Juste un Mouvement (‘Just a Movement’) is Vincent Meessen’s free take on La Chinoise, the 1967 film by Jean-Luc Godard, and a “film in progress of making itself” in Dakar. It is conceived as a re-editing operation of Godard’s film, reallocating its roles and characters, and updating its plot. Although not anymore alive, Omar Blondin Diop, the only actual Maoist student in the original, now becomes the key character. 　　Juste un Mouvement harnesses the “methodology for practical works” and the “lessons of things”, Godard’s preferred pedagogical and aesthetic methods. The lesson is no longer the singular lesson given by Omar to his comrades in La Chinoise, but those, plural, offered here: first, a lesson in Mandarin about the cinema of La Chinoise. Secondly, tai-chi and kung fu lessons, both martial art and a philosophy of life. And last but not least, the lesson learned from the dead-ends of the past by the family and friends of Omar. 　　Shot exclusively with non-professional actors and including Omar Blondin Diop’s brothers and friends, everyone in this film plays themselves: a filmmaker (Mamadou Khouma Gueye), a rapper and militant (Malal Almamy Tall aka Fou Malade), a poet (Thierno Sall), a Chinese labourer (Fi Lu), a Shaolin master (Doudou Fall), a Senegalese intellectual (Felwine Sarr), an actor (Madiaw Njay), and also the Minister of Culture of Senegal and the Vice President of the People’s Republic of China visiting the Museum of Black Civilization, a project devised by the former Senegalese President Senghor in the mid-sixties and recently made possible thanks to Chinese financing.

Juste un Mouvement (‘Just a Movement’) is Vincent Meessen’s free take on La Chinoise, the 1967 film by Jean-Luc Godard, and a “film in progress of making itself” in Dakar. It is conceived as a re-editing operation of Godard’s film, reallocating its roles and characters, and updating its plot. Although not anymore alive, Omar Blondin Diop, the only actual Maoist student in the original, now becomes the key character. 　　Juste un Mouvement harnesses the “methodology for practical works” and the “lessons of things”, Godard’s preferred pedagogical and aesthetic methods. The lesson is no longer the singular lesson given by Omar to his comrades in La Chinoise, but those, plural, offered here: first, a lesson in Mandarin about the cinema of La Chinoise. Secondly, tai-chi and kung fu lessons, both martial art and a philosophy of life. And last but not least, the lesson learned from the dead-ends of the past by the family and friends of Omar. 　　Shot exclusively with non-professional actors and including Omar Blondin Diop’s brothers and friends, everyone in this film plays themselves: a filmmaker (Mamadou Khouma Gueye), a rapper and militant (Malal Almamy Tall aka Fou Malade), a poet (Thierno Sall), a Chinese labourer (Fi Lu), a Shaolin master (Doudou Fall), a Senegalese intellectual (Felwine Sarr), an actor (Madiaw Njay), and also the Minister of Culture of Senegal and the Vice President of the People’s Republic of China visiting the Museum of Black Civilization, a project devised by the former Senegalese President Senghor in the mid-sixties and recently made possible thanks to Chinese financing.

美枝子（藤野涼子 饰）和槙雄（青木柚 饰）是上同一所高中的好朋友。 他们开始一起做兼职，并认识了大学生永慈（中川大介 饰），三人开始一起玩耍。 有一…

《不只是友谊》是德国最新多元电影,《蓝色生死恋》与《天使的性》合体.米娅,卢卡斯和乔纳斯是一起长大的童年死党,三个人无论做什么事都形影不离.3年前他们将友谊升华为爱情,理直气壮的做出了爱男生也爱女生的决定.然而这种奇特而温暖的3P关系是朋友和父母所无法理解的.当乔纳斯的身体突然出现状况后,他们决定踏上一趟专属于彼此的旅行.

《不只是友谊》是德国最新多元电影,《蓝色生死恋》与《天使的性》合体.米娅,卢卡斯和乔纳斯是一起长大的童年死党,三个人无论做什么事都形影不离.3年前他们将友谊升华为爱情,理直气壮的做出了爱男生也爱女生的决定.然而这种奇特而温暖的3P关系是朋友和父母所无法理解的.当乔纳斯的身体突然出现状况后,他们决定踏上一趟专属于彼此的旅行.

一名年轻女子在一家精神病院经历了可怕的噩梦，她的丈夫无力帮助她，请求一名侦探协助调查她的过去，希望能找到她现在幻象的线索，但他所揭露的比任何人想象的更令人震惊。

一名年轻女子在一家精神病院经历了可怕的噩梦，她的丈夫无力帮助她，请求一名侦探协助调查她的过去，希望能找到她现在幻象的线索，但他所揭露的比任何人想象的更令人震惊。

Surrealism in Barcelona! "Dante no es únicamente severo" ("Dante is not only rigorous") is the manifesto film of "La escuela de Barcelona" ("Barcelona's Film School"). There is no plot, the movie is just one story after another that a woman is telling to her lover, like a modern Sherezade. There's experiments with the light, the colors, the sound forwards and backwards. Stories of a time that never comes, of princes in blue, of loneliness and desire,... Extremely funny, but beware don't even try to get a meaning of this movie, just watch it and enjoy it as much as you can I could watch it during the 41th Gijón International Film Festival, as part of a retrospective about the cinema movement which was known as "Spanish New Cinema".