第一的故事AIKuprin“大象”在1907年发表在杂志“路径”由， 博士：伊利亚Mitrofanovich（O. Basilashvli）爱他的女儿萨莎（N. Shinakova），但帮不了她，在她的疾病和悲伤。萨沙是只有7岁，她没有母亲。死了。孩子的生命消失了。爸爸总是试图治愈药水，礼物和各种美味佳肴。所有的努力是徒劳的父亲，一个孩子天天消瘦。欧洲顶级灯具药物或什么不能做。“他表明自己谢泼德......” 但有一个救世主！这名医生的Kostya（佐洛图欣）。克斯特亚从学院被开除“政治观点”，而现在他在马戏团兼职工作，清理马厩。法国作为一个神秘的“黑面具”的斗争中，甚至参与！Kostik善良的男人，他的心总是响应别人的痛苦。不幸的是，这样的人是越来越少了。会议与昔日同窗转向以利亚Mitrofanovich灾难性的。克斯特亚会告诉你，女孩的“生命冷漠”，“疾病的痛苦。” 为了招待她放纵自己的各种欲望，不管他们是不是所有明智的。马戏团和骨骼的大象本巴的故事后，萨沙的父亲曾经说过，他希望大象！ 克斯特亚履行的女孩的心愿-它会导致一个活生生的大象婴儿床。本巴-这是乐趣和温厚巨头的名字。他们很快成为朋友和萨莎将恢复，但很快他们就会有 德语教师离开。伟大的演员：塔蒂亚娜的Peltzer亚历山大潘克拉托夫- CHERNY的艾哈迈德，本巴的所有者。 也许作者花了一点点从Kuprina，但电影是不错的。

在都市疲惫夜色中，余星辰（许卓伦 饰）重逢少年白月光苏若（徐媛媛 饰），却惊闻其死讯。神秘黑衣人出现，将他拽入时空漩涡重返高中，此时苏若正值18岁。跨越十五年时空重叠，他在熟悉场景中探寻。少时暗恋能否揭开死亡谜团？这场相遇是命运补偿还是真相引子？

常年在运河上跑船的曹海军夫妇计划运完今年的最后一批货，回家过年。然而，由于码头卸货计划的不断调整，他们只能一路往南。日夜兼程地航行，离家的距离越来越远。闸门关闭的日期越来越近，船擦过水面，伴着急切归家的心情，惊动了寂静的夜

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

三十岁出头的丛林（任素汐 饰）如何也想不到，与哥哥丛来（李晨 饰）的又一次戈壁“寻人之旅”，会被一场沙暴推向生命绝境。 　　哥哥身负重伤，丛林必须独自前行，为两条生命寻找一线生机。

在未来的北美洲大陆上，「世界彻底分裂」。七个巨头瓜分了所有的土地，他们和他们的私人武装对辖区实施独裁统治。未来没有枪支，没有火器。一个受训练﹑粗鲁，叫Sunny的战士（吴彦祖饰演），以及一个男孩M.K.（Aramis Knight），为找到教化一同踏上旅程。

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。

To an American audience, "The Abandoned Field: Free-Fire Zone" is an unusual movie in many ways. First, this Vietnamese film tells a story of the Vietnam War through the eyes of Viet Cong guerillas. Instead of the camera hovering above the ground in the U.S. helicopters, it's in the rice paddies looking up at those lethal machines. Second, it depicts the effects of war on a family (mother, father, and child) whose daily life is made unpredictable and uncertain by the whims of battle. Granted, the father and mother are VC guerillas who voluntarily put themselves – and their child – in harm's way, but this touches upon another uncommon element: Hollywood audiences aren't used to seeing a woman (the wife) as a protagonist in a war drama. These qualities alone would make "The Abandoned Field" of great interest, but the film also does more. This movie is quite well made. The story is briskly paced, but it still takes time for quiet observations of the couple's frugal family life as they hide from the choppers. The film's visual surface appears equally frugal. The hand-held black & white cinematography gives the images a rough-hewn feel that captures the spirit of the 1960s New Wave and resembles early newsreels of the war. This visual approach might have been completely determined by the economic realities of the time, but the film's low-tech look seems to stand in defiant opposition to Hollywood's high-gloss surface. It's as though director Hong Sen Nguyen wanted to utilize a "guerilla" visual style to match the content of his story. Of course, being from Vietnam, "The Abandoned Field" wants us to side with the guerillas, but the movie also acknowledges the humanity of an American soldier and presents him as an equal victim of the war. Certainly, the movie is more even-handed than most American films about Vietnam, especially those of the Rambo/Chuck Norris variety. The movie's biggest drawback for U.S. audiences is that its American characters are played by Vietnamese actors (some of whom look racially mixed) speaking in the Vietnamese language. Of course, this instance of unbelievable casting arose from Vietnam's lack of access at the time to professional American talent. The American viewer simply has to accept it as a convention. Another admirer of "The Abandoned Field" is director Oliver Stone, who also bemoans the film's lack of authenticity in things American. He once remarked at a UCLA panel that he wished he could have been the film's technical advisor. But its inaccuracies didn't interfere with his enjoyment of the movie. (Stone would go on to direct his own war drama told from the perspective of a Vietnamese woman: 1993's "Heaven & Earth.") "The Abandoned Field" offers American audiences an unusual and absorbing story. Coming to the movie with an open mind, viewer

2022年，杭州亚运会施工建设正如火如荼展开。傍晚，一对恋人开摩托车行驶在城郊，剖开城市肌理，寻找记忆中的游乐场。当一阵风吹过的时候，他们回想起一名诗人说过的一句话：世界是一片荒原。