The creator of a number of acclaimed documentary shorts, Ken Wardrop has been feted as one of Ireland's most promising filmmaking talents. His distinctive first feature, shot through with charm and humour, has a deceptively simple conceit that manages to deliver an honest and revealing insight into life in the country. Inspired by the story of his mother's life, Wardrop presents interviews with women from across the midlands of Ireland. Starting with some in their nappies and ending in a nursing home, the women of gradually increasing ages welcome viewers into their own homes, and from these living rooms, kitchens and hallways, they talk about their experiences, about their relationships and attitudes towards men. These daughters, wives and mammies are, by turns, frank, funny, gracious, perceptive and moving, and collectively, the interviews form the narrative of life, from cradle to grave, in an inventive and original way. Wardrop's gift for observation is impeccable; each scene is beautifully composed, the women and the interiors all intriguingly framed through a static camera lens. 　　Michael Hayden

精明干练的职场精英雷粒、温柔漂亮的全职主妇任多美、力求证明自己的隐形富家女沈嘉男，原本年龄不同、性格迥异，经历也并无交集，却在面临职场和生活困境的人生重要节点里成为了相识相知、相亲相爱的挚交好友。从互相揣测对方到渐渐接纳彼此，从独自面对到互相敞开心扉，从单打独斗到互相撑腰，三位勇敢、坚强，又充满智慧和力量的现代都市女性，最终齐心协力解决了彼此生活中发生的种种问题和困惑，并见证了彼此的成长与蜕变。历经千帆后，三人凭借自身的努力，不光撕掉了外界贴在女性身上的固有标签，更是勇敢开拓了实现自我的事业，如同三首曲调各异的乐章交织在一起，奏出了美妙绝伦的人生乐曲。

精明干练的职场精英雷粒、温柔漂亮的全职主妇任多美、力求证明自己的隐形富家女沈嘉男，原本年龄不同、性格迥异，经历也并无交集，却在面临职场和生活困境的人生重要节点里成为了相识相知、相亲相爱的挚交好友。从互相揣测对方到渐渐接纳彼此，从独自面对到互相敞开心扉，从单打独斗到互相撑腰，三位勇敢、坚强，又充满智慧和力量的现代都市女性，最终齐心协力解决了彼此生活中发生的种种问题和困惑，并见证了彼此的成长与蜕变。历经千帆后，三人凭借自身的努力，不光撕掉了外界贴在女性身上的固有标签，更是勇敢开拓了实现自我的事业，如同三首曲调各异的乐章交织在一起，奏出了美妙绝伦的人生乐曲。

淹没于茫茫人海中的三位女性，她们都在追求着属于自己的“平凡的幸福”。然而，追求幸福的道路却通向了“犯罪”。职场强人、家庭主妇、派出所女警，三人是敌是友？今夏，敬请期待她们的谎言、陷阱、以及不为人知的另一面。 　　本剧改编自横関大的同名小说。

淹没于茫茫人海中的三位女性，她们都在追求着属于自己的“平凡的幸福”。然而，追求幸福的道路却通向了“犯罪”。职场强人、家庭主妇、派出所女警，三人是敌是友？今夏，敬请期待她们的谎言、陷阱、以及不为人知的另一面。 　　本剧改编自横関大的同名小说。

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

在一家郵購公司販賣部門接受投訴部門工作的深美對於自己要這樣渡過下半輩子感到非常的不安，同時深美機緣巧合到了一家女性專用的進修補習班參觀，因此認識了參加宗教音樂班的千津與以國家公認會計資格為目標的次子。 　　這是一部應該歸類為成長型的日劇。並且一如它所描繪的現實世界一般，欣賞的過程絕不輕鬆。深美的角色代表了這一代大多數的年輕人：按部就班的長大、升學、就業、過日子。雖然沒有天大的煩惱，卻對一成不變的生活感到無能為力。深美的姐夫啟介則是三十代的上班族縮影；當公司視員工為糞土時，工作對你的意義是什麼？ 於是，深美拉著千津跑上大樓屋頂用力大喊「私はここにいます！」。就如同深美所說，就算是微不足道的煩惱，對於煩惱它的人來說，卻是很大的煩惱。因此，當你連在煩惱什麼都不知道的時候，就只能用力嘶吼，證明自己的存在。 　　勉強要說缺點的話，大概就是後期玩得有些失控的導演運鏡，以及貫穿全劇，出自《Backstreet Boys Millennium》專輯的配樂。前者是澤田鎌作太過鮮明的個人風格所致；後者則因為NiNa的主題曲《Happy Tomorrow》實在是選得太好了，所以儘管會在明明是友情的場景出現唱給媽媽聽的歌，還是瑕不掩瑜。 結局，是一樣充滿不安的未來。「我們都不知道會走向何處，但還是得繼續往前走。」雖然沉重，但是劇中人已經有了能一起承擔的伙伴，或獨自向前的勇氣。最後，三位女主角也終於能以不同的心情向世界宣佈：「我們在這裡！」 那麼，你又在哪裡呢？

主要讲述一战中四位女人（青楼女子、豪门太太、修女、女护士）的命运；有人为了爱，有人为了生活，有人为了信仰，总之，这才是有血有肉的人啊！