大夏首席网络安全官江明拒绝科宇集团柳青舟的挖角，一次醉酒后与星澜总裁陆昭雪误同房。次日，他因徒弟萧景琰偷换防火墙程序，被傲阳董事长蒋凌霜陷害离职，还被萧景琰设局签下责任认定书扫地出门。 陆昭雪的公司遭黑客攻击，江明主动帮忙，虽遭质疑但凭实力修复系统。技术峰会上，萧景琰与蒋凌霜嘲讽江明，江明却用自研“星月系统”击溃病毒，助星澜拿下十亿项目，傲阳则因未换回原防火墙致系统崩溃。 星澜换系统后服务器瘫痪，江明联系军方背景的飞龙集团解决；傲阳求助云端公司反被索高价。信息商会上，萧景琰勾结郝亮打压星澜，柳青舟现身揭露其恶行，将千亿项目交予星澜。最终，江明与陆昭雪情愫渐生，步入婚姻殿堂。

天青宗杂役弟子安景，机缘之下获得融合系统，但他天生性格低调，不喜招摇，于是以杂役弟子的身份慢慢发育，从不出任何风头，踏上漫漫仙道之路，他暗地里帮助天青宗解决了许多大麻烦，从此天青宗多了一个神秘之人的传说！

产房内国公府嫡女江知棠正在生孩子，而与此同时的天上，神女季瑶算到人间劫难将至，自愿献祭自己，坠入凡间，而侯府也喜得千金，六年后江知棠在梦里梦到了自己的女儿季瑶倒在血泊里，急忙起身寻找她，小小的季瑶这是正被候爷的小妾宋冉冉带到了高楼想置他于死地，为了让自己的女儿做嫡小姐，被推下去的季瑶失去了意识，但神女季瑶的意识终于在她体内觉醒了

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

当一位年轻僧人接触到“博阿健身房”的健美运动员时，他重新连接到了自己身体的力量，引发了一场彻底的转变。

清晨时分，一个纹身的僧人骑马在泰国北部的沿着小山坡上走着。他叫阿博特弗拉克鲁巴，别人称他为虎僧。15年来，这位到处游历的僧人一直致力于照顾金三角地区无家可归的孤儿。克鲁巴所走得甚至比一些政府部门或者ＮＧＯ组织更加远。他曾经是一位泰拳冠军，他教那些孩子骑马，打坐，并且教他们武术以强身健体。他平时监督这些孩子作息，一些穷人家庭因此把孩子送到他那儿去。克鲁巴被人尊称为老师，父亲，教练，无论他去哪儿，全村庄的人都会出来看他。经过一年的时间，导演马克 •维克跟随这位让人尊敬的僧人，他的追随者以及他的另一半——尼姑昆梅伊，记录了他的工作与生活方式。

清晨时分，一个纹身的僧人骑马在泰国北部的沿着小山坡上走着。他叫阿博特弗拉克鲁巴，别人称他为虎僧。15年来，这位到处游历的僧人一直致力于照顾金三角地区无家可归的孤儿。克鲁巴所走得甚至比一些政府部门或者ＮＧＯ组织更加远。他曾经是一位泰拳冠军，他教那些孩子骑马，打坐，并且教他们武术以强身健体。他平时监督这些孩子作息，一些穷人家庭因此把孩子送到他那儿去。克鲁巴被人尊称为老师，父亲，教练，无论他去哪儿，全村庄的人都会出来看他。经过一年的时间，导演马克 •维克跟随这位让人尊敬的僧人，他的追随者以及他的另一半——尼姑昆梅伊，记录了他的工作与生活方式。

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……

领主的女儿进入到修道院里进行修行，可是在修道院里卷进了欲望的漩涡，和放浪的贵族合谋害死了老院长，终于被其他的僧尼所揭发……