the best pet shop boys video collection ever 　　Jack Bond (videos "Always On My Mind" and "Heart") 　　Howard Greenhulgh (videos "Can You Forgive Her?", "Go West", "I Wouldn't Normally Do This Kind of Thing", "Liberation", "Yesterday, When I Was Mad", "Paninaro '95", "Before", "Single-Bilingual", "A Red Letter Day", "New York City Boy") 　　Annie Griffin (video "Somewhere") 　　Derek Jarman (videos "It's a Sin" and "Rent") 　　Liam Kan (videos "How Can You Expect to Be Taken Seriously?" and "Where the Streets Have No Name [I Can't Take My Eyes Off You]") 　　Chris Lowe (video "Paninaro") 　　Andrew Morahan (videos "West End Girls", "Love Comes Quickly" and "Opportunities [Let's Make Lots of Money]") (as Andy Morahan) 　　Martin Parr (video "London") 　　Pedro Romhanyl (videos "I Don't Know What You Want But I Can't Give It Any More" and "You Only Tell Me You Love Me When You're Drunk") 　　Zbigniew Rybczynski (video "Opportunities [Second Version]") 　　Neil Tennant (video "Paninaro") 　　Wolfgang Tillmans (video "Home and Dry") 　　Eric Watson (videos "Love Comes Quickly", "Suburbia", "What Have I Done to Deserve This?", "Domino Dancing", "Left to My Own Devices", "It's Alright", "So Hard", "Jealousy", "DJ Culture") 　　Bruce Weber (videos "Being Boring", "Se a vida é - That's the Way Life Is", "I Get Along/E-Mail")

the best pet shop boys video collection ever 　　Jack Bond (videos "Always On My Mind" and "Heart") 　　Howard Greenhulgh (videos "Can You Forgive Her?", "Go West", "I Wouldn't Normally Do This Kind of Thing", "Liberation", "Yesterday, When I Was Mad", "Paninaro '95", "Before", "Single-Bilingual", "A Red Letter Day", "New York City Boy") 　　Annie Griffin (video "Somewhere") 　　Derek Jarman (videos "It's a Sin" and "Rent") 　　Liam Kan (videos "How Can You Expect to Be Taken Seriously?" and "Where the Streets Have No Name [I Can't Take My Eyes Off You]") 　　Chris Lowe (video "Paninaro") 　　Andrew Morahan (videos "West End Girls", "Love Comes Quickly" and "Opportunities [Let's Make Lots of Money]") (as Andy Morahan) 　　Martin Parr (video "London") 　　Pedro Romhanyl (videos "I Don't Know What You Want But I Can't Give It Any More" and "You Only Tell Me You Love Me When You're Drunk") 　　Zbigniew Rybczynski (video "Opportunities [Second Version]") 　　Neil Tennant (video "Paninaro") 　　Wolfgang Tillmans (video "Home and Dry") 　　Eric Watson (videos "Love Comes Quickly", "Suburbia", "What Have I Done to Deserve This?", "Domino Dancing", "Left to My Own Devices", "It's Alright", "So Hard", "Jealousy", "DJ Culture") 　　Bruce Weber (videos "Being Boring", "Se a vida é - That's the Way Life Is", "I Get Along/E-Mail")

Pop Go the Women: The Other Story of Pop Art The story of pop art has been culturally canonised as the preserve of a ground-breaking gang of boys, focusing on the likes of Roy Lichtenstein, Andy Warhol, Peter Blake, Richard Hamilton, or Tom Wesselman. Just like Andy Warhol's soup cans or Lichtenstein's comics, women were simply commodified objects. However back in the day, pop art was not just a boys' club. The scene was full of female artists, tussling with sexuality, violence and consumer culture every bit as much as their male counterparts. Strangely, their work has been consigned to the margins of history - they started out together, shared the same art dealers and were shown in the same exhibitions, but as the boys' prices skyrocketed, the girls' stayed put. By the end of the sixties they had pretty much been erased from the pop narrative. In this Culture Show special, Alistair Sooke tracks down the forgotten women artists of pop, finding many of them are still alive and working, their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer and Jann Haworth.

Pop Go the Women: The Other Story of Pop Art The story of pop art has been culturally canonised as the preserve of a ground-breaking gang of boys, focusing on the likes of Roy Lichtenstein, Andy Warhol, Peter Blake, Richard Hamilton, or Tom Wesselman. Just like Andy Warhol's soup cans or Lichtenstein's comics, women were simply commodified objects. However back in the day, pop art was not just a boys' club. The scene was full of female artists, tussling with sexuality, violence and consumer culture every bit as much as their male counterparts. Strangely, their work has been consigned to the margins of history - they started out together, shared the same art dealers and were shown in the same exhibitions, but as the boys' prices skyrocketed, the girls' stayed put. By the end of the sixties they had pretty much been erased from the pop narrative. In this Culture Show special, Alistair Sooke tracks down the forgotten women artists of pop, finding many of them are still alive and working, their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer and Jann Haworth.

Alastair Sooke celebrates the protean genius of one of America's most prolific and original artists, Robert Rauschenberg. Fearless and influential, he blazed a trail for artists in the second half of the 20th century, and yet his work is rarely seen here in the UK. That is about to change with a major retrospective at Tate Modern in December 2016. 　　Rauschenberg was the first artist to win the Golden Lion at the Venice Biennale in 1964, creating a crucial bridge between the abstract expressionists of the 50s and the pop artists who emerged in the 60s. 　　Famous for his 'combines' that elevated the rich junk of life to the status of high art, he continued to work right up to his death in 2008, collaborating with dancers, scientists and social activists on a startlingly broad array of projects. 　　Presenter Alastair Sooke travels to the east coast of the USA to talk to those closest to Rauschenberg to reveal the boundless curiosity and restless experimentation that kept him engaged till the very end of his six-decade career.

Alastair Sooke celebrates the protean genius of one of America's most prolific and original artists, Robert Rauschenberg. Fearless and influential, he blazed a trail for artists in the second half of the 20th century, and yet his work is rarely seen here in the UK. That is about to change with a major retrospective at Tate Modern in December 2016. 　　Rauschenberg was the first artist to win the Golden Lion at the Venice Biennale in 1964, creating a crucial bridge between the abstract expressionists of the 50s and the pop artists who emerged in the 60s. 　　Famous for his 'combines' that elevated the rich junk of life to the status of high art, he continued to work right up to his death in 2008, collaborating with dancers, scientists and social activists on a startlingly broad array of projects. 　　Presenter Alastair Sooke travels to the east coast of the USA to talk to those closest to Rauschenberg to reveal the boundless curiosity and restless experimentation that kept him engaged till the very end of his six-decade career.

1 波普艺术(POP)字面意思就是流行艺术.和流行音乐/文化含义一样,意义其实也类似. 　　2 本片采访POP一堆教父级别的人物.是其他艺术运动纪录片从未有过的. 　　3 POP用通俗的表达方法打掉了看似高雅的抽象现代艺术. 前者让大众接受, 后者更多只是个人无法理解的表现. 　　4 POP形式上类似于推销和宣传,而本质上是使用同样手段反宣传反推销. 　　5 POP的高潮在50年代的纽约,而21世纪的热点,甚至代表人物在中国.

二十世纪最重要的艺术形式之一，波普艺术的拥趸，阿拉斯泰尔·苏克将剥去波普艺术空洞、玩世不恭的表面，为观众揭示它内在的颠覆性智慧和激进理念的艺术风格。他将采用一种全新的视角来审视波普艺术大师，安迪·沃霍尔和罗伊·利希滕斯坦的大作，并追溯到这门艺术的先驱者们，包括美国的詹姆斯·罗森奎斯特、克拉斯·欧登伯格和埃德·拉斯查，以及英国的神父彼得·布莱克和艾伦·琼斯。同时，他也将揭示波普艺术是如何让那些名人、广告界和大众媒体为之着迷，并最终掀起了一次席卷全球的艺术运动。此外，阿拉斯泰尔还将前往中国，见证这里新一代的艺术家是如何在二十一世纪对波普艺术进行重塑。