaiyadej 饰）的女人，不仅如此，他们还计划着携手步入婚姻的殿堂。 　　某日，西恩邂逅了名叫阿昂（贡拉维·素昂吉本 Kornrawich Sungkibool 饰）的男孩，经受不住年轻肉体的诱惑，两人发生了关系，这被普拉知道了。普拉将这段情事透露给了普鲁克，普鲁克大为吃醋，为了报复西恩的绝情，普鲁克选择了最离谱的方式，他也和阿昂上床了。

Jane Fonda narrates the story of the years between the ascent of talkies until late in 1934, when the Hays Office cracked down on what it perceived as immorality in Hollywood movies. The emphasis is on how women were portrayed, and focuses on how they were much more liberated and equal (or superior) to men, until 1935 when they once again took subservient roles to their male co-stars.

Jane Fonda narrates the story of the years between the ascent of talkies until late in 1934, when the Hays Office cracked down on what it perceived as immorality in Hollywood movies. The emphasis is on how women were portrayed, and focuses on how they were much more liberated and equal (or superior) to men, until 1935 when they once again took subservient roles to their male co-stars.