DOMESTIC VIOLENCE was filmed in Tampa, Florida. The film shows the police responding to domestic 　　violence calls and the work of The Spring, the principal shelter in Tampa for women and children. Sequences 　　with the police include police response, intervention, and attempted resolution of domestic violence calls. 　　Sequences at the shelter include intake interviews, individual counseling sessions, anger management 　　training, group therapy, staff meetings, and conversations among clients and between clients and staff. 　　Since two thirds of the residents at the shelter are children, the film also has sequences of school activities, 　　therapy sessions for children where domestic violence is discussed, and counseling for parents and children 　　organized around children's issues and experiences with domestic violence.

DOMESTIC VIOLENCE was filmed in Tampa, Florida. The film shows the police responding to domestic 　　violence calls and the work of The Spring, the principal shelter in Tampa for women and children. Sequences 　　with the police include police response, intervention, and attempted resolution of domestic violence calls. 　　Sequences at the shelter include intake interviews, individual counseling sessions, anger management 　　training, group therapy, staff meetings, and conversations among clients and between clients and staff. 　　Since two thirds of the residents at the shelter are children, the film also has sequences of school activities, 　　therapy sessions for children where domestic violence is discussed, and counseling for parents and children 　　organized around children's issues and experiences with domestic violence.

一个街头小混混和他的狐朋狗友胡作非为的故事。抢劫偷盗,着急了也会杀人,最后很平静地面对死亡……

一个街头小混混和他的狐朋狗友胡作非为的故事。抢劫偷盗,着急了也会杀人,最后很平静地面对死亡……

In a world of gangs and villains, one man - Moon - will stop at nothing to get the girl and take the spoils. Pete Walker's affectionate low-budget homage to the gangster thriller is packed with sights and sounds from a Britain about to swing out of the Sixties and into a somewhat less optimistic decade. It offers not only rare glimpses of a world gone by, but also some unexpected twists on generic convention. The cast includes Hammer girls Luan Peters (Lust for a Vampire, Twins of Evil) and Virginia Wetherell (Doctor Jekyll & Sister Hyde, Demons of the Mind).

In a world of gangs and villains, one man - Moon - will stop at nothing to get the girl and take the spoils. Pete Walker's affectionate low-budget homage to the gangster thriller is packed with sights and sounds from a Britain about to swing out of the Sixties and into a somewhat less optimistic decade. It offers not only rare glimpses of a world gone by, but also some unexpected twists on generic convention. The cast includes Hammer girls Luan Peters (Lust for a Vampire, Twins of Evil) and Virginia Wetherell (Doctor Jekyll & Sister Hyde, Demons of the Mind).

几十年前，范仲年带着恐怖与惆怅离开了妻子儿女，离开了生养自己的故乡柳树胡同。十几年过去，范仲年在香港靠做小生产发了财。为了更大的发展，他带着自己全部的积蓄和希望来到了美国。打算在这块充满梦想的土地上成就终生的事业、建筑幸福的家园。哪知天有不测风云，因为一只小小的俐鼠，范促年被美国政府有关部门指控犯有故意危害濒危动物罪，罚款、冻结土地和银行资金，一夜之间范仲年的巨额资产化为乌有，不仅没有了车别墅，就连起码的吃饭住宿都成了问题。范仲年回到了阔别多年的故乡，但却给原本就面临着种种困境的儿女们更增添了许多说不出的苦恼。当年邻居况有为诬陷范仲年迫使他离家出走，如今况有为和他的女婿蔡和平认定范仲年是从美国回来的富翁，他们使尽招数要从范仲年身上弄出钱来。范仲年在美国破产终于被蔡和平知晓，蔡和平恼羞成怒，对范仲年一家开始了报复，范仲年再次离开范家，悲苦和病痛交织在一起使他明白了自己失去了一切，他流落花流水街头，祈望一死了之。同是孤苦无援林同芳救回了病入膏肓的范仲年，他们相濡以沫，决定相伴度过晚年。

几十年前，范仲年带着恐怖与惆怅离开了妻子儿女，离开了生养自己的故乡柳树胡同。十几年过去，范仲年在香港靠做小生产发了财。为了更大的发展，他带着自己全部的积蓄和希望来到了美国。打算在这块充满梦想的土地上成就终生的事业、建筑幸福的家园。哪知天有不测风云，因为一只小小的俐鼠，范促年被美国政府有关部门指控犯有故意危害濒危动物罪，罚款、冻结土地和银行资金，一夜之间范仲年的巨额资产化为乌有，不仅没有了车别墅，就连起码的吃饭住宿都成了问题。范仲年回到了阔别多年的故乡，但却给原本就面临着种种困境的儿女们更增添了许多说不出的苦恼，分别多年的长一智成了一颗定时炸弹。当年邻居况有为诬陷范仲年迫使他离家出走，如今况有为和他的女婿蔡和平认定范仲年是从美国回来的富翁，他们使尽招数要从范仲年身上弄出钱来。范仲年在美国破产终于被蔡和平知晓，蔡和平恼羞成怒，对范仲年一家开始了报复，范仲年再次离开范家，悲苦和病痛交织在一起使他明白了自己失去了一切，他流落花流水街头，祈望一死了之。同是孤苦无援林同芳救回了病入膏肓的范仲年，他们相濡以沫，决定相伴度过晚年。 　　一夜之间命运发生了变化，范仲在美国的土地解冻了，并且有大公司要以亿万元的高价收买，转眼之间范仲年又成了亿万富翁，柳树胡同、范家大院又上演了一幕幕悲喜剧……

以東方武術為主題的《暴力醒思》， 　　身為東方人的waye當然對於其中的內容呈現有自己的想法，waye的結論是：只要是透過鏡頭的再呈現，就一定會有觀點，這世界沒有忠實呈現真實這回事，就算是當事人也一樣，我們必須要有的是判斷接受哪一種觀點的決斷力而已

以東方武術為主題的《暴力醒思》， 　　身為東方人的waye當然對於其中的內容呈現有自己的想法，waye的結論是：只要是透過鏡頭的再呈現，就一定會有觀點，這世界沒有忠實呈現真實這回事，就算是當事人也一樣，我們必須要有的是判斷接受哪一種觀點的決斷力而已