The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

在灯光昏暗、暧昧迷离的房间内，美丽的外籍女子（Anna Hole 饰）正俯卧在宽大的床上。此时，她正享受拥有按摩王（指压王者）称号的浪越徳治郎（本人饰演）大师的服务。伴随着每一次或重或轻但恰到好处的按压，女子陶醉不已，沉湎其中，身体处于完全放松的状态，任由浪越摆布，带她遣散体内的积劳、烦恼与疲累。在超自然的视角中，观者见到女子体内穴位的淤塞之处，经浪越的按压全部疏通，身体重新焕发了活力…… 　　浪越徳治郎（1905—2000），是日本指压疗法的创始者，曾担任日本指压协会会长，曾参与北野武等人的电视娱乐节目，以起爽朗的笑声及“指心即母心”等名句而闻名。

在灯光昏暗、暧昧迷离的房间内，美丽的外籍女子（Anna Hole 饰）正俯卧在宽大的床上。此时，她正享受拥有按摩王（指压王者）称号的浪越徳治郎（本人饰演）大师的服务。伴随着每一次或重或轻但恰到好处的按压，女子陶醉不已，沉湎其中，身体处于完全放松的状态，任由浪越摆布，带她遣散体内的积劳、烦恼与疲累。在超自然的视角中，观者见到女子体内穴位的淤塞之处，经浪越的按压全部疏通，身体重新焕发了活力…… 　　浪越徳治郎（1905—2000），是日本指压疗法的创始者，曾担任日本指压协会会长，曾参与北野武等人的电视娱乐节目，以起爽朗的笑声及“指心即母心”等名句而闻名。

泰秀为生病的妻子香琪打电话叫她出差按摩，这时按摩界的顶尖人物英浩出现了。香琪爱上了英浩，最终与泰秀离婚。泰秀打电话叫她再次按摩，想要挽回妻子并报复英浩，这时假小子珠熙来了，泰秀在珠熙的帮助下学会了按摩，并试图找到妻子……

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

关谷善彦（奥田瑛二 饰）是一名剧本作家，一天，他曾经的朋友良介找到了他，希望善彦能够帮他一个忙。良介和妻子绫要前往国外居住，他希望善彦能够代替他们照料他们在日本的家，并且帮助他校对字典。与此同时，绫也找到了名为丽子的女性来帮她照看小茶店，就这样，善彦和丽子相识在了同一屋檐下。 　　原来，善彦曾经和绫两情相悦，然而，一场意外让善彦不得不面临为期三年的牢狱之灾，在此过程中，良介趁虚而入夺走了绫，实际上，善彦内心里一直保留着对绫的眷恋。而婚后绫和善彦之间的感情一直都不是很好。在误打误撞之中，善彦和丽子发生了肉体关系，而绫也从国外回到了日本。

关谷善彦（奥田瑛二 饰）是一名剧本作家，一天，他曾经的朋友良介找到了他，希望善彦能够帮他一个忙。良介和妻子绫要前往国外居住，他希望善彦能够代替他们照料他们在日本的家，并且帮助他校对字典。与此同时，绫也找到了名为丽子的女性来帮她照看小茶店，就这样，善彦和丽子相识在了同一屋檐下。 　　原来，善彦曾经和绫两情相悦，然而，一场意外让善彦不得不面临为期三年的牢狱之灾，在此过程中，良介趁虚而入夺走了绫，实际上，善彦内心里一直保留着对绫的眷恋。而婚后绫和善彦之间的感情一直都不是很好。在误打误撞之中，善彦和丽子发生了肉体关系，而绫也从国外回到了日本。