Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

A storyteller, an ethnic Korean from China living in Japan, revisits fragmented memories, blurring the line between fiction and reality.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

故事的主人公波亚·辛格(沙鲁克·汗 饰)，是一个爱挑战的人，充满魅力和智慧，又有点傲慢。他出生在一个富裕的家庭， 然而身材矮小的他，面对爱情时总是受到嘲讽和讥笑，机缘巧合下，波亚爱上了一位女科学家（安努舒卡·莎玛 饰），然而一次偶然的机会，波亚遇到了他心中念念不忘的女神（卡特莉娜·卡芙 饰），寻找爱情与勇气的路上面临诸多挑战。最终波亚会何去何从？

故事的主人公波亚·辛格(沙鲁克·汗 饰)，是一个爱挑战的人，充满魅力和智慧，又有点傲慢。他出生在一个富裕的家庭， 然而身材矮小的他，面对爱情时总是受到嘲讽和讥笑，机缘巧合下，波亚爱上了一位女科学家（安努舒卡·莎玛 饰），然而一次偶然的机会，波亚遇到了他心中念念不忘的女神（卡特莉娜·卡芙 饰），寻找爱情与勇气的路上面临诸多挑战。最终波亚会何去何从？

罗志祥复出主持新节目《从零开始》，这是一档露营实境节目。

羅志祥復出主持！新節目《從零開始》是一檔露營實境節目。

90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴, 삼풍 백화점 붕괴, 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. 　　What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 　　18th Busan International Film Festival Documentary Competition

清朝中叶后，内忧外患不断——内有天理教、白莲教造反作乱，外有西方列强入侵。“鸦片战争”失利以后，西方列强更是长驱直入、与清廷勾结，祸害百姓，致使民不聊生。同时应“工业革命”而生的新科技产品，也在此时进入中国。在这样的乱世中，有一名叫做杨露禅的孩子诞生了。　　杨露禅天性憨直驽钝，但是身负异秉“三花聚顶”。他自幼丧母，跟随天理教走四方、打天下，但是由于用劲过度，“三花聚顶”已经威胁到了他的性命，除非河南清风岭陈家沟的“陈家拳”才能救他。　　为了保住性命，也为了完成母亲的遗愿，杨露禅来到陈家沟学拳。因为“陈家拳不外传”的铁律他吃足了苦头，后来虽得到陈家拳掌门陈长兴青睐，却意外卷入“直隶铁道总监造”方子敬和掌门之女陈玉娘的感情纠纷里。　　在陈长兴指点下，杨露禅和玉娘连手毁掉方子敬用来铺路毁村的机械怪兽“特洛伊”，解除了陈家沟的灭顶之灾。但是立下大功的他却被村民怀疑“偷拳”，要废去他的武功。在最后关头，陈玉娘挺身而出决定下嫁杨露禅，救了他的性命。　　此时，杨露禅与《太极》的故事才刚刚开始……