7 mins.

讲述父亲带关系有隔阂的女儿露营，遇上神秘流行病爆发，人们变成了嗜血生物。

On the outskirts of Parisian council housing estates lies a vast wasteland that still retains its mysteries in this day and age, and serves as a refuge for people who, in their spare time, escape or are often ejected from their overcrowded dwellings. They form small, rather harmless bands, share their first secrets, build up their "treasures" and submit to strict rituals. The sanctity of their rebellions is underscored by initiation through blindfolded jumping and a blood test. An impossible love story is born between two members of the same clan, Dan, a beautiful, tomboyish girl, and Lucky, a sweet but feisty boy.

住在胡同里的张老头有一个公开的秘密， 　　大家伙儿都知道的秘密，除了他儿子。 　　每到儿子回家的周末，张老头就会在胡同里为儿子留下一个空地，只为等儿子回家有地儿停车。父子之情最难体现，因为双方都是不善于表达情感的男性，他们不会用言语动作表现他们的感情，于是往往他们的爱显得太笨拙。

男⼈企图通过录制DV的⽅式向恋⼈坦⽩，他因童年的⼀场⾼烧破坏了⼤脑对线性时间的感知，从⽽拥有了预知“未来”的能⼒。他预⾔道：在他俩相爱⼀周年的隔天，导致他们关系破裂的“第三者”会出现。与此同时，男⼈的脑海中出现了⼀段三个⽉后，⼥⼈寄返给他DV的模糊记忆。 　　“⼀周年”这天夜⾥，随着男⼈的坦⽩与⼥⼈地不断质问，他们关系中真正的⽭盾才开始隐现。最终⼥⼈负⽓出⾛，留下男⼈⼀个⼈，“记忆”⾥关于三个⽉后的DV内容才终于完整“想起”。—— 那是⼀段⼥⼈在与男⼈分⼿三个⽉后的⾃我袒露。⼀段亲密关系⾥什么才是最重要的事？最后，他们坐在空地上，第⼀次有了⾛向彼此的沟通，但这或许已只是男⼈的幻想了。

张振南临危受命，调任历史文化厚重的庆县担任公安局长，那里同时是文物犯罪的重灾区。多年前张振南在庆县当副局长时抓捕的文物罪犯，如今都已刑满出狱，当年的文物逃犯彭二 如今也已经摇身一变，成了有社会名望的企业家。张振南深知肩上重担的分量，多方借助多年前曾在此地办案、此时已被雪藏的老搭档出山帮忙，局面渐渐打开。随着调查的继续深入，牵扯出更多的疑点，再加上还要时时面对彭氏家族势力的巨大反扑，盯梢威胁车祸等接连发生，其他干警也常常面临生命危险，意外频发。好在有文物专家兰伯乾和公安厅技侦科曹小英的鼎力相助，张振南带领一众一线民警同志全力以赴，一众犯罪分子悉数被抓捕归案，流落在外的文物被悉数追回。忠诚担当，是公安队伍的铮铮誓言，激浊扬清，是庆县公安干警还给庆县的铁血承诺。

张振南临危受命，调任历史文化厚重的庆县担任公安局长，那里同时是文物犯罪的重灾区。多年前张振南在庆县当副局长时抓捕的文物罪犯，如今都已刑满出狱，当年的文物逃犯彭二 如今也已经摇身一变，成了有社会名望的企业家。张振南深知肩上重担的分量，多方借助多年前曾在此地办案、此时已被雪藏的老搭档出山帮忙，局面渐渐打开。随着调查的继续深入，牵扯出更多的疑点，再加上还要时时面对彭氏家族势力的巨大反扑，盯梢威胁车祸等接连发生，其他干警也常常面临生命危险，意外频发。好在有文物专家兰伯乾和公安厅技侦科曹小英的鼎力相助，张振南带领一众一线民警同志全力以赴，一众犯罪分子悉数被抓捕归案，流落在外的文物被悉数追回。忠诚担当，是公安队伍的铮铮誓言，激浊扬清，是庆县公安干警还给庆县的铁血承诺。

恵一は大学院の先輩・誠に想いを寄せているが、告白して振られる。誠はそれはあくまで性的指向の問題であって、恵一の人柄自体は否定しないと言う。諦めきれない恵一は、飲み会で夜を明かした勢いで再度告白を試みる。東京藝大入学直後「差別」というテーマを与えられて撮った一本。

恵一は大学院の先輩・誠に想いを寄せているが、告白して振られる。誠はそれはあくまで性的指向の問題であって、恵一の人柄自体は否定しないと言う。諦めきれない恵一は、飲み会で夜を明かした勢いで再度告白を試みる。東京藝大入学直後「差別」というテーマを与えられて撮った一本。

What do the Algerian war of liberation and Yugoslavia have in common? Stevan Labudović. In 1959, Tito himself sent his favourite cinematographer to Algeria. The resistance against the French colonial rule needed the eyes of the world, and the experienced partisan Labudović helped open them: His images gave the lie to the propaganda of the occupiers and their Western allies. This is a portrait of the man, the mission and the age – as film, ideological and personal history. 　　For three years, until the Democratic Republic of Algeria was proclaimed, Labudović put himself and his camera at the service of the people fighting for independence. Mila Turajlić found the newsreel footage shot at the time in the Filmske Novosti archive in Belgrade, got in touch with the aged pensioner and followed his trail. From a wealth of archive material, diary entries by and interviews with Labudović, with contemporary witnesses from Yugoslavia, Algeria and New York, where the young Maghreb state, like many other former colonies, struggled for admission to the United Nations, she distils the promising origins of an alliance that stood at the beginning of the Non-Aligned Movement, which was to oppose the dichotomy of the superpowers. Thus the bow to her compatriot also gains global political topicality.