平凡周毅在攻略副本的途中被队友抛弃，丧命在怪物口中。临死前他感慨自己还不如蟑螂，没想到蟑螂之神真让他重生成了一只蟑螂！在遍地都是怪物和超能力的世界，周毅这只小蟑螂要努力活下去！

北京电影学院2014届毕业联合作业。编导：张梦楚，摄影：钱禹澎、杜金穗，美术：朱晓东，录音：乌力吉，制片主任：李天然。 　　黑车司机不小心在路上撞伤一位带着婴儿的女人，惊慌之下他将婴儿抱走，然而回到家之后才发现不知该如何处理这个婴儿。而此时广播中又传来寻找婴儿的新闻，司机惊慌之下决定把婴儿抛弃，却又三番两次把婴儿捡了回来……

婴儿从哇哇落地那一刻起，整个世界便仿佛一个有待探索的宝藏，同时也是感官的游乐场。不论是学会辨认人脸的特征或是被各种声音逗得呵呵笑，婴儿无时无刻不在学习新知。Discovery频道推出系列《婴儿的成长》，继续带领观众探索婴儿奇妙的世界，以及他们从出生到两岁大的成长过程。每集一小时的节目中都将详尽介绍婴儿成长的重要领域：情感的发展、社会化过程与了解他人。 　　在每集节目中，观众将跟随着婴儿的发展过程，看他们如何将各种技巧逐渐变得熟练。节目中将探讨传统及最新的婴儿发展理论，而北美和欧洲的科学家则将进行突破性的实验，并且将他们的婴儿行为实验室公开由Discovery频道进行拍摄。 　　【蹒跚学步】To Walk 　　【认知思考】To Think 　　【牙牙学语】To Talk 　　【感情的启发】To Feel 　　【感情的归属】To Belong 　　【感情的交流】To Relate

在印度农村的一个火车站，一对兄弟目睹了一名贫困母亲的孩子被绑架。其中一位受道德责任的指引，说服另一位去帮助这位母亲，并加入了寻找孩子的危险调查。

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon. 　　----- 　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process. 　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything. 　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

An Over-Incubated Baby (AKA: The Wonderful Baby Incubator) is a 1901 British short silent comedy film, directed by Walter R. Booth, featuring a woman who gets an unpleasant surprise after placing her baby in Professor Bakem's baby incubator for 12 months growth in one hour. The film is, "one of the most original of the trick films made by W.R. Booth and R.W. Paul in 1901," and according to Michael Brooke of BFI Screenonline, "one of the less elaborate films made by Booth and Paul that year," "though the concept itself is so imaginative that it arguably didn't need any more than basic jump-cut transformations."

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon. 　　----- 　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process. 　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything. 　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

21世纪，原本能量稳定的人、神、妖三界由于人类社会的飞速发展而失去平衡，神、妖两界紧急启动救世计划，决定派出一批神仙、妖怪来到人界寻找救世方案。苏莫婷是一个带着“神妖之子”身份的社畜女青年，在被父母以“独立自强”为理由请出家门后，遇到了同样流落人间的二货帅气小萌神——天机星以及神秘沉稳酷猫妖——地魁。在土地的主导下，三人结成救世组合，开始上演搞笑而又扎心的无厘头日常。

21世纪，原本能量稳定的人、神、妖三界由于人类社会的飞速发展而失去平衡，神、妖两界紧急启动救世计划，决定派出一批神仙、妖怪来到人界寻找救世方案。苏莫婷是一个带着“神妖之子”身份的社畜女青年，在被父母以“独立自强”为理由请出家门后，遇到了同样流落人间的二货帅气小萌神——天机星以及神秘沉稳酷猫妖——地魁。在土地的主导下，三人结成救世组合，开始上演搞笑而又扎心的无厘头日常。

《婴儿城》（《Baby Follies》）由法国C2A制片公司出品，上海美术电影制片厂译制。中文译制版只有20集，实际上法语版有52集。 　　在高高的天空上，绵绵的白云间，有一座美丽的天城。婴儿城是一片没有战争和罪恶的净土，有的是积木搭成的房屋，白云铺就的道路。一群可爱的婴儿就居住在这里。 　　婴儿城里有总爱抱着泰迪熊，在市政大楼里搭积木的市长；婴儿城里有不会稳当着落的超人；婴儿城里有聪明敏锐，骑着小三轮车办案的探长；婴儿城里有性感讨人喜欢的劳拉；婴儿城里有经营着玩具超市的商人；婴儿城里有憋不住在空中尿湿尿布的飞行员。 　　婴儿们在生活中也有着他们的快乐和烦恼。想知道这里发生的一切吗？那就跟着这一群可爱婴儿们走进婴儿城里来……