A chameleon try to flirt with another one. 　　这部短片名为《达雷尔》（Darrel），是获得西班牙重要电影奖项「戈雅奖」最佳动画短片提名的影片。 　　有人以为这是一个爱情故事，其实它更是一个恐怖故事。结尾变色龙先生第二次“变色”，无地自容地站在空荡荡的车站，让人觉得荒诞。伴着片尾响起的轻松诙谐的爵士乐曲，故事让人回味无穷。

a surreal masterpiece! 　　Very few movies are as good as the book that inspired them. This one might be somewhat different from the idea I had from the book -the color whiter, the image flatter, but it remains a sort of cinematographic UFO which leaves a long lasting imprint of the memory -after all, this long-lasting imprint is what the film is all about. It looks like a low budget science fiction movie, while its the ultimate movie about love (like the book was the ultimate book about love). Haunting. A plus of the film is fascinating discourse of Morel, in surgical, clipped Italian sentences which make you rush to learn Italian. A unique film.

genera+ion follows a group of high school students whose exploration of modern sexuality (devices and all) tests deeply entrenched beliefs about life, love and the nature of family in their conservative community. Streaming March 11 on HBO Max.

这部纪录剧集讲述一个以不明飞行物为缘起的宗教如何转变为一个备受争议的邪教，片中包含与教徒、反对者及雷尔本人的访谈。

这部纪录剧集讲述一个以不明飞行物为缘起的宗教如何转变为一个备受争议的邪教，片中包含与教徒、反对者及雷尔本人的访谈。

婚礼如期而至，陶梨栗在彩排间隙透气时，偶然邂逅一位海上冬泳的男人。她萌生出轨的念头，却在纠结时见到了未来的自己。

宋仲基与徒弟邝港生是两大投资银行家，但港生为利益不择手段，两师徒走向决裂。仲基专横自大，却因一次坠机意外变成「90后」的包豹，被迫与阿姨包美娜同居，又怀疑妻子凌洁茹跟港生出轨。迷惘之际，仲基巧遇刘行，有感惺惺相惜，并联同他寻找回复真身之法。仲基为重拾昔日光景，审时度势，决与银行界名门尚家有血海深仇的港生，以及欲报契爷之仇的刘行联手，兵分三路混入尚家「做世界」，引发一场跨越世代的惊天风波!

宋仲基与徒弟邝港生是两大投资银行家，但港生为利益不择手段，两师徒走向决裂。仲基专横自大，却因一次坠机意外变成「90后」的包豹，被迫与阿姨包美娜同居，又怀疑妻子凌洁茹跟港生出轨。迷惘之际，仲基巧遇刘行，有感惺惺相惜，并联同他寻找回复真身之法。仲基为重拾昔日光景，审时度势，决与银行界名门尚家有血海深仇的港生，以及欲报契爷之仇的刘行联手，兵分三路混入尚家「做世界」，引发一场跨越世代的惊天风波!

轰趴狂嗨电音摇头，听来不过是轻狂少年消磨时光的常见公式，拆解后却是伤痕累累的真实情感。酸，是识透愁滋味的废青宣言，是不顾一切的自毁前程。他们没有不变友情、甜蜜家庭、纯洁初夜、美好未来；他们被正能量好好地隔绝在另一个世界。游离在不见天日的迷幻现实之中，他们吞噬青春，用最狂暴的方式敲开虚假，洞见千禧新世代的生命曙光。本片是初执导筒的俄国男星亚历山大葛奇林（Aleksandr Gorchilin）长片首作。挑衅满满的镜头语言，爆发独有的生猛力道，光荣入围柏林影展泰迪熊奖！

From PBS and Frontline: Thanks to social media, today's teens are able to directly interact with their culture - artists, celebrities, movies, brands, and even one another - in ways never before possible. But is that real empowerment? Or do marketers still hold the upper hand? In Generation Like, author and FRONTLINE correspondent Douglas Rushkoff (The Merchants of Cool, The Persuaders) explores how the perennial teen quest for identity and connection has migrated to social media - and exposes the game of cat-and-mouse that corporations are playing with these young consumers. Do kids think they're being used? Do they care? Or does the perceived chance to be the next big star make it all worth it? The film is a powerful examination of the evolving and complicated relationship between teens and the companies that are increasingly working to target them.