故事的一切都与一个关于天使画轴的传说不谋而合。根据这个传说，魁首黑震天的到来改变了今天、明天的密码。一个寻找天使，破解密码的拯救行动悄然开始……

1991 年夏天。加斯帕一家在海滩上开始度假，但在与父亲争吵后，十几岁的女儿露西亚决定与男友私奔。一场风暴袭击了脚踏船的其他家庭成员，当他们设法返回海岸时，他们发现竟然神奇地穿越到 2022 年！一个有着智能手机、自拍和流行音乐的疯狂未来。他们会回到平静的九十年代吗？

1991 年夏天。加斯帕一家在海滩上开始度假，但在与父亲争吵后，十几岁的女儿露西亚决定与男友私奔。一场风暴袭击了脚踏船的其他家庭成员，当他们设法返回海岸时，他们发现竟然神奇地穿越到 2022 年！一个有着智能手机、自拍和流行音乐的疯狂未来。他们会回到平静的九十年代吗？

在东洋第一的娱乐街——歌舞伎町，经营着一家无招牌杂货店的李（森山未来 饰），接连遭遇各类事件。这些事件背后，怀揣着不同动机的人们纷纷有所行动。李必须一边解读事件背景，一边探寻起因，因为若不如此，纠纷便会无端扩大，根本无法解决。他凭借经验与直觉做出判断。年轻时，李曾因一次判断失误，痛失同居恋人……

在东洋第一的娱乐街·歌舞伎町经营着没有招牌的杂货店的李（森山未来 饰），接二连三收到了各种各样的事件。事件中有着各种各样动机的人们蠢蠢欲动，必须一边解读背景一边寻找起因。因为如果不这样做，纠纷就会无谓地扩大，根本无法解决。落点是从经验和直觉中导出的。年轻时的李，有过因为判断失误而失去同居恋人的经验…

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

虽是天才但社交能力为0的技师空乃天晴，与实力高超却生性胆小的武士一色小雨，由于遭遇事故而从日本漂流到了美国。为了回到日本，身无分文的两人选择的方法是参加“美国大陆横穿车赛”。 起点是西海岸洛杉矶，终点是纽约。 他们开着自己造的蒸汽汽车驰骋荒野，与疯狂的对手互相竞争，从不法之徒和大自然手中保护自己…… 究竟两人能否在残酷的比赛中得到优胜，夺得赏金回到故乡呢！？

1960年代，香港。高楼林立的后面掩饰不住贫民窟的寒酸破败。由于一小孩被老鼠咬伤，不几日鼠疫蔓延开来。刚开始并未引起当局太大重视，随着入院就诊人数逐渐增多，卫生署派人到贫民区发药灭鼠，怕引起市民恐慌，宣布鼠疫并没有大面积流行。但每日增加的住院病人令当局重视起来，组织医务人员研制疫苗，不过为时已晚，连日出现病人死亡，不少有钱人举家逃往海外。普通贫民则相信迷信，求符消灾。一时间，店铺纷纷关张，机场封闭，个别奸商借机大发横财。当局由于决策被动，造成全港人心惶惶。就在大家感到绝望之机，新型疫苗研发成功......