携手日本最资深3D团队打造，影片背景设置于真实存在的“朝内大街81号”——这一老北京传说中的著名“鬼宅”的悬疑惊悚故事，情节横跨清、民国和现代的历…

讲述了1970年代前苏联冰球明星、17号球员瓦列里·哈拉莫夫传奇的一生。在这部根据真人真事改编的作品中，揭示了笼罩在当时强大的举国体制体育圈上的层层“铁幕”。在高潮部分，导演用了近40分钟时间展现了1972年发生在加拿大和前苏联两支球队间赌上荣耀和信仰的终极大战。哈拉莫夫在这场战役中，以鬼魅般的快速移动、高超的的杆上技巧以及精准的射门术征服了加拿大观众，创造了冰上传奇，并为历史所铭记。

据悉，《京城81号2》将由陈嘉上监制、钱人豪执导、蔡骏编剧、恒业影业重金打造，讲述京城古宅中尘封百年的“婴灵还魂”故事，将重现民国时期民间流传的“…

《京城81号2》取材自东方四大鬼宅之首的朝内81号地宫真实故事。民国末期，正逢乱世，京城军阀哗变，少帅张骘生（张智霖 饰）被逼迎娶大军阀之女纪金翠（钟欣潼饰），随即府内怪事丛生，人心惶惶。不久后京城涌现大批“尸婴案”，一切矛头指向少帅原配夫人钮梦鹤（梅婷 饰），随后钮梦鹤离奇失踪，一夜之间京城81号惨遭灭门，留下一座破败鬼宅。百年后，文物修复师宋腾在修复古宅过程中挖出大量婴儿尸骨与诡异符咒，一桩桩血淋淋的旧事似乎要将所有人拉进深渊，前世今生的恩怨情仇都一一浮现，而地宫冤魂鬼门索命的故事也就此拉开……

以北南和温薇为首的VR游戏开发团队，突遇金主自杀而项目搁浅。这时，一个神秘投资人出现，投下重金要求团队开发以古宅京城81号为主题的惊悚游戏。团队接下任务，并按要求把工作室搬进了京城81号。从此，古宅内、游戏里，诡异的事件连连发生，导致北南和温薇心生芥蒂。而在之后的测试中，竟有工作人员暴毙于游戏之中！追查之下，这款游戏的开发竟然是基于民国时发生在此地的一件真实事件。一时间，游戏内外，前世今生，真假难辨，众人性命岌岌可危。而当恐惧越来越浓时，大家惊讶地发现，这一切竟与金主之死和神秘投资人有着莫大的关联……

Minimalist in resources and filmed from the unusual vantage point of a second-floor apartment window, Malintzin 17 portrays two parallel expressions of parental care. For seven days and seven nights filmmaker Eugenio Polgovsky and his five-year-old daughter, Milena, contemplate a nurturing dove nesting her chick on a hazardous entanglement of electric cables situated right outside their balcony. The dove endures the cold and torrential rain, while Milena makes puzzled inquiries to her father about the bird’s location, its stillness, the meaning – and perils – of filming it, its true nature (is it a robot?), and potential ways to assist it (does she need food? Will the chick learn to fly?). Wielding a handheld camera from this elevated point of view, which parallels the bird’s, the film constructs a microscopic yet powerful environmental critique of nature’s entrapment within the aggressive infrastructures of modernity.

Minimalist in resources and filmed from the unusual vantage point of a second-floor apartment window, Malintzin 17 portrays two parallel expressions of parental care. For seven days and seven nights filmmaker Eugenio Polgovsky and his five-year-old daughter, Milena, contemplate a nurturing dove nesting her chick on a hazardous entanglement of electric cables situated right outside their balcony. The dove endures the cold and torrential rain, while Milena makes puzzled inquiries to her father about the bird’s location, its stillness, the meaning – and perils – of filming it, its true nature (is it a robot?), and potential ways to assist it (does she need food? Will the chick learn to fly?). Wielding a handheld camera from this elevated point of view, which parallels the bird’s, the film constructs a microscopic yet powerful environmental critique of nature’s entrapment within the aggressive infrastructures of modernity.

《17号音乐仓库》用充满“造梦感”的整体规则，由5组经历过事业高光和低谷期的成熟音乐人，以不同主题性的策划完成阶段Livehouse音乐演出，链接不同社会人群，力求带给观众耳目一新的音乐类型文艺作品。

《17号音乐仓库》用充满“造梦感”的整体规则，由5组经历过事业高光和低谷期的成熟音乐人，以不同主题性的策划完成阶段Livehouse音乐演出，链接不同社会人群，力求带给观众耳目一新的音乐类型文艺作品。