常年在运河上跑船的曹海军夫妇计划运完今年的最后一批货，回家过年。然而，由于码头卸货计划的不断调整，他们只能一路往南。日夜兼程地航行，离家的距离越来越远。闸门关闭的日期越来越近，船擦过水面，伴着急切归家的心情，惊动了寂静的夜

常年在运河上跑船的曹海军夫妇计划运完今年的最后一批货，回家过年。然而，由于码头卸货计划的不断调整，他们只能一路往南。日夜兼程地航行，离家的距离越来越远。闸门关闭的日期越来越近，船擦过水面，伴着急切归家的心情，惊动了寂静的夜

一名坐过牢的男子适应著现代生活，过程中逐渐与他的高中老师情感益加紧密。 　　An ex-con struggling to readjust to life in his small town forms an intense bond with his former high school teacher.

一名坐过牢的男子适应著现代生活，过程中逐渐与他的高中老师情感益加紧密。 　　An ex-con struggling to readjust to life in his small town forms an intense bond with his former high school teacher.

卡嘉（黛安·克鲁格 Diane Kruger 饰）曾经有一个非常幸福的家庭，然而，一场可怕的恐怖袭击让她在瞬间失去了丈夫奴里（努曼·阿卡尔 Numan Acar 饰）和年幼孩子。爆炸的始作俑者是一对“新纳粹分子”情侣艾达（汉娜·希尔斯多夫 Hanna Hilsdorf 饰）和安德烈（乌尔里奇·布兰德霍夫 Ulrich Brandhoff 饰），两人很快就遭到了逮捕等待庭审。 　　在庭审中，艾达和安德烈的律师指出卡嘉夫妇曾经参与过贩毒活动，同时他们自己也曾经吸食过毒品，这一劣迹的曝光直接影响了法官对案情的判断，最终，这对情侣因为证据不足而被无罪释放。悲愤和绝望之中，卡嘉决定通过自己的双手来为家人们报仇。

卡嘉（黛安·克鲁格 Diane Kruger 饰）曾经有一个非常幸福的家庭，然而，一场可怕的恐怖袭击让她在瞬间失去了丈夫奴里（努曼·阿卡尔 Numan Acar 饰）和年幼孩子。爆炸的始作俑者是一对“新纳粹分子”情侣艾达（汉娜·希尔斯多夫 Hanna Hilsdorf 饰）和安德烈（乌尔里奇·布兰德霍夫 Ulrich Brandhoff 饰），两人很快就遭到了逮捕等待庭审。 　　在庭审中，艾达和安德烈的律师指出卡嘉夫妇曾经参与过贩毒活动，同时他们自己也曾经吸食过毒品，这一劣迹的曝光直接影响了法官对案情的判断，最终，这对情侣因为证据不足而被无罪释放。悲愤和绝望之中，卡嘉决定通过自己的双手来为家人们报仇。

殡仪师的女儿荷娜从小就喜欢“钱的味道”， 见多了死亡，可以酷到在太平间里吃泡面的她找到了发财的捷径：为自己物色一个“短命又多金”的丈夫人选。 　　阴差阳错，一屁股债务的青年浩尚被荷娜误认作富翁王大泊，成了她的“猎物”，荷娜随即开始了卓有成效的“捕获”过程。一个善于异想天开，一个本来就是闯祸大王，两个人搅在一起，自然会是一番天翻地覆。

A superstitious, illiterate young gypsy servant girl comes to live with a solitary female artist at her country chateau. The girl has recurring nightmares of a naked man on horseback assaulting and abusing her. As the artist takes the girl under her wing, an sensuous relationship develops between them. At the same time, the naked horseman begins to appear in reality. The girl, convinced that he represents her doom, resists him; but the artist is intrigued and a bizarre erotic triangle is established.

A superstitious, illiterate young gypsy servant girl comes to live with a solitary female artist at her country chateau. The girl has recurring nightmares of a naked man on horseback assaulting and abusing her. As the artist takes the girl under her wing, an sensuous relationship develops between them. At the same time, the naked horseman begins to appear in reality. The girl, convinced that he represents her doom, resists him; but the artist is intrigued and a bizarre erotic triangle is established.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. 　　Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. 'Extramuros' is edgy all right: a plot or scheme agreed upon between two lovers to escape their plight, but with a twist. The scheme is similar to some we've recently seen power couples of politicians, religious leader and the like, play out on the world in the last decade. But the twist this film throws in - literal and actual self-flagellation is original. 　　It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns).