《人，空间，时间和人》讲述了一艘老军舰上不同年龄和职业的人之间发生的故事， 强奸，谋杀，兵变， 金基德没有给予片中的人物丝毫的放松时间。 电影中的所有人物既没有名字也没有背景，唯一重要的只有让人喘不过气来的“当下”。在一个戏剧性的人际关系的漩涡之中，一场关于食物和生存的斗争完全转向了荒诞。

"Space" 　　Amy is trying to get the Doctor's attention while he fixes the TARDIS. She discovers that Rory is helping the Doctor by installing thermal couplings underneath the glass floor of the TARDIS. Rory and Amy then start a small argument, when the TARDIS suddenly shakes and the lights go out. The Doctor asks Rory if he dropped a thermal coupling, which Rory admits to and apologizes for doing. Amy then apologizes as well, and, at the Doctor's confusion, explains that Rory was looking up her skirt through the glass floor when he dropped the thermal coupling. The Doctor then notes that they have landed through "emergency materialization" which should have landed the TARDIS in the safest space available. The lights come on, revealing another TARDIS inside the control room - the TARDIS has materialized inside itself. The Doctor experimentally walks through the door of the TARDIS inside the control room and instantly walks back into the control room through the door of the outer TARDIS. The Doctor tells Rory and Amy that they are trapped in a "space loop" and that nothing can enter or exit the TARDIS ever again. Despite the Doctor's words, another Amy enters through the TARDIS outer door saying "Okay kids, this is where it gets complicated." 　　"Time" 　　Continuing from the ending of "Space", the other Amy reveals that she is from a few moments in the future, and is able to come into the current outer TARDIS because "the exterior shell of the TARDIS has drifted forwards in time". The other Amy knows what to say and do because, from her perspective, she is repeating what she heard herself say earlier on. The Doctor sends the current Amy into the TARDIS within the current TARDIS, in order to "maintain the timeline". The two Amys take a moment to flirt with each other before the current one departs, much to the Doctor's exasperation. However, not long after the current Amy has left, Rory and Amy enter through the door of outer TARDIS, explaining that the Doctor, from their perspective, just sent them into the inner TARDIS. The current Doctor promptly sends the current Rory and now-current Amy through the inner TARDIS. The Doctor then explains that he will set up a "controlled temporal implosion" in order to "reset the TARDIS", but in order to do so he must know which lever to use on the control panel. Moments after he speaks, another Doctor enters though the outer TARDIS door and tells him to use "the wibbly lever", which he quickly operates, then steps into the inner TARDIS to tell his past self which lever to use. The inner TARDIS dematerialises while the outer TARDIS (being the same TARDIS) does the same, and the Doctor assures Amy and Rory that they are now back in "normal flight", and then advises Amy to "put some trousers on."

人类与银杏这一已存在了两亿年的活化石共同生活在同一个星球上。在我们的当代生活中，银杏作为行道树而融入城市, 由于它有突出的能力去适应不同气候且抵抗污染和虫害。影片对银杏展开探索，从自然写作和中国古代民间故事中的生态伦理观中汲取灵感，批判性地审视了人类欲望的扩张与转变、人与非人类之间的相互联系，并思考了银杏和其它存在之间的生命连续性和暂时性。树木作为见证者，以它们不同的生命周期来传达故事的不同维度。 　　Humans live on the same planet with ginkgo—a living fossil that has been around for 200 million years. However, ginkgo may be nothing more than a street tree, integrated in the city; as urban planners often choose it because of its prominent ability to adapt to various climates and resist pollution and pests. Through the exploration of the ginkgo tree and inspiration from ecological ethics in nature writing and Ancient Chinese folk tales, this film critically examines shifting human greed, the interconnectedness between humans and nonhumans, and con- templates the continuity of life and the temporality of the ginkgo in relation to that of other existences. Trees act as witnesses, conveying different dimensions of the story through the different cycles of life.

空前のペットブームの影響で、日本国内で年間30万頭以上の犬猫が処分されている実態に迫るドキュメンタリー。監督は「あしがらさん」で路上生活者暮らしを記録した飯田基晴。地道に捨て猫の世話をしてきた猫好き老人が、「動物を大切に思ってもらえるような映画を作ってほしい」と飯田に話を持ちかけたことが企画の発端となり、飯田は処分を行う行政施設、保護を行う動物愛護団体などを訪ね、動物を取り巻く人間模様をカメラに収めていく。

剩下的是什么？生命留下痕迹，时间的流逝也留下痕迹。托马斯·海斯（ThomasHeise）的海德主义者伊恩·劳姆·奥斯·泽特（EinRaum ausZeit）研究了一个人与另一个人的关系。他利用自己的个人档案中的文件——信件、照片、学校论文、日记条目——由海斯自己用画外音朗读并在屏幕上展示，从而追溯出他在维也纳、德累斯顿和（东）柏林四代家庭的故事。我们看到了信件中提到的地方和风景的黑白图像，它们现在的样子带有时间的标记：泽尔斯特的劳工营，前国家人民军兵营，大学礼堂，美因茨的梯田房屋。土、土堆、露天地层、火车站、火车站和铁轨也屡屡出现裂缝。首先是爱，父亲，母亲，儿子和兄弟，维也纳犹太人被驱逐出境，德累斯顿战死，艺术和文学，东德社会主义和保持体面——海斯用个人经验的碎片，精心挑选和拼凑的差距，讲述了德国在2零世纪。一部伟大的电影，一部仍将继续。 　　What remains? Lives leave behind traces; so does the passage of time. Thomas Heise’s Heimat ist ein Raum aus Zeit examines how the one relates to the other. Using documents from his personal archive – letters, photographs, school essays, diary entries – read by Heise himself in voiceover and shown on screen, he traces out the story of four generations of his family in Vienna, Dresden and (East) Berlin. We see black and white images of the places and landscapes mentioned in the correspondence as they look today, which bear the marks of time: the labour camp in Zerbst, the former National People’s Army barracks, a university auditorium, terraced houses in Mainz. There are also cracks in the earth, mounds, open strata and railway stations, trains and tracks again and again. First loves, fathers, mothers, sons and brothers, the deportation of the Viennese Jews, war dead in Dresden, art and literature, East German socialism and staying respectable – using fragments from the repository of personal experience, meticulously chosen and pieced together with gaps, Heise tells nothing less than the story of Germany in the 20th century. A great film, and one that will remain.

A teenage girl sets out on a journey back to look for her dog who went lost during the recent terror attack. She navigates through the horrors while encountering the stark reality of the unfolding disaster just beyond the fence.

A teenage girl sets out on a journey back to look for her dog who went lost during the recent terror attack. She navigates through the horrors while encountering the stark reality of the unfolding disaster just beyond the fence.

在一个飘雪的夜晚，松鼠斯克莱特（Scrat）拿着一枚坚果穿越冰原。在经过某处时，偶然发现冰下放出亮光。斯克莱特从里面挖出一个奇怪的机器，这个机器将它和坚果带到了中世纪。它拔出了石头中的宝剑，继而受到城堡中的乱箭攻击。混乱之中，斯克莱特又被带到了角斗场，飞驰的马车让它无处藏身。原来这个机器是一个时间机，斯克莱特被迫随着机器做起了不知终点的时间旅行，旅途中各种险情频发，但即便如此，斯克莱特对坚果仍是情有独钟，念念不忘…… 　　本片为动画片《冰河世纪2》的配套短片，并荣获2007年安妮奖最佳动画短片奖。

在一位哲学教授激昂描述的过程中，Bill Viola的作品和那些关于时间的飘渺概念似乎突然变得可以被把握了。

本片根据艾德加·赖斯·巴勒斯的小说改编而成。讲述的是第一次世界大战期间，一艘德国潜艇在撞沉一艘英国人的船以后，救起了幸存者。但是这艘潜艇开错了方向，将这些幸存者带到了一片未知的土地上。那里，栖息着大量的恐龙和穴居人。他们能顺利地重返家园吗？