故事舞台设定在再现了德国田园风光的自然体验型主题公园——东京德国村。在被誉为“一年中最清闲的一天”的冬季知名灯光秀开启的前一日，围绕着在美食餐车前排队的人们以及9位男女员工各自复杂的状况，交织出一段“美好的一日”。

一对男女他们因为某些事而踏上了一段神经紧绷精神紧张的漫长路程……

青年女演员表演生硬空洞，被导演评价 “如同 AI 生成”，还面临角色被人工智能替代的危机。长期职场高压令她深陷焦虑，习惯在镜头内外伪装情绪稳定。 她与三位闺蜜相聚，四位外表体面的都市女性，各怀隐秘困境：有人用数据量化亲密关系，抵御家族婚恋压力；有人在复杂情感里周旋，以疏离掩藏脆弱；有人独自承受婚姻育儿的精神内耗。她们默契扮演完美成年人，压抑真实情绪。一场真心话游戏撕碎体面伪装，都市生活下孤独与焦虑得以袒露。重返片场，女演员挣脱工业化标准化表演，以真实的女性痛感完成演绎，模糊戏与现实的边界。影片依托女性友谊，映照数字时代的个体异化，探讨技术复刻表象之下，人类真实情绪的不可替代性与女性的自我救赎。

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

Light on Earth will examine the phenomena of so-called bioluminescence.

一个年轻的工厂工人决定站起来反对他的同事和其他工会成员，当他们想举行一场疯狂的罢工。

暂无剧情简介

十年前的一次超自然发光事件导致张鹏的好友神秘失踪。十年后摄制组找到张鹏，提出重回事发地象山拍摄一部找寻真相的影片。在象山受访者对当年事件给出的不同描述让调查陷入重重谜团。当他们历经波折进入那个人工开凿的神秘洞穴时，却发现所谓谜团都是导演的蓄意安排。但真相只是这样吗？在这个谜一样的洞穴里，谁是操纵者，谁是被操纵者已经无法确定。随着那扇尘封的水泥大门被推开，眼前发生的一切远超他们的想象……

内向中学生欧文原只想安稳度日，直到同校酷姐麦蒂向他介绍了神秘的深夜奇幻影集《神力粉红》——一个隐藏在地下的怪奇世界。两人总是偷窝在麦蒂家里，看粉红少女组对抗邪恶怪物。隔着电视的闪烁微光，欧文的内心也逐渐起了变化。而麦蒂突然人间蒸发，影集断尾，欧文的另一个世界，倏地戛然而止⋯⋯