The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

《享受美吧》节目由睿智美的队长李锐、健康美的代表刘畊宏、女神美的代表柳岩和青春美的代表李川及科技美的代表机器人小绿共同组成“美丽特工队”，为前来求助的素人们解决“美的困惑”，探讨美的标准。话题涉及美的方方面面，整容、护肤、减肥、健身、时尚、美妆都在节目的讨论范围内，而美丽特工队队员将从5个全然不同的视角为素人提供解决方案。每场节目都将由100位现场观众进行投票，得票最低的特工队队员还将接受“美的代价”惩罚。

是述说以结婚连结的两个家庭内的六名情侣的生活和爱情,结婚以及离婚的故事.并有代表不同世代纠葛的多样夫妻登场, 预计将通过他们克服纠葛来呈现美丽的和睦。

作为HoneyWorks 10周年纪念项目，从勇次郎和愛蔵的相遇到LIP x LIP的形成的故事拍成电影！

拼命练习的勇次郎梦想有天能站上歌舞伎的舞台，却没被选为歌舞伎继承者。爱藏只想唱歌，却过着漫无目的的生活。在偶像甄选活动相遇的两人，因为小事而争吵，没想到两人最后却脱颖而出。正当他们雀跃不已时，唱片公司社长提出了两人要以团体身分出道的意外条件，水火不容的两人便踏上成为偶像的旅程。

小S开启韩国5天4夜之旅！前两日行程涵盖江南和汝矣島，她不仅品尝了知名烤韩牛、酱蟹，还前往THE现代首尔购物。