失去了一条腿后，前警察迪兹把重心放在培训他心爱的三只警犬上。他那已分居的妻子佳娜在当地体校任校医，并与前途无量的游泳运动员—17 岁的学生罗伯兹谈起了恋爱。在一次幽会之后，迪兹的车撞上了一只得了狂犬病的野猪，最终迪兹的狗染上了病毒。这起事故让迪兹暗起疑心，妒火中烧。迪兹只顾着找佳娜的秘密情人寻仇，忽略了他被感染狂犬病的狗日益严重的异常行为和攻击性。就在这段三角恋恶化的同时，三只警犬也逃了出去威胁着当地小镇。面对生活和事业的惨败，迪兹决定将命运掌握在自己手中。

人工智能专业研三学生蒋苡一，自从双胞胎妹妹去世后一直心怀愧疚，立志要开发一款AI让妹妹“复活”，也因此闯入了“AI大神”顾屿的世界。而顾屿虽在AI界被封神，却有着鲜为人知的心理疾病。为治愈疾病，他一直在寻找儿时曾治愈过自己的“青梅”，却阴差阳错找到了“青梅”的姐姐——蒋苡一。本不应该发生爱情的两个“感情白痴”，在共同研究项目的过程中，因为价值观的契合，早已在不知不觉间向对方越靠越近。在帮彼此解决困难的同时，萌发了爱情的种子......

人工智能专业研三学生蒋苡一，自从双胞胎妹妹去世后一直心怀愧疚，立志要开发一款AI让妹妹“复活”，也因此闯入了“AI大神”顾屿的世界。而顾屿虽在AI界被封神，却有着鲜为人知的心理疾病。为治愈疾病，他一直在寻找儿时曾治愈过自己的“青梅”，却阴差阳错找到了“青梅”的姐姐——蒋苡一。本不应该发生爱情的两个“感情白痴”，在共同研究项目的过程中，因为价值观的契合，早已在不知不觉间向对方越靠越近。在帮彼此解决困难的同时，萌发了爱情的种子......

还记得初恋的味道么？有可能你已经忘记初恋的味道了，或许你已将它埋在心里，也或许此时此刻正经历着初恋，不管如何，初恋呢，是甜蜜的，是羞涩的，是幸福的。曾经是初恋的那个人， 当再次相遇的时候，会擦出什么样的火花呢。《初恋微甜》漫动画，每周一-周五更新全网更新！

还记得初恋的味道么？有可能你已经忘记初恋的味道了，或许你已将它埋在心里，也或许此时此刻正经历着初恋，不管如何，初恋呢，是甜蜜的，是羞涩的，是幸福的。曾经是初恋的那个人， 当再次相遇的时候，会擦出什么样的火花呢。《初恋微甜》漫动画，每周一-周五更新全网更新！

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang