傳統的父親形象不脫力量、英勇、傲氣等雄性魅力，以雄鷹作為代表性象徵，在後現代的性別語境下，父親的圖騰又會演變成甚麼？Joan 回港探望父親並安排他相親，卻發現父親腳部受傷並由一名神秘男子阿傑照顧，加上父親總是迴避相親，讓 Joan 懷疑父親與阿傑之間是否藏着甚麼秘密。舞台劇劇帝魯文傑聯同《三命》（2025）夫妻檔蘇家樂和伍詠詩帶來一段魔幻寫實的家庭短篇，導演在全片加插滿滿的動物符號，為性別光譜添上繽紛的點綴。

兔妈妈在拔萝卜时，兔宝宝小白躲在萝卜后面捉迷藏。兔妈妈告诉他不要乱跑，山里有狼。小白兔马上就说：“我知道，我知道。”兔妈妈问狼是什么样子。小白连说：“狼的样子是小小的眼睛大嘴巴，尖尖的牙齿长尾巴”。兔妈妈告诫小白，遇到狼不要跑，要钻进洞里，小白又说：“我知道，我知道。”其实小白兔根本不知道狼真正是什么样子。

兔妈妈在拔萝卜时，兔宝宝小白躲在萝卜后面捉迷藏。兔妈妈告诉他不要乱跑，山里有狼。小白兔马上就说：“我知道，我知道。”兔妈妈问狼是什么样子。小白连说：“狼的样子是小小的眼睛大嘴巴，尖尖的牙齿长尾巴”。兔妈妈告诫小白，遇到狼不要跑，要钻进洞里，小白又说：“我知道，我知道。”其实小白兔根本不知道狼真正是什么样子。

小白兔在妈妈的保护下长大，以为自己什么都知道，“我知道”也就成为她的口头禅，但是她真的都知道么？她在森林中会遇到什么危险呢？

金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

金猴奖专家评委说这个动画“看不懂”，动漫草根们却说“热泪盈眶”地把它看完了。在一群动画小人追求梦中情人的过程中，你笑了还是哭了？“谐脉阵”、“分钟数”，你还能找到多少隐藏在剧情中的现实彩蛋？专家看不懂的故事里，你看懂了多少？有没有自己在里面？我，“不知道”！ 这是一部幽默的音乐动画短片, 几个年轻人为了追求理想中的梦中情人, 经历一系列冒险和考验, 最终却获得了意想不到的效果. 但同时所有动画人看到这部片子都会会心一笑, 中国动画的发展史, 从早期的辉煌,后来的网络动画兴盛,动漫产业扶持到现状,每一个角色, 每一个场景道具, 都是中国动画原创力量中的一份子, 也许是作品, 也许是团队logo, 也许是一个知名的事件, 故事结尾预示着在三部委的引领下,中国原创动画从量产到创作精品的过程, 实现动画产业的井喷式发展.

The film offers insight into the filmmaker's stay in hospital, where she repeatedly experiences absurd, funny moments between pain, homesickness, and disgust with her own body. Meanwhile, she tries to come to terms with the hospital's own procedures and hierarchies. An emotional trip through the long underground corridors of the hospital with lots of small talk and tubes.

Radu Jude has made a seven-minute self-portrait for the magazine report Kurzschluss (Short Circuit) by arte in cooperation with goEast Film Festival Wiesbaden (Germany). 　　Please also find an extensive Q&A with Radu Jude at the goEast website: filmfestival-goeast.de/en/goEast_online/online_in_discussion_with_radu_jude.php

Director Krzysztof Kieslowski gives a voice to a Polish whistleblower who revealed crimes and corruption involving local Communist Party leaders. During the 1950s, he was appointed manager of a leather factory in Silesia. There he came across shady practices such as selling stolen goods and claiming expenses for fictitious business trips. But the moment he started to investigate, he was accused of theft and fired, and subsequently even threatened with violence. Unbeknownst to him, he had become Public Enemy No. 1. All of this culminated in a nervous breakdown and his being committed to a psychiatric institution. Now, the only thing that matters to him is a clear conscience. Kieslowski’s seldom-screened documentary is the testimony of a man who eventually turned against the system he had initially been an enthusiastic part of. Kieslowski had great doubts about releasing the film, as he was afraid of putting the whistleblower in even greater danger. To protect him, he included the sound of a typewriter at the moments when people are named.