看似正常的相遇背后是什么？

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness. 　　源自：https://www.berlinale.de/en/2023/programme/202309248.html

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness. 　　源自：https://www.berlinale.de/en/2023/programme/202309248.html

甲午战后，大批日本人移民到中国东北地区。他们很多人都携家带口，有些人甚至在中国成立家庭、生儿育女。这些在中国长大的日本人，对中日两国有着极为复杂的情感。抗日战争打响之后，其中的一部分人和一些被改造的日军俘虏成立了一支独特的日本军队，加入反战同盟的战线之中。 抗战期间，“反战同盟”成为了一支特殊的国际主义队伍，他们为抗日战争的胜利做出了特殊的贡献，并被中国老百姓称为“日本八路”。他们的出现及其抗日义举，在世界战争史上也是少有的现象。

甲午战后，大批日本人移民到中国东北地区。他们很多人都携家带口，有些人甚至在中国成立家庭、生儿育女。这些在中国长大的日本人，对中日两国有着极为复…

How do 1.1 billion people around the world live on less than one dollar a day? Four young friends set out to research and live this reality. Armed with only a video camera and a desire to understand, they spend just 56 dollars each for 56 days in rural Pena Blanca, Guatemala. They battle E.Coli, financial stress, and the realization that there are no easy answers. Yet, the generosity and strength of their neighbors, Rosa, Anthony and Chino gives them resilient hope. They return home transformed and embark on a mission to share their new found understanding with other students, inspiring and challenging their generation to make a difference.

'Duarte de Almeida', director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples. In the end, the movie director decides to come the talk to an end, as it was «becoming endless, like the two of us», and without actually answering the interrogation that starts it: «How can one represent life itself?

'Duarte de Almeida', director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples. In the end, the movie director decides to come the talk to an end, as it was «becoming endless, like the two of us», and without actually answering the interrogation that starts it: «How can one represent life itself?

江城首富少爷江珺，为摆脱家族联姻的束缚，带着半块江津玉订婚玉佩，前往文创老街寻找素未谋面的未婚妻——百年玉雕店“白记”的传人白琬月。内心厌弃“拜金女”的他，决定伪装成不名一文的“穷屌丝”，进入玉雕店打工，意图让白琬月主动悔婚。 然而，他遇到的并非想象中的世俗女孩。白琬月坚韧、干练，一心扑在家族事业、江津玉非遗雕刻技艺传承与创新上，她的清爽洒脱与对玉雕的赤诚热爱，让江珺刮目相看。更神奇的是，当两人的玉佩因靠近而相互感应时，他们竟意外获得了透视江津玉内部异能的奇妙能力。