Again a proof of Tait's genius for portraiture, and a film about the notion of portraiture itself and the investure of love in the seen portrait. 　　What is film for? Why is it different from still photography, where it comes to seeing its subject? What can it tell us about someone? 　　How somebody moves. How somebody is still. 　　Her mother sits in a landscape, keeping time to a tune with her hand. Detail is how to know someone. How she smokes. How she smiles wryly, or looks away. 　　A close-up of her mother's hands and the delicacy of them taking the wrapper off a very sticky sweet tells us everything we can know about this woman, and the care and the necessary distance, both, with which we observe those we love. 　　A long-shot of her mother, from behind, almost running almost dancing along a rural road beneath a greyed-out rainbow is, in that miraculous Tait way, so placed, so unquaint and so natural, as to leave its viewer renewed and knowing again what it is, simply to be alive.

Again a proof of Tait's genius for portraiture, and a film about the notion of portraiture itself and the investure of love in the seen portrait. 　　What is film for? Why is it different from still photography, where it comes to seeing its subject? What can it tell us about someone? 　　How somebody moves. How somebody is still. 　　Her mother sits in a landscape, keeping time to a tune with her hand. Detail is how to know someone. How she smokes. How she smiles wryly, or looks away. 　　A close-up of her mother's hands and the delicacy of them taking the wrapper off a very sticky sweet tells us everything we can know about this woman, and the care and the necessary distance, both, with which we observe those we love. 　　A long-shot of her mother, from behind, almost running almost dancing along a rural road beneath a greyed-out rainbow is, in that miraculous Tait way, so placed, so unquaint and so natural, as to leave its viewer renewed and knowing again what it is, simply to be alive.

故事发生在1921年，玛格丽特（凯瑟琳·弗洛 饰）是一位热爱音乐却唱歌走音的女人，她拥有着这一座邻近巴黎的大城堡，也有着一小群观众在城堡里听她歌唱，可这些伪善的观众却在玛格丽特背后偷偷嘲笑她。一位年轻的记者写了一篇关于她表演的文章，玛格丽特深信自己的音乐才能，想要做一次公共演出。根据美国女高音Florence Foster Jenkins的故事改编而成，她因为糟糕的歌唱技巧而在上世纪30-40年代走红。

丽莎（安娜·帕奎因 Anna Paquin 饰）是一名17岁的高中生，和大多数高中生一样，虽然处于尴尬的青春期，但丽莎的生活中并没有太大的烦恼和困扰。一次意外中，丽莎被卷入了一场惨烈的交通事故中，一个陌生的女人在事故中身亡。女人的死颠覆了丽莎的世界，她再也无法用曾经的眼光来看待周围的一切了。 　　为了弥补内心的创伤，丽莎做出了很多的努力，但很快她便发现，所有企图弥补创伤的举动，最终都会带来新的伤痛，唯一的解决方法，就是还原车祸的全部真相。就这样，丽莎展开了她的调查行动，但各种各样的麻烦让她明白，她所作的这一切或许并非正确。

墨西哥籍的 Margarita 是位超级褓母，照料僱主一家大大小小事；除了整理家务、会计作帐、水电维修样样来，关怀与付出更是没少过。儘管有位能干帅气的工人 Carlos 喜欢她，但 Margarita 相恋的对象却是害怕承诺的法律系学生 Jane。谁知僱主夫妇家陷入经济困境，突然解僱 Margarita，让她因非法移民身份而面临调查与回国的窘境，而私心想把这位超级褓母留在身旁帮手的僱主则又开始想尽办法留住她。本片在温馨幽默中，同时呈现出非法移工与女同志身份所面临的残酷现实，并赢得多伦多同志影展观众票选最佳剧情片

丽莎（安娜·帕奎因 Anna Paquin 饰）是一名17岁的高中生，和大多数高中生一样，虽然处于尴尬的青春期，但丽莎的生活中并没有太大的烦恼和困扰。一次意外中，丽莎被卷入了一场惨烈的交通事故中，一个陌生的女人在事故中身亡。女人的死颠覆了丽莎的世界，她再也无法用曾经的眼光来看待周围的一切了。为了弥补内心的创伤，丽莎做出了很多的努力，但很快她便发现，所有企图弥补创伤的举动，最终都会带来新的伤痛，唯一的解决方法，就是还原车祸的全部真相……

Leipzig, 1989. Margarethe, a young punk opposed to the East German regime, is detained in a psychiatric hospital. She dreams of breaking out to join the man she loves - a punk musician named Heinrich. Though the regime's days may well be numbered, the Stasi informants are more present than ever.

Leipzig, 1989. Margarethe, a young punk opposed to the East German regime, is detained in a psychiatric hospital. She dreams of breaking out to join the man she loves - a punk musician named Heinrich. Though the regime's days may well be numbered, the Stasi informants are more present than ever.

赌神之女与首富之子即将举行一场世纪婚礼，有关婚礼的一切顿时成了引人瞩目的热门话题。一时间，婚礼造型师、婚宴主厨、品酒师、娱乐小报主编、过气女明星、八国混血贵族，各怀心思纷纷来到澳门，几段阴差阳错又妙趣横生的恋情就此展开……