故事的一切都与一个关于天使画轴的传说不谋而合。根据这个传说，魁首黑震天的到来改变了今天、明天的密码。一个寻找天使，破解密码的拯救行动悄然开始……

1991 年夏天。加斯帕一家在海滩上开始度假，但在与父亲争吵后，十几岁的女儿露西亚决定与男友私奔。一场风暴袭击了脚踏船的其他家庭成员，当他们设法返回海岸时，他们发现竟然神奇地穿越到 2022 年！一个有着智能手机、自拍和流行音乐的疯狂未来。他们会回到平静的九十年代吗？

1991 年夏天。加斯帕一家在海滩上开始度假，但在与父亲争吵后，十几岁的女儿露西亚决定与男友私奔。一场风暴袭击了脚踏船的其他家庭成员，当他们设法返回海岸时，他们发现竟然神奇地穿越到 2022 年！一个有着智能手机、自拍和流行音乐的疯狂未来。他们会回到平静的九十年代吗？

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

1960年代，香港。高楼林立的后面掩饰不住贫民窟的寒酸破败。由于一小孩被老鼠咬伤，不几日鼠疫蔓延开来。刚开始并未引起当局太大重视，随着入院就诊人数逐渐增多，卫生署派人到贫民区发药灭鼠，怕引起市民恐慌，宣布鼠疫并没有大面积流行。但每日增加的住院病人令当局重视起来，组织医务人员研制疫苗，不过为时已晚，连日出现病人死亡，不少有钱人举家逃往海外。普通贫民则相信迷信，求符消灾。一时间，店铺纷纷关张，机场封闭，个别奸商借机大发横财。当局由于决策被动，造成全港人心惶惶。就在大家感到绝望之机，新型疫苗研发成功......

世界气候正在变化。这部纪录片没有展示可能发生的最坏情况，而是聚焦于人们提出的解决方案和他们的行动。

世界气候正在变化。这部纪录片没有展示可能发生的最坏情况，而是聚焦于人们提出的解决方案和他们的行动。

马丁·斯科塞斯制片的新作定名为《Tomorrow》(明天)，是一部军事题材影片，由其御用编剧Martha Pinson执导， Sebastian Street和Stuart Brennan撰写剧本。演员方面，据悉，《权力的游戏》杰奥·莫尔蒙总司令扮演者James Cosmo 也将加入该片。影片讲述了几位老兵退伍后重新试图融入社会的故事。