大概是法国第一部描写女同志的故事片吧。 　　Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952. 　　French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

护林员石林重生到84年，开局捅了马蜂窝，意外激活兽仆系统，契约马蜂，石林收缴野生蜂蜜发家致富；契约紫貂帮他抓捕野鸡野兔野鸭；契约大熊整座大山都成他的后花园，生活简直爽翻天，也有了女人疼女人爱。

激活了万能修改系统，却发现原来这系统比他更 “卷”—— 不管是吞噬灵气能升级，还是斩杀强敌能升级，甚至打坐顿悟都能触发升级暴击。系统版本一路飙升，从最初送基础功法，到解锁秒速修炼、万倍悟性、法则具现。

草根出身的少年剑客王天逸在江湖中闯荡，结识了豪门子弟慕容秋水、丁玉展、唐博，与他们结为好友一起行侠仗义，并与向往自由的小丫鬟碧环经历重重磨难后两情相悦。王天逸一心想要成为行侠仗义的大侠，却被奸人陷害逐出门派，死里逃生之后，加入天下第一大帮长乐帮。长乐帮意图统一武林，王天逸在执行任务中不断遭受挑战，他逐渐发现自己的救命恩人副帮主易月，才是他苦难的来源。易月的目的是用仇恨蒙蔽王天逸，让他成为泯灭良知的争霸工具。虽然恩义两难全，但王天逸还是守住了心中的正义，选择奋起反抗，粉碎了席卷武林的阴谋，守护了无辜百姓。王天逸终于成为了为国为民的大侠，但也无意再涉江湖，选择在平凡处守护得来不易的太平。

草根出身的少年剑客王天逸在江湖中闯荡，结识了豪门子弟慕容秋水、丁玉展、唐博，与他们结为好友一起行侠仗义，并与向往自由的小丫鬟碧环经历重重磨难后两情相悦。王天逸一心想要成为行侠仗义的大侠，却被奸人陷害逐出门派，死里逃生之后，加入天下第一大帮长乐帮。长乐帮意图统一武林，王天逸在执行任务中不断遭受挑战，他逐渐发现自己的救命恩人副帮主易月，才是他苦难的来源。易月的目的是用仇恨蒙蔽王天逸，让他成为泯灭良知的争霸工具。虽然恩义两难全，但王天逸还是守住了心中的正义，选择奋起反抗，粉碎了席卷武林的阴谋，守护了无辜百姓。王天逸终于成为了为国为民的大侠，但也无意再涉江湖，选择在平凡处守护得来不易的太平。

Gaja's world is a contemporary romantic family comedy with elements of a crime film. The story deals with the common problems of today's kids' life: separation of parents, alienation in the family, and the dangers of the Internet. With this we address both teens and their parents. However, we do not ignore the dynamics, humor, emotions, and suspense. The main character of the film is 11-year-old Gaja. She presents to us her unusual family and the world in which she lives. After Mother's departure to Africa on the mission of the Doctors without Borders, this world undergoes a significant change. Her father must learn how to take care of his daughters on his own. Gaja has a sister, Tea who because of her teenage naivety gets herself into a world of online threats and crime. But clever and crafty Gaja is capable to handle all the problems. Her best friend Matic, a computer genius is always under attack of his more powerful classmates, but Gaja is not afraid of anyone. She proves that the weaker can be the strongest if the brains and the heart are in the right place. Despite occasional violations of the rules Gaja's decisions match that cordial and sincere world that always touches us. Whatever happens, Gaja is not a passive observer - she always bravely takes matters into her own hands. The main message of the film is that the courage always brings the solution to the problem, and this is also the belief that every parent would want to transmit to his child.

起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

Athens, today. Seventeen-year-old Aria, who is working at Jimmy’s local kebab place is waiting for a driving lesson with her father. When he finally arrives, it is not to go for a drive; on the contrary, he confides in her the care of a young Chinese immigrant who speaks neither Greek nor English. 　　DIRECTOR’S STATEMENT 　　A film, for me, is a collection of moments, which fall into place to create a whole. Sounds, looks, movements, the colors of Athens today tell the story of Aria, Lu and Petros. Image by image, I await the moment that I merge with them through their journey, just as they merge into mine—together accepting that our freedom exists in merely an instant.

Athens, today. Seventeen-year-old Aria, who is working at Jimmy’s local kebab place is waiting for a driving lesson with her father. When he finally arrives, it is not to go for a drive; on the contrary, he confides in her the care of a young Chinese immigrant who speaks neither Greek nor English. 　　DIRECTOR’S STATEMENT 　　A film, for me, is a collection of moments, which fall into place to create a whole. Sounds, looks, movements, the colors of Athens today tell the story of Aria, Lu and Petros. Image by image, I await the moment that I merge with them through their journey, just as they merge into mine—together accepting that our freedom exists in merely an instant.