A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

走遍中国 　　源远流长的地方志堪称中华民族独特的“文化瑰宝”，它与国史、家谱一起，共同传承着中华民族丰富而宝贵的历史文化财富。作为一种传统文化载体和文化传承方式，地方志在中国历史与社会发展中一直发挥着资治、教化、存

走遍中国 　　源远流长的地方志堪称中华民族独特的“文化瑰宝”，它与国史、家谱一起，共同传承着中华民族丰富而宝贵的历史文化财富。作为一种传统文化载体和文化传承方式，地方志在中国历史与社会发展中一直发挥着资治、教化、存

Jotuomba的每个居民长久以来都扮演者自己分内的角色。一如每个早晨，玛德莲做好面包，带去安东尼奥古旧的咖啡店，两人照例吵嘴抬杠。这山城里的时间似乎停滞不动，所有事物的流转，拥有着自己的节奏，在此即是永恒。直到年轻女摄影师丽塔抵达，变化，终于随着她的快门，开始产生涟漪。

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

Our film focuses on Italian author, art critic and feminist Carla Lonzi (1931–1982), founder of the first Roman feminist group Rivolta Femminile in 1972, and her role in 　　the international feminist revolt of the 70s/80s. It drafts the notion of new feminist 　　historiographies by tracing histories unwritten and by opening to date uncharted 　　archives: at the core of its narrative resides Lonzi’s unfinished project on Les Précieuses, a French proto-feminist group active in the 17th century. It is this project our film wants to revisit in an attempt to complete it in a speculative manner, thereby connecting a remote part of the feminist history with possible feminist futures. Adjacently, a tentative lineage in feminist thought towards the present is mapped through a re-staging of an iconic photographic volume titled La strada più lunga by feminist photographer Maria Grazia Chinese from 1975 in the garden of the Casa Internazionale delle Donne in Rome

“国有国史，地有方志，家有家谱”，国史、方志、家谱，这些典籍资料共同记录了中华民族的奋斗史。 　　《中国影像方志》将以局部折射整体，以地方表达中国，从中华文明演进和历史发展进程的角度，深刻解读中华文化的源远流长和博大精深，讲述生动传奇的地方故事，展示丰富多彩的地方文化，领略各具特色的风土人情，纪录当下中华民族为全面建成小康社会、实现中华民族伟大复兴中国梦的奋斗创新，彰显中华民族勤劳智慧、生生不息的伟大精神。

“国有国史，地有方志，家有家谱”，国史、方志、家谱，这些典籍资料共同记录了中华民族的奋斗史。 　　《中国影像方志》将以局部折射整体，以地方表达中国，从中华文明演进和历史发展进程的角度，深刻解读中华文化的源远流长和博大精深，讲述生动传奇的地方故事，展示丰富多彩的地方文化，领略各具特色的风土人情，纪录当下中华民族为全面建成小康社会、实现中华民族伟大复兴中国梦的奋斗创新，彰显中华民族勤劳智慧、生生不息的伟大精神。