顾佳男，三十多岁，单身，卖场经理，感情上无人问津。徐双双，白富美，家庭条件优越，长相和身材无可挑剔，但已经年过三十仍是单身。两人在同一卖场上班，卖场为内部激励员工的工作热情，举办一场PK赛，而顾佳男和徐双双就是对战的队长。

顾家南（黄健玮 饰）和徐双双（杨谨华 饰）是“不婚族”，在公司里，他俩表面是死对头，可私下已经秘密相恋一段时间了。后来，家南错失了一个晋升机会，而获得晋升的恰恰是双双。与此同时，家南现住的房子即将被姑姑卖掉，他还得面对双双女强人妈妈郑菲的嫌弃与轻视。 事业竞争、住房难题以及家庭压力等一连串挑战与阻碍，让家南面临着艰巨任务。故事将围绕家南如何逐个排除这些障碍，从而能顺利和双双结婚展开，同时也着重展现了爱情与生活各方面的冲突和挑战。

纪录片导演玛丽·玛吉欧新作《我是无名女》发布全新预告，“劳模姐”杰西卡·查斯坦配音。该片聚焦几位美国母亲和她们的女儿，就禁止网站发布非法性交易内容的博弈过程展开。由于过去的法律保护网站不因兜售或发布未成年信息承担责任，因而母女们不得不面临来自多方的挑战与威胁。

纪录片导演玛丽·玛吉欧新作《我是无名女》发布全新预告，“劳模姐”杰西卡·查斯坦配音。该片聚焦几位美国母亲和她们的女儿，就禁止网站发布非法性交易内容的博弈过程展开。由于过去的法律保护网站不因兜售或发布未成年信息承担责任，因而母女们不得不面临来自多方的挑战与威胁。

Playing with both a structural principle of the cinematic medium (the synchronization of sound and image) and one of its core dimensions (to function as a machine for the reproduction of ghosts) with boundless gusto, the greatest polymath of the 1970s New York avant-garde devotes this first part of his Hapax Legomena cycle to nostalgia. He sets it, though, in brackets and openly wonders: can we feel nostalgia for the present? Via a sequence of 13 shots, each of which sees a photograph Hollis took of the New York arts scene ritually burned on a stove while the narrator has already moved on to describing the next still, this classicist poet, photographer, sculptor, critic, and filmmaker who set cinema on a new course explores the limits of representation, rescinding and resurrecting the capacity of the image to speak of reality. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15245

Playing with both a structural principle of the cinematic medium (the synchronization of sound and image) and one of its core dimensions (to function as a machine for the reproduction of ghosts) with boundless gusto, the greatest polymath of the 1970s New York avant-garde devotes this first part of his Hapax Legomena cycle to nostalgia. He sets it, though, in brackets and openly wonders: can we feel nostalgia for the present? Via a sequence of 13 shots, each of which sees a photograph Hollis took of the New York arts scene ritually burned on a stove while the narrator has already moved on to describing the next still, this classicist poet, photographer, sculptor, critic, and filmmaker who set cinema on a new course explores the limits of representation, rescinding and resurrecting the capacity of the image to speak of reality. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1308/15245