北京电影学院2014届毕业联合作业。编导：张梦楚，摄影：钱禹澎、杜金穗，美术：朱晓东，录音：乌力吉，制片主任：李天然。 　　黑车司机不小心在路上撞伤一位带着婴儿的女人，惊慌之下他将婴儿抱走，然而回到家之后才发现不知该如何处理这个婴儿。而此时广播中又传来寻找婴儿的新闻，司机惊慌之下决定把婴儿抛弃，却又三番两次把婴儿捡了回来……

影片致力于呈现释迦的人格魅力，心灵的成长过程。所以将降魔成道的前传，即宫中生活、出游四门、山间修行也纳入到影片中来，这样便更加能够突出其降伏心魔的心灵情境与现实指向。 　　影片的表现规律在于寻找与展现人物的成长历程，呈现人物的行动性，而佛教经典中提供了丰富的意向来呈现释迦成长的行动性，为结构影片提供了关键要素，结合经文，我们将故事分为三场，在这个故事线索的基础上展开各项设计： 　　一、离开王宫：原本被拘束在宫中优渥生活之中的悉达多王子，在菩提叶的启发下，离开王宫，见证到生命的老、死之苦。 　　二、山间修行：悉达多被深深的触动，离宫苦修，寻求觉悟与解脱之道，心魔出现，欲诱惑、恐吓他放弃。 　　三、降伏心魔：在与心魔的对抗中悟到心灵力量的来源，不在一己之力（之前的苦修追求独善己身），而在于融入到一切众生，慈悲、智慧与意志，以这些力量所焕发出的美来化转心中的负面能量。这种与心魔的对抗正启迪了悉达多的最终悟道，面对内心，连结众生，将菩提心（对空性的证悟）与慈悲心（对一切众生轮转无尽的悲悯）相融通，是他的觉悟之道。

《婴儿城》（《Baby Follies》）由法国C2A制片公司出品，上海美术电影制片厂译制。中文译制版只有20集，实际上法语版有52集。 　　在高高的天空上，绵绵的白云间，有一座美丽的天城。婴儿城是一片没有战争和罪恶的净土，有的是积木搭成的房屋，白云铺就的道路。一群可爱的婴儿就居住在这里。 　　婴儿城里有总爱抱着泰迪熊，在市政大楼里搭积木的市长；婴儿城里有不会稳当着落的超人；婴儿城里有聪明敏锐，骑着小三轮车办案的探长；婴儿城里有性感讨人喜欢的劳拉；婴儿城里有经营着玩具超市的商人；婴儿城里有憋不住在空中尿湿尿布的飞行员。 　　婴儿们在生活中也有着他们的快乐和烦恼。想知道这里发生的一切吗？那就跟着这一群可爱婴儿们走进婴儿城里来……

本节目跟踪拍摄了阿加特、安娜、玛艾、亚历克西和马克桑斯五个可爱的宝宝，纪录了他们从诞生到哑哑学语的生长过程以及成长故事。（人物 2011年 第158期） 　　De leur naissance à leur deuxième anniversaire, la caméra de Petits d’homme a suivi Agathe, Anna, Alexis, Maxence et Maé. Nous les observons découvrir le monde, les êtres qui les entourent ; c'est une succession permanente de progrès fabuleux durant lesquels ils expriment des sentiments, prennent des risques, manifestent leur caractère, apprennent à se connaître et à vivre avec les autres, puis maîtrisent la marche, et enfin accèdent au langage. Ce film s’adresse à chacun de nous. C’est le film de notre histoire, une histoire à la fois fascinante et émouvante. Son sujet est universel.

故事围绕年轻孕妇阿达娜展开，她怀孕后被男友抛弃，为了不让家人蒙羞，逃到了拉各斯。走投无路之时，她来到了埃文斯博士的诊所。这家诊所表面上是为陷入困境的孕妇提供庇护的非政府组织，承诺会照料这些女孩，还能将孩子送养给他人。但实际上，该诊所是一个婴儿贩卖团伙，婴儿会被以收养的名义卖给渴望孩子的夫妇。与此同时，尼日利亚著名女演员谢丽丝因多年流产且收养失败，一直渴望拥有一个孩子，她也与这家诊所产生了交集。而雄心勃勃的记者乔伊正在调查这家诊所，试图揭露其背后的秘密。

A detective questions baby-sitter Lottie Slocum about the murder of Clara Nash, for whom Lottie had been working. Lottie exasperates the detective by her aimless chatter and her undisguised excitement. After the detective leaves, she tells a friend about the night of the murder. Lottie disliked Clara, who was separated from her husband and was seeing another man. Lottie is so vocal in her disapproval of Clara, and in her affection for Mr. Nash, that her friend wonders whether Lottie was somehow involved. Later, Lottie is threatened by the dead woman's boyfriend. She herself hopes that the situation will give her an opportunity to get closer to Mr. Nash.

“This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security--camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-person shooter, and inside the film the home invaders are sometimes playing games —the idea being you can scan a QR code and play along with them. “What we’re trying to do is to build some mechanism that allows people to interface with the footage and basically remix, or make their own, films,” Korine says. 　　They also have been experimenting, Korine says, with replacing the faces of the home invaders with the faces of babies. That film, he says, has a title too: Baby Invasion. Korine has EDGLRD cofounder and head of production Joao Rosa, a grave, priestlike native of Brazil, cue up some sample footage: terrifying.

“This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security--camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-person shooter, and inside the film the home invaders are sometimes playing games —the idea being you can scan a QR code and play along with them. “What we’re trying to do is to build some mechanism that allows people to interface with the footage and basically remix, or make their own, films,” Korine says. 　　They also have been experimenting, Korine says, with replacing the faces of the home invaders with the faces of babies. That film, he says, has a title too: Baby Invasion. Korine has EDGLRD cofounder and head of production Joao Rosa, a grave, priestlike native of Brazil, cue up some sample footage: terrifying.

It's the start of the Baby-Boom, and the overworked delivery system is full of glitches: Mother Goose gets a baby skunk, a Scotty dog gets a little hippo, and Mr. and Mrs. Mouse wind up with a kitten. Porky and Daffy take over the Baby Factory and get things straightened out until an unidentified egg comes rolling down the assembly line.

For more than 30 years, Dr. Quincy Fortier covertly used his own sperm to inseminate his fertility patients. Now his secret is out and his children seek the truth about his motives and try to make sense of their own identities.