基于美国畅销书作家莉萨·吉诺瓦(《依然爱丽丝》)的同名小说，讲述理查德是一名才华横溢的钢琴家，他遭受了许多损失，和前妻的离婚官司耗尽心力，女儿与他逐渐疏远，现在又诊断出患了肌萎缩侧索硬化症(ALS)。随着病情恶化，理查德不能再弹钢琴，也不能独立生活，前妻卡琳娜不情愿地接手照顾他。两人试图调和他们的过去，以免为时已晚。

基于美国畅销书作家莉萨·吉诺瓦(《依然爱丽丝》)的同名小说，讲述理查德是一名才华横溢的钢琴家，他遭受了许多损失，和前妻的离婚官司耗尽心力，女儿与他逐渐疏远，现在又诊断出患了肌萎缩侧索硬化症(ALS)。随着病情恶化，理查德不能再弹钢琴，也不能独立生活，前妻卡琳娜不情愿地接手照顾他。两人试图调和他们的过去，以免为时已晚。

1943年夏，为巩固抗日力量，军分区紧急行动，派贾大力回到战略要地牛家村发展新成员和建立新的游击组织。阴差阳错，日军军事专家横山混入沐城时被守军抓…

此剧讲述了得知患上癌症的女人，她觉得“既然要死就杀个坏人再死”，然后遇见了人生最珍贵的一个人而展开的故事。

他的工作离不开金钱、欲望与凶险，她则是富商的秘密情人，富商病危住院中，她却完全见不到爱人。当皮条客阿龙遇上艺廊经理乃文，孤独的两人搭上彼此，每一次激情都是对现实的逃避：阿龙有青梅竹马的金莎要照顾，乃文也得决定肚子里的孩子何去何从。这是夜都会的红男绿女愁语，拥有自我是奢谈，真情自然短缺。 莫允雯 、 范少勋 演出突破尺度， 温贞菱的奔放不羁更是抢戏亮点。

他的工作离不开金钱、欲望与凶险，她则是富商的秘密情人，富商病危住院中，她却完全见不到爱人。当皮条客阿龙遇上艺廊经理乃文，孤独的两人搭上彼此，每一次激情都是对现实的逃避：阿龙有青梅竹马的金莎要照顾，乃文也得决定肚子里的孩子何去何从。这是夜都会的红男绿女愁语，拥有自我是奢谈，真情自然短缺。 莫允雯 、 范少勋 演出突破尺度， 温贞菱的奔放不羁更是抢戏亮点。

傅子杰（刘以豪 饰）拥有着过人的烹饪天赋，因为心思格外的细腻敏感，所以傅子杰总是能够察觉到食客的所思所想，对应着做出直达心灵的美味料理。傅子杰的父亲经营着一家高级法国餐厅，父亲希望远在法国的儿子能够回到自己的身边，隐姓埋名在餐厅中实习一个月，向来听话孝顺的傅子杰答应了父亲的要求。 　　回国后的傅子杰和童年时代青梅竹马的玩伴杜凯琪（郭雪芙 饰）重逢了。杜凯琪发现，只要自己一和傅子杰扯上点什么关系，就好像会发生倒霉的事情。杜凯琪一直仰慕着一位身份神秘的厨师路易斯，让她没有想到的是，浮现出来的种种线索都在告诉她，路易斯的真实身份就是傅子杰。

A black & white short film Alexander Hemming shot for Portishead in 1994. An espionage takeoff, the 10-minute short starred the band members and featured the song "Theme From To Kill A Dead Man". Scenes from the film eventually became the video for "Sour Times". 　　A shifty-looking loner in a trench coat (Barrow) is hired to assassinate a dignitary while the dignitary's wife (Gibbons) looks on. A shot is fired, the dignitary goes down, and the wife becomes hysterical. Carted off to an asylum, she is sedated and forced to watch replays of the assassination. After her discharge, she engages in a symbolic game of chess. She then hires the same assassin to kill the dignitary, since the dignitary faked his death hoping to drive his wife insane. For the film's classic denouement, the wife's car pulls up to the dignitary's Mercedes. He glances over at her and then puts his hand over his face, realizing that the man he just let into his car is going to kill him. She closes her window and drives away, avenged. 　　Geoff Barrow: "When I look at To Kill a Dead Man, I can't stand it. I think it was a dreadful piece of film. Basically, it was done so that we could write some film music. Not to put down anyone involved with the film, but we should have done it with pure images, rather than having us in it. It was misunderstood, what we wanted to get out of it. It created an image, and the whole idea was for it not to." 　　Still, Geoff's happy Portishead made the film, since it was, after all, a practical decision. "We made a tenminute film, wrote a soundtrack to it, got all the artwork for the album and used it as a big promotional video all for the cost of making a mediumpriced video... And all without having to wear any trendy clothes."

老人独自住在铁轨旁的斗室，老屋面临即将被拆除的命运。但他仍然坚持每天踩着三轮车，放着「修理纱窗、纱门、换玻璃」的广播，穿越大街小巷。绕过繁华街市、新兴高楼、黄昏市场以及天后宫。相同的场景日复一日，却在这天重新发现日常的美好。