未来某天，一种神秘病毒以前所未有的速度肆意蔓延，令人类遭受前所未有的灾难。生死存亡时刻，世界上仅存的幸存者登上科学家们发明铸造的方舟，朝向世界最后的净土前进。充满不安的旅途，庞大深邃的方舟仿佛与世隔绝的城寨，庇护这群可怜的生灵。在一间不起眼的舱室里，胡子拉碴的科学家正伏首案前，通过显微镜仔细观察病毒对正常细胞的侵蚀。在此之后，他揭开手掌上的创可贴，将自己的血滴到载玻片上，显微镜中的景象令他遭受前所未有的巨大冲击。人类的未来，世界的命运，仿佛在那一刻决定…․ 　　本片荣获2007年葡萄牙奇幻国际电影节最佳动画短片奖。

当新闻中传出武汉爆发新冠疫情的第一批报道时，在国内其他地方，张秀华——正遭受着另一种疾病的折磨并为她自己的生命而战。医生们可能已经放弃了她，但是她的孩子和孙子们却没有，他们正在尽一切可能让她和他们在一起多呆一会儿。 　　这部作品以克制的黑白画面观察这个家庭、他们与母亲的处境、疫情造成的后果以及彼此之间的斗争。自尊心和对立的世界观最终使兄妹之间的关系变得紧张——但他们仍然没有从母亲那边让步。 　　对于家庭内部情况的呈现仍然是最重要的不分，但观众能不断地从新冠引发的危机和由此产生的限制中捕捉一些瞬间。通过这种方式，该片巧妙地将一场私人家庭危机与一场全球性紧急事件交织在一起，并在微观和宏观层面显示了它们对人类生活的相互影响。

小学生采风试图建造方舟以️应对玛雅末日，却不知真正的“末日”已经悄然来临了。

每期节目以一组文物以及背后的真实故事为蓝本，进行剧本杀或狼人杀、密室的改编与创作。每期一个故事和案件。在节目进程中，还会邀请与该故事相关的真实人物和专家以npc的身份加入进来。在案件解谜后，复盘过程中，使用影视化手段，将真实的历史故事原本呈现。通过探案和解谜互动，了解文物背后的历史故事，感受传统文化与当下时代的精神共振。

每期节目以一组文物以及背后的真实故事为蓝本，进行剧本杀或狼人杀、密室的改编与创作。每期一个故事和案件。在节目进程中，还会邀请与该故事相关的真实人物和专家以npc的身份加入进来。在案件解谜后，复盘过程中，使用影视化手段，将真实的历史故事原本呈现。通过探案和解谜互动，了解文物背后的历史故事，感受传统文化与当下时代的精神共振。

The setting for this adaptation of 　　Anton Chekhov’s short story “Ward 　　Number Six” is a rural hospital, where 　　various bizarre beings come together. 　　This allegory about totalitarianism 　　also remained uncompleted. The fa- 　　mous Czech artist Ester Krumba- 　　chová contributed to this black-and- 　　white mosaic that oscillates between 　　a naturalistic description of human 　　wretchedness and a desire for free- 　　dom. The film, which only received 　　its final form after the fall of Commu- 　　nism, had its cinematic premiere in 　　November 1990.

毕业于东京大学的黑谷七波（水野美纪 饰）出生在新泻县的一户农家，当年地震引发的海啸使老家的田地遭受严重损毁，但是国家的援助迟迟不能到位，农作物歉收更加重了家庭的负担，这段经历给了七波难以磨灭的印象。大学时代她曾在某俱乐部打工，期间结识了名栗建设公司的职员宫里一树（伊原刚志 饰）。宫里的公司涉足政府开发援助项目（ODA），但是背后却官商勾结干着一些不可告人的勾当。他被七波深深吸引，而这个物欲炽盛的女子对ODA表现出来的浓厚兴趣以及其自身卓越的才气，更让宫里下决心将她引入这个丧失了道德和信仰的泥潭。只要为了钱，人性、罪恶感都是虚无缥缈的东西，他们就这样朝着灵魂的黑暗深渊跌落下去…… 　　本片根据服部真澄的同名小说改编。

毕业于东京大学的黑谷七波（水野美纪 饰）出生在新泻县的一户农家，当年地震引发的海啸使老家的田地遭受严重损毁，但是国家的援助迟迟不能到位，农作物歉收更加重了家庭的负担，这段经历给了七波难以磨灭的印象。大学时代她曾在某俱乐部打工，期间结识了名栗建设公司的职员宫里一树（伊原刚志 饰）。宫里的公司涉足政府开发援助项目（ODA），但是背后却官商勾结干着一些不可告人的勾当。他被七波深深吸引，而这个物欲炽盛的女子对ODA表现出来的浓厚兴趣以及其自身卓越的才气，更让宫里下决心将她引入这个丧失了道德和信仰的泥潭。只要为了钱，人性、罪恶感都是虚无缥缈的东西，他们就这样朝着灵魂的黑暗深渊跌落下去…… 　　本片根据服部真澄的同名小说改编。

Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. 　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? 　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. 　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. 　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. 　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. 　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

洪水期间，两个孩子被困在教堂的塔楼里。当地渔民试图营救他们。